Rauschen hat früher niemand zu schätzen gewusst😌

2 inches from my dogs face just staring him down 

The shuffling motif has a unsettling feel.

I like how this is transcending from strange to tranquil. Wasn't wexpecting that to happen.

>>>>>>>>>>>>>>

Exclusive new track from our new album The Unified Field. 
Out on Denovali Records on October 25th on Vinyl / CD / Digital

Cross Hands

The ICE LP was created by Maxim Wolzyn over a period of three years, mostly whilst touring throughout Germany by train as part of the Günther Lause duo. Spread over eight tracks, the LP poetically captures the complex networks of railways and tunnel systems that carry with them the thoughts and feelings of millions of people, aspiring to attain an overall impression of the collective consciousness of a society on the move. 

Inspired sonically by the soundscapes of urban spaces, rail stations and the pulsing motions of modern mass transportation, various field recordings are mixed with reverberating synthesizer patterns and percussive composition, creating a mixture of straight forward techno and dystopian ambiences. 

While being reminiscent of Berlin's dub techno tradition it also transcends the typical club context, moving into the realm of the intimate and personal.

Order Vinyl

Ostbahnhof, Spatzen

a preview to my upcoming "Placid" LP on  Absurd Recordings / Acid Test​ coming later this fall.


Photo art by Lisa Lydzius

Recondite - Pass Up

Erik Truffaz & Murcof - The Eye

https://ninze.bandcamp.com/album/lost-tapes
lost tapes

͚̝͕̭̼͙̱̩̘̭̘̫̮̜̺̝͑̈́ͬ͊̂͊͋ͯͧ̉͐̑ͮ̉ͥ̍̾ ̤̰̻̼̯̺̹̟̩͉͍̞ͯ̄̿̿̄̋ͣ͗͂̊̉͒́̒͑
 ̥̣̟͉̹͙͕̦̹͚̲̒̉̄̂̽ͦ̂̏ ͍̥̻̳̳͓ͥͪ̐̅̌̌̆͒ͥ̏͐ͨ̂̇̅ͬ͆̓̐ ̰̭̺̬͚̱̲͚̦ͬ̉̍ͧ̊͐̓̋̆̽͂ͨ̄͒̔ͧ̾̓̈ͅ ̱̖̯̳͎̭͓̭ͨ̅ͫͬͦ̏ͬͮ

 ͭ̌ͮ̄̂ͦ͊͊̈͑͆̋̀ͥ͂ͬ̓̅
 ̪̲̮͖̬̻̗̯̟̝̻ͬ̉̐̓̔̒ͪͬͥͨ̎͊̋ͭͮ

Ninze - Gravity (Original Mix)

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
https://federleicht.bandcamp.com/album/this-is-soon-too-late

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

Veteran Erased Tapes recording artist Peter Broderick set to release new studio album 'Partners' on 19th August 2016.

Order it on LP/CD/DL here: www.erasedtapes.com/store/index/ERATP088

In an email to Robert on February 3rd 2016: 

Dear Robert.

There’s a lot I’d love to tell you about this music.

The inspiration really came when I decided to learn to play John Cage’s In A Landscape on the piano . . . I listened to a recording I had over and over again, five seconds or so at a time, picking out every single note. Then cross referencing what I’d learned with other versions of the piece as well as the original score. The feeling of playing this piece really brought me close to the piano again, and brought new life to my own piano songs.

Beyond Cage’s music, his life and practice have interested me more and more, after having read about his love for foraging wild foods and using chance operations to compose music, in a sense taking his ‘self’ out of the music. I love his so-called ‘mesostics’ and began to write several poems using that method, around this phrase:

I    
N

A

L
A
N
D
S
C
A
P
E

When it came time to record in the studio, I rolled two dice to decide how many poems to read. I rolled 5. Then I assigned a number to each poem and rolled the dice to see which five poems would be read and in which order. That’s the first track Partners, which is also the last word of the last poem I selected through this chance-based process. Track two is my version of In A Landscape. I love playing that piece so much. Carried  is a piece I wrote in Berlin which I’ve played live from time to time. There was a soft vocal loop playing out through an amplifier in the room while I played the piano.

Under The Bridge is my first ever chance-based composition, written by assigning different numbers to different notes and then rolling dice to decide in which order to play those notes. Conspiraling is another piece I’ve been playing for a while. Actually a version of this was recorded in the session that became ‘How They Are’, but it didn’t quite feel right. I like to pretend my voice is like a synthesizer in this song. Then there’s Up Niek Mountain which is a piece I finished composing while in residence at a farm in the Netherlands back in 2010, and is named after one of the family farmers there, Niek, who passed away shorty after I was there. We miss you Niek. The last song is a cover of Brigid’s Sometimes. Brigid to whom I dedicate this recording.

And then there’s Tucker, Mr. Martine, who agreed to record this album without me ever hearing the mixes. We talked about all the sounds and he set up several devices with which to manipulate the sound live, as it was being recorded and mixed down to tape. Francesco also agreed to master the record without me hearing it. I like to imagine maybe one day, five or ten years from now, I’ll walk into a café or roadside diner and hear it for the first time, playing as background music while people eat.

OK surely that’s enough for now! Sorry for blabbing, Robert. Your support has really meant a lot to me. I’ve loved having you in mind while working on this project, knowing it could very well have a home on your sweeeeeet label. Hope all is well.

With love,
Peter

Partners

Carried

Buy LP/CD/DL

Peter Broderick - Carried

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

written & produced by Ninze
mastered by Niju

3. Fall

Sometimes I find great music, and sometimes music simply finds me. In this case, it was a dear friend, Luke Howard, who pointed me to a piece by Marty Hicks which completely captivated me, and now, here we are, premiering a track to a worldwide audience. I have a lot to say about this piece, but, after getting in touch with Marty to bring you “From Afar, Unhindered” he’s had a lot to say himself. So instead of my usual words, you will find the words from the composer here: hcdi.gs/MartyHicks

TRACK PREMIERE : Marty Hicks - From Afar, Unhindered

Part of the "Screws Reworked" Project. No additional soundsources were used.
You can buy it here: www.erasedtapes.com/store/index/ERATP079

Nils Frahm - You (Bug Lover Rework)

Get here: https://7K.lnk.to/If

Niklas' new single ‘If’ was created in one of the world’s northernmost inhabited areas, the remote islands and their rapidly changing landscapes indicating the more immediate and visible effects of climate change. This ever-present theme resonates with Niklas - one which he holds close in his heart and mind. With temperatures never peaking above minus twenty degrees Celsius, sunlight hours are numbered at zero, an “inhospitable and uncomfortable” place to convalesce. The track articulates the traces which these remote environments have left in Niklas’ mind - something pressing is present in the music, its urgency roams searching for sources of energy and relief. All these impressions come from a piece of music which is both melancholic and positive, something to cradle us from anxieties, to make us both dance and run.

Niklas Paschburg - If

thesisproject.bandcamp.com/album/thesi…artyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

Thesis 16

& Martyn Heyne - June

Nils Frahm - You (Christopher Lloyd Rework)

Greg Haines - Azure

Elaine

Bug Lover lives in Hamburg.
He produces electronic music and remixes.
Please be kind.

Oh, with Bugs I mean these little errors, mistakes, happy accidents. Not the beetle.

Nils Frahm - You (Bug Lover Rework)

Bug Lover

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