Control Flex

Enya - Only time

Abundance Flow 432 Hz Music for Wealth and Well-Being 432 Hz Healing Waves: Meditative Music for Inner Harmony Calm Mind & Rich Life 888Hz Sleep Music for Abundant Living 432 Hz Mindfulness Music to Awaken Your Spiritual Essence Meditative Resonance 555Hz Heal Your Mind, Body, and Soul Healing Frequencies 777Hz Music to Alleviate Stress and Anxiety Prosperity Pathways 963Hz Sleep Music for Abundance Manifestation 432 Hz Bliss: Meditative Sounds for Inner Peace and Tranquility Soulful Serenity 888Hz Relaxing Music to Release All Blockages Relaxing Music to Release All Blockages 444Hz Healing Music 777Hz Abundance Meditation: Manifest Wealth and Prosperity Inner Harmony Awakening 432 Hz Meditation Music for Deep Healing Wealthy Sleep Resonance 963Hz Abundance Manifestation Music

Wealthy Sleep Resonance 963Hz Abundance Manifestation Music

Soft Night Lullaby

Transformation I

Zen Music - 50 Serenity Deep Sleep Relaxation Tracks, Tranquility & Anxiety Relief Therapy Spa Songs for Relaxing at Home

Hand Drum

Olas del Mar y otros Sonidos Naturales para Relajarse y Dormir

Cuencos Tibetanos

Contemporary double bass music that blurs the boundaries between jazz, classics, orient und occident, ancient music, and electronica. This album has been inspired during concerts during the blue hour, where Mich Gerber celebrates this magic time between day and night, as he plays concerts along shorelines. For more information: www.michgerber.ch

07 Est

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It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence: Music For Film Volume I & II

Reshuffle the Deck

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William Ryan Fritch - Reshuffle the Deck (from Deceptive Cadence: Music For Film Vol. I & II)

Wandering 🏢
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Veins - Songs for Piano, Wind & Water EP

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Valeska Rautenberg - Wandering

Hallowed Halls was written as a homage to ancient or enchanting architectural spaces. When you walk into some buildings, the sense of history living within the walls and very fabric of the building is palpable. Generations come and go, lovingly maintaining their most cherished spaces to exist within a world they will never know. The piece combines the sound of an old orchestral keyboard instrument called the celeste with various synths and bell-like textures, and a repetitive groove built from a traditional Irish drum called the bodhran. Louise Anna’s voice is also used within the texture to create a sense of it reverberating within the space. The track has taken on a new significance recently, with all the concert halls, theatres and gathering spaces worldwide that lie dormant, waiting to be filled with life again.
credits

Written by Zands & Louise Anna Duggan
Produced & mixed by Oli Jacobs
Mastered by Guy Davie
Recorded at Real World Studios, UK
Cover Artwork by Melanie Kretzer

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Minihi - Hallowed Halls

Light Forms

Golden Harmonic

Remix of From the Ashes taken from my latest electronica album Earth Follower.  A song about optimism in the midst of dark times.
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Earth Follower

From The Ashes

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From the Ashes (Single Remix)

Hand Drum

Buddha Tranquility Zen Spa Music Relaxation Deep S

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