April 26 2025 (new version for chamber orchestra)

Konserthuset, Helsingborg

Helsingborgs Symfoniorkester

Cathrine Winnes

It revolves around the artist Hilma af Klint’s life and hers 
not entirely conflict-free relationship with the founder of anthroposophy Rudolf Steiner. 
Not all material was created use in the final version of the opera. 
The composer has now chosen to highlight this his five Hilma Scenes. 
The first scene is a lament to Hilma’s mother, 
the second a musical design by Hilma af Klint’s iconic painting Altarpiece, shaped like a large pyramid. 
The third movement, Seance, refers to creative processes with elements of fire and incense and it fourth paints Hilma’s visions of the two world wars. The fifth and final scene is a farewell to life.

Benjamin Staern - Hilma scenes (orchestra version)

Benjamin Staern (b. 1978) started his musical experience with studies in cello, piano and percussion in his youth. Studies in musicology at Lund University and subsequently studied composition at the Malmö Academy of Music during 1998-2005 with Rolf Martinsson, Hans Gefors and Luca Francesconi, and made an early breakthrough, while still a student at the Malmö Academy of Music, with the symphonic work The Threat of War (1999). 

From this point on, Staern has developed a deeply personal style with an output including orchestral and chamber works, solo pieces and electroacoustic music. An interesting aspect of his work as a composer is his unusual ability to associate tones and timbres with different colours and tints. This is a variant of a phenomenon called synaesthesia which is fundamental in his perception and the creation of his music, and which is reflected in his sound world as well as in many of his work titles (Yellow Skies, Colour Wandering etc.) 

Today Staern receives commissions on a regular basis. Looking into the near future, he is commissioned to write a major work for Malmö Symphony Orchestra and song cycle for alto Anna Larsson and Helsingborg Symphony Orchestra. From September 2010 he is composer-in-residence with New European Ensemble for them he composed works from this collaboration such as Tranströmersånger (selected poems from the Sad Gondola - collection by Nobel-prize author and poet Tomas Tranströmer) and Bells and Waves (Chamber Symphony), winner of the SMFF Award 2011 in the category ”most important work in chamber music/smaller ensemble”.

Works by Benjamin Staern is today performed not only by all the major Swedish orchestras but also internationally by orchestras such as the MDR Sinfonieorchester, Tokyo Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Iceland Symphony Orchestra, Staatsorchester Rheinische Philharmonie and the BBC Scottish Symphony Orchestra. Staern has collaborated with ensembles including New European Ensemble, Sonanza Chamber Ensemble, Ensemble Aspekte and Stockholm Chamber Brass. Soloists include Håkan Hardenberger, Anna Larsson, Johannes Möller, Karin Dornbusch, Carina Vinke, Gitta-Maria Sjöberg, Philippe Cassard and conductors Michael Christie, Daniel Raiskin, Christian Karlsen, Mats Rondin, Mika Eichenholz and Stefan Solyom.

Makes soundscapes from field recordings and instrumental pieces. Music is memory.

Benjamin Staern - Hilma scenes (orchestra version)

Benjamin Staern Composer