“For me, the band makes music that makes you feel like anything is possible,” says Chase Bader, the lead singer and acoustic guitarist for Waker.

A six-piece ensemble from Nashville, Tennessee, Waker’s sound spans the American musical spectrum. The group combines the spirit of classic rock, the pathos of Motown soul, the restless experimentation of jam-band music, and the songwriting acumen of the best indie rock and what results is a wholly original and stirring aural gumbo. It’s this unique sound that’s earned them slots on stages at Bonnaroo, Hangout, and SXSW.

This year, the band is poised to release its debut album, Fresh Out. Produced by Lincoln Parish, best known as the lead guitarist for Cage the Elephant, the album is the story of an American road band in the year 2020 and the trials and tribulations they’ve had to endure along the way.

Waker is Chase Bader, Conor Kelly, Alex Mathews, Ryan McClanahan, Dave Czuba, and Ryan Ladd.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

My newest project The Bedroom Tour Playlist now available on iTunes. http://smarturl.it/bedroomtourpl http://niykeeheatonmusic.com

Follow Me On Twitter/IG: @NiykeeHeaton
Booking: JZ@wmeentertainment.com
All Other Inquiries: NiykeeInquiries@gmail.com

I make this stuff. sometimes people listen.

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