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Broken Beat

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NEW MUSIC - Part 1

Broken Beats

Oscillations, Pt. 1 (Eric Kupper Original Mix)

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Armand Van Helden - Playing House feat. Kudu (Redux)

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

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'Catch The Light' [Original Mix Preview]

Made with Max/Msp, Logic

Samples used from:
Junior Senior
The Weekend
Joni Mitchell
Frou Frou
Stereolab
Nelly
Steve Miller Band
YG Feat. Tory Lanez
Drake
The Beach Boys
Aaliyah
The Doobie Brothers

Cybele's Reverie, Stereolab (DJ Recut)

Playlist:
- Gladys Knight & The Pips - Taste of Bitter Love (Joey Negro Disco Re-Blend)
- George Benson - Love Ballad (Joey Negro Jazzy Reprise)
- Patti LaBelle - Music Is My Way of Life (Joey Negro Funk In the Music Mix)
- Wanda Walden - Don't You Want My Lovin' (Joey Negro Back to 81 Mix)
- Loose Change - Straight from the Heart (Joey Negro Straight to the Groove Mix)
- Pockets - Come Go With Me (Joey Negro Found a Place Mix)
- The Trammps - Can We Come Together (Joey Negro Philly Dub Excursion)
- Fibre Foundation - Weekend (feat. Kelli Sae) [Joey Negro Disco Re-Blend]
- Joey Negro & Horse Meat Disco - Candidate for Love (Joey Negro Disco Blend) [Joey Negro vs. Horse Meat Disco]
- Joey Negro & The Sunburst Band - In the Thick of It (Joey Negro Endless Summer Mix)
- Antonello Ferrari - Make Room for Me (feat. Jennifer Wallace) [Joey Negro Disco Boogie Dub Extravaganza]
- Soulpersona & Princess Freesia - Keep It Working (Joey Negro Disco Blend)
- Zo! - We Are On the Move (feat. Erro & Phonte) [Joey Negro Revival Mix]
- The O'Jays - I Love Music (Joey Negro Sweet Music Mix)
- Doug Willis - Crystal Lover (Joey Negro Dub Disco Mix)
- Gwen McCrae - Keep the Fire Burning (Joey Negro Feed the Flame Mix)
- The Sunburst Band - Only Time Will Tell (feat. Angela Johnson) [Joey Negro Club Mix]

Remixed With Love By Joey Negro, Vol. 2 (RJM radios)

Eternal Sunshine Of The Spotless Mind

Phone Call (From "Eternal Sunshine of the Spotless Mind"/Score)

Back In The Dog House

Consequences

Doghouse (interlude)

Blue Note Revisited

Losalamitoslatinfunklovesong (Re-Work)

Intro

Booty La La

Happy Days

Ghostmother

Settle

Voices (feat. Sasha Keable)

Andy Stott - New Romantic

Kudu -- Let's Finish (Sinden Remix)

Move D - Eastman

Play With the Changes

Look Inside

Something in the Way

Gonna Give It Up (Wanna Quit)

Sink or Swim (No Choice for Me)

Thunderheist

LBG (Little Booty Girl)

Ex-Aquarium

Cut It Upwards

Imaginary Lines

Only Of The Universe

...and they have escaped the weight of darkness

Þú ert jörðin

Let's Make Love

Wild Wild Web

Ralf Gum Ft Monique Bingham   Kissing Strangers (Original Mix)

39. Taurus Riley - Start A New

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Consequences

Bugz in the Attic