The VMix: Radio Rahill

Inspired by the Armenian instrument, the duduk. Vocal expression of the very emotional and mysterious sounds of this music. 

Duduk For Two Voices

CLICK HERE TO DOWNLOAD THE MP3 FOR FREE : http://www.unlock.fm/sw

Cover #20 from the series "Songs I Love" by Piers Faccini

I first heard this song on my favourite Pentangle album ´Solomon's seal'. I read later that it was Anne Brigg´s beautiful a cappella version recorded in 1971 that brought this jewel of a song to wider acclaim. Like much of the great English folk canon, this early C19th song blends a delicate and haunting melody with some stunning poetry.
My friend, the South African guitarist and songwriter Nibs van der Spuy introduced me to Dick Gaughan's masterpiece 'Handful of Earth' while we were on tour in South Africa a few years ago. If I had to pick my favourite version of The snows they melt the soonest, it would doubtless be Gaughan's wonderfully intense and amost spoken rendition.
I live in the Cevennes in Southern France and during the Summer I organize acoustic concerts in the region. For each show, I share the stage with a different artist and friend. After Dawn Landes in May and Vincent Segal in June, I invited Nibs for July's concert in the Romanesque chapel of Sainte Croix de Caderle. I took advantage of him staying for a couple of days at our home to record a version of The snows they melt the soonest, a song we both love!

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Order book/cd 'Songs I Love' vol.1: http://shop.beatingdrumrecords.com/

Also available on:
iTunes: http://smarturl.it/songsilove1
Spotify: http://spoti.fi/1jbGOfl
Deezer: http://www.deezer.com/album/8050372
Google Play: http://bit.ly/songsiloveplay
Qobuz: http://bit.ly/songsiloveqz
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Piers Faccini : http://www.facebook.com/PiersFacciniMusic
Beating Drum : http://www.beatingdrumrecords.com/

Free Download

Piers Faccini - The Snows They Melt The Soonest (Songs I Love #20)

A waltz from the fifth collection arranged for viola trio.

Monday Morning Viola Trio

Alabaster DePlume 
“Peach”
Debt Records
2nd Oct 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
Artwork by Liz Greenfield
All songs and scripts written by A. Fairbairn. 

14 - Strange

A Map of the World-Music from and Inspired by the Motion Picture

Reunion

Arve Henriksen - Blue Silk

The Dybbuk Quartet provide the final part of the Evans Triptych with Gétatchèw Mèkurya and Naftule Brandwein also in the mix.

a remastered superior version is available here:
http://blank-slate-records.bandcamp.com/

Amharicity-The Dybbuk Quartet

Full version available : https://timecapsule.lnk.to/Shravanam

The fourth Time Capsule release presents a transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.
 
During its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio). 
 
For their fourth effort they’ve selected one of classical Indian vocalist “Bombay” Jayashri Ramnath’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi. 
 
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music.  Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kali Maheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine. 
 
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
 
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

Shravanam

3 - Kalimaheshwari

First single off the new Jonas Munk solo album, out on Azure Vista Records early 2020! More to be revealed in January.

Happy Holidays!

Jonas Munk: "Resonance"

Ustad Zia Mohiuddin Dagar - Raga Vardhani

Ustad Zia Mohiuddin Dagar

The postdoctoral project addresses a concern about an unfair social divide upheld in contemporary sound studies and media art history, as well as in the curating and showcasing of sound and media art. This divide is practiced often by a lack of critical engagement with the artists from South Asia, Middle-East, and Africa – broadly known as parts of the Global South, and through ignoring, under-representation, under-referencing, pigeonholing, or appropriation of the “non-Western” scholarly perspectives in a globally canonizing body of work in the field. By questioning a deeply entrenched Eurocentrism in sound studies as well as curating of sound/media art, the project will aim to open the discourse drawing ideas from the sonic and media ontologies and epistemologies of the Global South, which have been historically undermined through an imperial and colonial ear. The project intends to fill this gulf by creating a fertile entry point to understand the unique sonic sensibility and aesthetics of the Global South.

More information: http://budhaditya.org/projects/connecting-resonances/

Ustad Zia Mohiuddin Dagar

Connecting Resonance