A record label bringing you music you can to live to.  

Our catalog so far includes releases by:
@mndsgn 
@lowleaf  
@inglewoodsir
@imanomari
@jonbap
@thelastartful
@kadhja-bonet
@underscorelojii
@swarvy
@charlottedossantos
@braxton_cook
@reva-devito
@bravobeats
@umiimusic
@dedemusic
@algorythm 
@hosannas
@reginald-chapman
@aru-2-1
@tiago-frugoli
@aanband
@trox-diesel
@emmavie100
@therobmilton
@djhsounds
@mirrorgazer
@lapisnoise
@mrmarstoday
@danny_dwyer
@juicebox914
@104rog
@roycewoodjunior
@lanebeckstrom
@davidmarstonja
@izco123
@telemakus1
@mreens
@sxlxmxnsxunds
+ always more coming soon.

music for listening & loving —
*mgmt@lovie.world
<3 ₊˚⊹♡ 🌹

Bristol-based producer Sean McCabe released his first tracks in 2003 and has since fine-tuned a trademark sound that is effortlessly soulful.

McCabe made his name in house, developing a long-running relationship with legendary US garage label King Street Sounds and remixing the likes of Dennis Ferrer, Evelyn Champagne King, Carolyn Harding, Blaze, and Roland Clark. Since then he’s amassed an impressive discography, delivering inspired productions for labels like Local Talk, Strictly Rhythm, Vega Records, Tribe, and Quantize – plus an original solo album for Z Records.

A quick listen to any of his productions or one of his superb DJ sets will confirm this attractive, emotion-rich aesthetic. While rooted in house, his sound regularly takes on flavours of disco, boogie, Afro, deeper grooves, proto-house, ‘90s garage-house dubs and much more besides.

As an artist, his 2014 debut album entitled ‘It’s Time’ on Z Records displays his musical range and versatile quality production skills. The album hit Number 1 on Traxsource in its first week and has received support from the likes of Solar Radio, Mi-Soul, Kiss FM, and Jazz FM.

As a DJ, he forged a reputation at the legendary Southport Weekender, where he performed regularly. Anyone who can impress the notoriously knowledgeable Southport Weekender crowd must be doing something right. Sean has also travelled the world, playing as far afield as Asia and South Africa, as well as regular appearances across Europe and the UK. Refreshingly, he seems to have no particular aspirations to play in gargantuan clubs, and admits to preferring gigs in small, intimate venues, where he can make a connection with the crowd.

As a producer, McCabe is constantly learning and evolving, taking his sound in different directions. He admits to a love of vintage synthesizers – picked up from listening to classic New York boogie and ‘80s soul. In 2016, Sean continued his musical journey by launching ‘Good Vibrations Music’ record label – a natural evolution of his renowned Good Vibrations events in Bristol.

With a successful album under his belt, his own record label and notable collaborations with the likes of Karizma, Turbojazz, and DJ Spen, his reputation for bringing quality soulful dance music to the masses continues to rise.

Beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats and more beats 

J O O B A R E C O R D S
beats x biscuits x beats
A F R I Q A x I N D I A

Los Angeles based Hip Hop label. Blu and Exile, Emanon, Choosey, Dag Savage, Cashus King FKA CO$$, Pistol Mcfly, Denmark Vessey and Scud One, ADAD, Blame One, Dystopians.


For info & updates peep : http://thedirtyscience.com 
For Bookings or requests thedirtyscience@gmail.com

From humble origins in Detroit, raised on a healthy diet of Motown, Jazz and early Hip Hop – Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the current hip hop beats scene. Through a steady stream of productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson (who included him on one of his Brownswood Bubblers albums), Lefto, Anthony Valadez, Jazzy Jeff, Questlove and countless others. With the tangible beginnings of worldwide recognition, Tall Black Guy has established himself to be one of the most influential producers working today.

2011-2020 has seen TBG's first vinyl releases with bstrd boots, First Word Records, Ubiquity Records and his own imprint Tall Black Guy Productions (TBGP). Plus projects with artists like: 80s Babies, The Primeridian, Malice & Mario Sweet, Maylee Todd, Temika Moore, Teri Tobin, Skyzoo, The Colman Brothers, Little Dragon, The Foreign Exchange, Sola Rosa, Rainy Milo, Georgia Anne Muldrow, The Black Opera, Reel People, Phonte, Zo!, Miles Bonny

***Disclaimer: NONE of my beats are free to use. If you wish to buy a beat etc. please contact : infotallblackguy@gmail.com

from the Africa South and the constellations of the depths that are womb, and sound like those I have not yet met, and sound like my great grandmother, and sound a journey that is home. Website

DJ Bubbles’ musical career can be traced back to an early enthralment with 70’s Soul/Disco, Funk, World Music, Hip Hop and heavy doses of Jazz. Recollections of the first encounter with the gentle twirl of the gramophone are imprinted in his technique; the texture of wax indelible in his signature brews of nostalgic homage and futuristic ventures. The allure of dusty crates deeply influenced his intuitive ear and probably explains his effortless concoctions of genres in their multiplicity. 
His renowned kaleidoscopes of Funk, Soulful House and Afro-beat, infused with sprinklings of Dub and Electronica sway hips and bump heads on dance floors, stereos and cyber space. Under Bubbles’ meticulous instruction genres fuse and overlap, each a robust vertebra of an ever-malleable spine, bending, writhing and straightening to the guttural tunes of protest music. 
He gained his reputation as ‘the go to guy when you want that heat’ as a Sales Consultant at Flipside Records (which he later managed) in the late 1990s. During his time at Flipside Records he mixed the acclaimed Flipside House Vol. 2 and oversaw the release of Flipside House Vol. 3 mixed by DJ Koti. He has since churned out a steady stream of compelling compilations for the now defunct USM Records and an array of scrumptious mixes for Organik Soul to be found at organiksoul.blogspot.com. 
DJ Bubbles was an instrumental part of the budding Deep House movement of the early 2000s which have its roots in Pretoria . His acclaimed compilations have won him residencies and guest appearances in and around South Africa at reputable establishments including Zwakala Jazz Café, Mushroom Loungeatery (Sunnyside) and Cool Runnings (Pretoria); Lucky Bean (Melville), Bassline (Newtown), Kitchener’s Carvery Bar (Braamfontein), Capitol Lounge (Rosebank); DnE (Port Elizabeth), House of Blues (Gaborone) and Bucannan Square (Cape Town). He is also a sought after event DJ who ceaselessly captivated an assortment of crowds at events including the Oppikoppi Tuks RAG in 2001 and 2003, the African Film summit, the Backstage AIDS Benefit Concert (2006) and shared the stage with formidable guitarist Madala Kunene at the 2012 Africa Day Festival

Bubbles The DJ is following