AINA

Group members: Aina Vilberg, Nikita Budash.
Founded in 2015
Genre: electronica

AINA  is a combination of the name and voice of a powerful vocalist Aina Vilberg and live electronica of Nikita Budash.
This is a project in which two musicians with versatile and impressive background have a chance to put on new roles, creating a mesmerizing, calm and very personal  world, and a portal to it lies through Nikita's guitar mantras and spatial yet painfully strained Aina's vocal.
Texts in Russian about phrenetic places 'between heaven and Earth' and 'personal light' add to the slightly surreal mood,  woven by the music created with the use of analog synthesizers  and enriched by numerous back vocals by Aina and Nikita.  The sound is fresh and almost tangibly up-to-date; it feels that people who invented and produced this are surely aware of the latest tendencies in the world electronic and pop-music.  Sincere, intimate and mystical, carefully produced by a virtuoso of musical space and depth Konstantin Kostenko, this music is a discovery of a new name which is certainly worth remembering.

Nikita Budash (music):
The music is composed with the help of analog synthesizers with no use of VST; this is a truly live project.

Aina Vilberg (lyrics, vocal):
I've been looking for my musical self for a very long time and experimented with lots of genres and styles, finally finding myself in this project.

Konstantin Kostenko (mix/mastering).

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Состав: Айна Вильберг, Никита Будаш
Год основания: 2015
Жанр: elecrtonica

AINA - это голос и лицо/имя сильнейшей вокалистки Айны Вильберг и живая электроника Никиты Будаша .
В этом проекте музыканты с внушительным и разношерстным бэкграундом нашли новые для себя роли и вместе творят завораживающий спокойный и очень личный мир, портал в который проходит через гитарные мантры Никиты и пространственный, но с легким надрывом вокал Айны.

Никита Будаш (музыка):

Айна Вильберг (текст, вокал):

Константин Костенко (мастеринг)

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Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

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