Atish plays from the soul with a smile on his face. His charm flows as freely as his grooves, and his infectious personality is poured into every performance. The links he makes are not just musical but personal, too, as he communicates the highs and lows of life through his sounds. As an unmistakably warm person, he has quickly built up a dedicated fan base that feeds off his passion and energy. The Atish experience is about more than just dancing - it's about connection.

There is an intimacy and elegance to the music Atish plays whether it's deep house, Romanian minimal, artful techno, or emotive progressive house. Melody unites it all - whimsical keys and curious synth patterns that stir a wide range of emotions and get lodged deep in the memory. For Atish, the challenge is to lead an audience into unexpected new worlds: they won't know how they got there but will be delighted when they arrive. It's a subtle skill he has mastered
while never taking himself too seriously.

His own productions have come on cultured labels like Anjunadeep, Satya, and Stil Vor Talent. The Manjumasi Music label he co-founded with Mark Slee in 2016 deals in house with real heart and musicality. The aim is simply to work with artists whose music they admire; to give a leg up to those who deserve it, then watch them grow, whether with his label or elsewhere.

He is similarly open-minded and candid on social media and recently wrote some software to analyze a year's worth of playlists before discussing the results. He's also keen to demystify the often shadowy and secretive world of DJing and production and open it up to all, which is why he started his own unique party series, Late Night Tonite. Each event started with a sit-down interview with the guest and a conversation about the creative arts before the dancing began.
That now dormant concept led Atish to start his own mentorship program during the Covid lockdowns. He continues it to this day, with students enjoying one-on-one coaching, feedback, and advice sessions in which he shares what he has learned about all aspects of the industry.

In truth, this career chose him rather than the other way around: as a long-time and obsessive music collector, he was happy enough to play on the side around his software engineering day job. But he was making such a mark on the parties he played that word got out and the bookings kept on coming. He decided to throw himself into music rather than live to regret the missed opportunity and hasn't looked back since.

Atish has forged his own path and proven that DJs need not hide behind the music. Instead, Atish is right there to share the moments with you.

Contact:
mgmt@atishmusic.com

www.ChilloutTreePines.com
http://www.treepines.com
TreePines Project
ChilloutTreePines Radio Owner
Musician Songwriter Composer Producer Chillout ,Lounge ,Electronic,Rock 
https://www.facebook.com/TreePinesProject/
https://www.instagram.com/dafopoulosmakis_treepines/
https://www.facebook.com/ChilloutTreePines

Same Man Wit Paper Or No Paper 
Trust In God
Don’t Believe Wat U See Or Hear, Believe Wat Ur Heart Tells U 
Protect Da Ones U Love

www.lucatestamusic.com

#108 DJ MAG

BOOKING: info@headmusicstudios.com
MUSIC: info@lucatestamusic.com
PUBLISHING: info@neweramusicpublishing.com

Owner Head Studios
www.headmusicstudios.com

Founder Meritocracy Records
www.meritocracyrecords.com

CEO New Era Music Publishing
www.neweramusicpublishing.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Management: MK@threesixzero.com
Bookings NA: MKteam@WMEAgency.com
Bookings RoW: nick.matthews@teamwass.com

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