Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Following on from his father who ran a disco in Coventry in the 1970s, Bobby starting out mixing  on a pair of belt drive vinyl decks in 1995 and has always had a love of dance music. 
From the festival circuit playing in front of 10,000 party faces dressed as spacemen to rinsing it at conscious clubbing events and ecstatic dances, brand events, exclusive private parties and weddings, Mr Lost is comfortable on the decks in all settings. Spinning has seen him play all over the world from Dublin to Delhi alongside D.Js including Fatboy Slim, Rob Da Bank, Adam Freeland, My Digital Enemy, Tom Neville, The Loose Cannons,  and The Mystery Jets to name a few.  He crosses genres with ease he doesn't take himself too  seriously spreading his special brand of heartfelt joy and playfulness. A keen specialist in 'conscious clubbing' Bobby has enjoyed residences at at Morning Gloryville Brighton, Right Here Right Now in Brighton, Battersea Conscious Club and  'Puravida- Hedonism with Heart' a quarterly three day conscious Festival.
These days you'll find him living out the coastal rhythm in cornwall with residency at sober rave outfit Rave OM, and playing Reggae at a beach Bar.

Booking Requests: 
info@getlostandfound.com



Bobby has been raising the 'conscious clubbing' vibration since putting down the pills picking up the pure vibes in 2009 and doing it naturally ever since.
As the Natural-High 'Raveolution' has gathered momentum in the last decade of Bobby has been honoured to be considered a 'tuned in' specialist and has seen him playing events in Brazil, Canada, and European cities such as Barcelona, Amsterdam, Stockholm, and Oslo as well as residencies in the UK.
He also is a passionate ecstatic dance DJ and founder of Rave OM an ecstatic dance in a country estate in Cornwall- South West England.
Events played.
Medicine Festival (UK)
Ecstatic Cacao Dance (Amersterdam)
Ecstatic Dance (Cornwall)
Rave OM (UK)
Morning Gloryville (London, Barcelona, Brighton, Amsterdam)
Buddhafields (Headlining the dance tent)
Into the Wild Festival (UK).
Bestival Toronto (Canada)
Brighton Yoga Rave (UK)
Movement Arts festival (Oslo)
Togetherness festival (Dorset,UK)
Bliss Conscious Clubbing (Oslo and Stockholm)
Exhale Yoga Festival (UK)
Shake Awake (Bristol)
Feeling Groovy (Bristol)
Buddahfield in the city (Bristol)
Portugal Tantra Festival (Portugal).
Angsbacka, No Mind,New Year, and Tantra Festivals (Sweden)
Puravida- Hedonism With Heart, Summer of Love, Tantra Festivals- Osho Leela.
Noisily Festival (UK).
Boardmasters Festival, (UK).
Bestival Festival, (UK).
Secret Garden Party in the  Lost woods (UK).
Camp Bestival (UK)
The Isle of Wight Festival (UK)
Shambala (UK)


Rob is also the man behind the pioneering festival social mechanics, fun busting crew Lost & Found and brings this flavour and experience to his DJ sets equally adept at hyping the crowd as MC as spinning tunes.


As a co-producer his Fleetwood mac Remix with Fear of Theydon was an underground hit on the blogs and was played all over the world from Burning man to Ibizia and continues to get played out.

“Sharing the music that I love and making the crowd dance and smile - that’s why I love deejaying. Creating pure energy, feeling that energy with everyone on the dancefloor and hearing the roar when a drop hits. There’s no better feeling.” Becky Bird.

Fast-emerging, deeply-driven and wholly music-focused: three terms that epitomise the career of rising UK talent Becky Bird.

Cementing her reputation as one of London’s brightest prospects, Becky has graced the capital’s most-iconic venues in recent times. Egg, Ministry Of Sound, and 93 Feet East are just a few examples of clubs in which she has unleashed standout debut performances, a testament to her keen-ear for deejaying.

Such a feat is made ever-more impressive considering her career is still in its early stages. A long-standing resident of the ELEMENT party series, Becky has already been billed alongside Michael Bibi, Sam Divine, Solardo and a wealth of other established names within the contemporary dance sphere.

That innate musical know-how has shaped the sound with which Becky has become best-known. It’s eclectic, drawing influence from the shades of electronic music that have become so popular in recent years. Merging the boundaries between the deeper ends of minimal, house and tech, the result is an infectious energy on the night that makes her style ripe for all environments. Whether that be the intimate walls of Sankeys East or the stripped-back tunnels of Great Suffolk Street Warehouse, delivering blistering performances are her forte.

Such energy isn’t limited to just club shows either. Radio has played a big part in Becky’s career progression, with the likes of Ibiza Global and Vibes Bulgaria helping to bring her sound to international audiences. On home soil she has hosted her own radio show, The Bird Call, on 2HI Radio since 2020. Add to that two guest mixes for Kaluki plus her maiden EP landing on a label that’s well-revered in today’s dance scene and you’ll quickly see why this London-native is really starting to turn heads.

2022 looks set to be a milestone year for Becky. Upcoming sets at Lakestock Festival will cement her presence on the UK festival scene. Venturing into the world of production was an inevitable next step for this inherent music-lover, with plenty more music on the horizon.

Represented by Electric Party People
Element Resident
Booking Enquiries: joey@wearethenoise.com

Find all Steve Lawler Singles and Remixes right here on Soundcloud. 
for all DJ mixes, Mix Compilations, Exclusive Mixes, KNCT'D and NightLife Radio go to Steve Lawler's Mixcloud. 
for all Live Footage, Back stage interviews, Life on the Road and Steve's new Unmasked Podcast go to Steve Lawler's Youtube

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


UK & ROW Bookings – luke@nge-booking.com

the pied piper of dance ...and occasionally known to spot the odd tune...

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