Clocked Off

Pockets

Crossroads - Joanne Robertson (mercy rule rmx)

Gaunt (6)

Every Sequel is a Gemini

This track is on speedparade compilation vol 4 by les points

https://lespoints.bandcamp.com/album/speedparade-compilation-vol-4

Moth Cabinet

Polido - Throwing Out A Line
RP BOO - Wicked
HONOUR - U&Me (decemberseventeen)
Liturgy Of St John Chrysostom, For Chorus, Op. 31 GrPnt Us This O Lord
SOUTH - CHEZ SOI
CleyrP - Cross My Mind
Silvestre - Ghost
SIlvestre - A1 - The Dogs
MirP CPlix - Ms. MPteo
TRJJ - TZAMA
Bone Thug n HPrmony - 1st of dP month
20 DePd Flower Children - Focus
AuthenticPlly PlPstic - Anti-Fun
Tzusing - King of HePrts
GRUUEL - Nobody's DPughter
Tresque - EstPmpi pt.I
GPngstP BOO - Love Donʼt Live (U AbPndoned Me)
John T GPst - CompPny
nkosezPne - � � � �� � � � � �
Hodge - The World is New AgPin
JPk3 - Nuh Uh
Triple Promise - Down On A 4
Mhm, mhm - UnrelePsed

OB0422 — Mhm, Mhm

‘Amplifying Archives’ is a new broadcast commission by Cường Minh Bá Phạm, Trà My Hickin, Koa Phạm, Stefan Khánh Nielsen, Nic Anette Miller, and Thierry Phung. The project consists of four auditory essays that explore the role of sound in archives and shared heritage. The project invites you to listen to what lies just out of reach of hearing, what has been systematically unheard, and what lies waiting in silence. These works will expand upon the role of sound in connecting to the past in transnational-Vietnamese contexts. 

‘Amplifying Archives’ considers how a focus on heritage might challenge, augment, or complement existing understandings of Vietnamese migration along the following three themes: cố cư (former home), di cư (movements), and an cư (well-settled).

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In collaboration with Thomas Phung & Aline Phung

The recordings featured in C.O.T.A II showcase Phung's father engaging in karaoke, a practice that took on significant melancholy after leaving Vietnam in the 1970s, a place he has not returned to since. Phung reflects upon the notion of home in relation to his father's experiences, observing a pervasive sense of alienation throughout his childhood. Witnessing his father's inclination towards solitude and reluctance to venture outside, the artist contemplates the unspoken emotions surrounding their familial bond.

In an effort to bridge the gap in communication, Phung invited his father to express himself through song, recognising his preference for singing over verbal discourse. The resulting recordings underwent a creative transformation, incorporating the artist's original music and selected audio extracts from the family's home video tapes, which then received the signature remix sensibility Phung is known for. The sonic piece is presented in a contemplative and tranquil manner, primarily featuring snippets from various family gatherings, including birthdays, Christmas celebrations, and other significant occasions. The familial conversations captured in these moments are a code-switching blend of French and Vietnamese.

Revisiting these documented slices of life has proven to be a therapeutic experience for Phung. By intertwining his own creative contributions with the family archives, he seeks to further personalise and claim ownership of these cherished memories.

Memories of a distant homeland, hopes, and dreams form the heart of this 45-minute sonic sound space, where the hazy and sedated sounds and fleeting conversations reveal the delicate interplay of what was, what might have been, and the vibrant tapestry of their lives today, as the Children Of The Apocalypse navigate displacement and embrace new beginnings.

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Thierry Phung is an artist, producer and videographer born in Montpellier, South of France and now based in London. He released music on Pan-Asian electronic label Eternal Dragonz, Vietnamese trailblazers Nhac Gãy, and made an EP ‘Children of the Apocalypse’ on Kelman Duran and Comic Ans’ label Scorpio Red. This one was made after a return from Vietnam in late 2019, through multiple lockdowns, up until the present day. Defined by its heavily textural atmospherics and cinematic composition, Children of the Apocalypse serves as an attempt to in ONY’s words: “soundtrack the video game I will never create and a reflection on my family history, what it means to be Vietnamese in the south of France.” He also has been crafting stories on his genre-bending NTS radio show. He mines whatever he finds to craft an immersive and strange musical environment. His shows are by turn dark, ethereal and uncanny, often all at once.

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Commissioned by An Việt Archives, supported by the British Council as part of the UK/Vietnam Season 2023 and Hackney Archives, LUX, Nhà Sàn Collective, The Outpost, Á Space and the University of Westminster.

Amplifying Archives

‘C.O.T.A II’ by Thierry Phung - Amplifying Archives

For the fawn, the glimmer of light reflected on a blade is no different than the sun’s rays peeking through the leaves. It sees it for what it is: an object, glistening and still. Man wields weapons to preserve oneself or annihilate another. But what if man, too, could witness the beauty of the sharp tip of a blade without bloodlust? The question echoes through the dense forest as night falls quietly. And still, I ask it.

Spirit Theatre #45 - A Fawn Encounters A Blade (Lena Grace Suda, December 2023)

meinkraftz

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#Atmospheric #Cinematic #Soundscapes
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// Ambient, atmospheric music is a genre of music that puts an emphasis on tone and atmosphere over traditional musical structure or rhythm. A form of slow instrumental music, it uses repetitive, but gentle, soothing sound patterns that can be described as “sonic wallpaper” to complement or alter one’s space and to generate a sense of calmness. Intended to relax, the genre is said to evoke an “atmospheric”, “visual”, or “unobtrusive” quality. Ambient music focuses on creating a mood or atmosphere through synthesisers and timbral qualities, often lacking the presence of any net composition, beats or structured melody.
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// A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The idea of soundscape refers to both the natural, acoustic environment consisting of natural sounds, including animal vocalisations, the sounds of weather and other natural elements; and environmental sounds created by humans, such as musical composition, sounds of mechanical origins resulting from use of industrial technology. Crucially, the term soundscape also includes the listener’s perception of sounds heard as an environment: “how that environment is understood by those living within it” and their relationships.
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// Sound design is the art and practice of creating sound tracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio and musical instrument development. Sound design commonly involves performing and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium.
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Antiplanet II. Arrival

UNREQUITED LOVE

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past 2025:
- with band @sleeperspies at helsinki (zürich) 10th of october (blanche biau release show)
- cumbia dj at braui (zürich) 5th of july 2025
- unplugged with band @sleeperspies at dgs atelier (zürich) 4th of july 2025
- with band @sleeperspies at mars bar (zürich) - 5th of june 2025
- live at shapeshifter at wurm (basel) -  3rd of may 2025
- with band @sleeperspies at boschbar (provitreff, zürich) 3rd of march 2025
- with band @sleeperspies at pluto (zw, zürich) 30th of january 2025 
- live at doxa shroti (pfingstweid car park, zürich) 27th of january 2025

archive:
boschbar, braui, cabaret voltaire, francesca pia gallery, isla666666, kunsthalle bern, mercury tracer, mars bar, pluto, provitreff, radio bollwerk, radio lora, radio tune for tune, schwarzer engel, summer camp, sweet tooth, umbo, wasteland.earth, wurm, zw

Moth Cabinet

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