First track of my next venture "Sade said so" My ode to Miss Sade Adu one of my biggest inspirations :)

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MAC Mafia - Rollin (BIG MAC & EL MAC)

sUpaUgli is:

Steven Pittman: bass, guitar ( https://soundcloud.com/steven-pittman-2 )
Steve Cunning: Fender Rhodes ( https://soundcloud.com/bigbosshhp )
Brian Kennedy (Me!): piano, lead synth, additional bass, all other instruments/perc., fx

Boy Alcaide (guest musician): drums

Track Composed and Mixed by sUpaUgli...
Produced and arranged by B!

Title track from the album Space Disco © 1978 B.C. Entertainment U.S./France Ltd :-P

Boy Alcaide appears courtesy of the band VST & Company, Sunshine/Vicor Music Corporation.

SpaceDisco

sUpaUgli ~ SpaceDisco

NEW Album Out 3/5/21 
Produced by Walti of Wyldwood Records 
Mixed and Mastered by Mike Fish

LumberJACK RAP (Prod. By Walti)

Hot on the heals of his Drum & Bass release "War Start" with Patexx and Kumo, Liondub Is proud to present the Official "War Zone" mixtape from Jamaican rising star, singer song-writer Patexx. This is a one of a kind Reggae mixtape that has never been done before.  100% exclusive sound killing tracks on the foundation Reggae & digial Dancehall riddims.  This is foundation style sound killing at its absolute finest mixed perfectly by Montreal's Daddy Maysr and NYC's DJ Liondub. Patexx - War Zone will soon go down as history as the definitive Sound Murdering mixtape! This one is a certified, sound clash lover's delight! 

Business Contact --> liondubpromo@gmail.com

Facebook ---> facebook.com/patexxfanpage
Facebook ---> facebook.com/Maysr
Facebook ---> facebook.com/djliondub

Soundcloud ---> @patexx
Soundcloud ---> @maysr
Soundcloud ---> @liondub

Instagram ---> instagram.com/patexxanydaynow
Instagram ---> instagram.com/maysr__
Instagram ---> instagram.com/djliondub

Drum & Bass Lovers! Stream & Download "War Start / Caan Touch" by Kumo X Patexx X Liondub at all major retailers here ---> https://smarturl.it/patexx_warstart

TRACKLISTING:
1 MI NUH NEED CROWD - 00:00
2 TEAR GAS - 3:21
3 MI NUH NEED NUH REASON - 4:17
4 BAD INU YUH PLACE - 5:17
5 WULL WI OWN - 6:47
6 MARK MI WORD - 7:47 
7 RUN UP PON MI ENEMY - 9:06
8 SOUND KILLING - 10:34
9 WAR ZONE - 12:06
10 45 SHAP LOCK - 13:24
11 WARNING - 14:59
12 STAY INA YUH LANE - 16:23
13 SEKKLE THE SCORE - 18:25
14 RESPECT PON MI NAME - 20:05
15 MI A CUT OFF YUH HEAD - 21:28
16 RUMBLE - 23:22
17 CHAMPION - 25:50
18 SOUND BOY DEAD HINUH - 27:17
19 WALK AND LIVE - 29:57
20 CLASH NIGHT DEH YAH - 31:00
21 SHAT A FIRE - 32:27
22 UNUH FUCK OFF - 34:06
23 DEFEND THE WAR - 35:34
24 ONE MORE DUPPY - 37:03 
25 REVELATION A REVEAL - 38:07
26 INA DI MORNING 38:59
27 MURDA INNA FIRST DEGREE - 40:30
28 MURDA PON MI MIND - 42:14
29 SOLID AS A ROCK - 44:06
30 SKIN A BUN HIM - 45:09
31 ONE ROUND NUH WIN CLASH - 46:12
32 POP DUNG BOARD HOUSE - 47:33
33 TIEF THIS GI YUH - 48:40
34 FINAL NAIL - 50:35
35 INFORMA - 51:36
36 DEM CAAN MANAGE - 53:23
37 COME FI DI DEAD -55:07
38 CLEAR DI LINE - 58:05
39 UNTOUCHABLE - 58:45
40 FIRST ROUND - 60:39
41 DEM NUH READY - 61:59
42 DEM FRAID A WE - 64:05
43 NUH STYLE - 65:00
44 NO SURRENDER - 66:25
45 EASY DOES IT - 67:45
46 CLASH WARNING - 69:08
47 MI NUH HEAR NUTTIN - 71:00
48 LOVE IT WHEN DEM GROUP UP -  73:01
49 MI AH MURDERAH - 74:51
50 KNOCK IT - 76:22
51 KILL YUH AGAIN - 77:36

War Zone - 100% Sound Murda (Official Daddy Maysr & DJ Liondub Mix)

FREE DOWNLOAD

Patexx - War Zone [Official 100% Sound Murda Mix by Daddy Maysr & DJ Liondub](EXPLICIT)

BUKUE ONE * the bio says most of it, i'll fill in the blanks, skating since 1987, graff writing since 1991. Bowling, business handling, speed scrabble all came in the 90's :) For a short period in the early 90's the parallel worlds of hip-hop and skating went askew and converged. At the time both were still perceived by the mainstream as antisocial behaviors and temporary fads. Hip-hop was not "real music." Skating was not a "real sport." In 2006, these perceptions couldn't be further from the truth, as both disciplines have become fully integrated into the mainstream consciousness, not to mention multi-billion dollar industries. Somewhere along the way their paths diverged and these days they have few intersections even though they remain brothers in spirit. Yet there are some who walk among us that remember those days when hip-hop was an integral part of skating. Tion Torrence, aka Bukue One, is a product of that confluence of underground currents. In Bukue's hip-hop dictionary, there are 5 elements: rapping, djing, breaking, graffiti, and skate boarding. Intromission is the extraordinary album of a true Bay Area original, who in a single leap can pull a 360° kickflip, throw up a graffiti burner, and spit a tight verse. Bukue One grew up straddling the border between Berkeley and Oakland, California. The dichotomy of the leftist college town and the gritty streets of The Town manifested itself musically in Bukue from an early age. "I watched early skate videos that featured music from punk bands like Bad Religion and Black Flag, but my friends were listening to NWA and Run DMC." He was also surrounded by music courtesy of his father, who was a backup singer for Marvin Gaye's touring band. Being a somewhat naïve preteen, he didn't see any contradiction in listening to such dissimilar genres. Living in the East Bay instilled a political consciousness in Bukue from a young age; his parents were both active members of the Black Panther party. So by the time Bukue was entering his late teenage years, he was socially conscious, a talented skater, and a renowned graffiti artist. His love of hip-hop had yet to translate into making music however. Bukue's entry to the hip-hop game came in the form of a live event production company, whose goal was to merge his love of skating and hip-hop. In 1998 Bukue's company, Urban Productions, organized a 4 day hip-hop/action sports festival in San Francisco featuring an a-list of artists, b-boy crews, djs, and skaters such as The Hieroglyphics, Artifacts, Style Elements, Rock Steady Crew, Shortkut, Apollo.Pro, Mike Carroll, Henry Sanchez, and Mike York. Afterwards, Bukue expanded his business into a record label and tour management firm. En route to Australia as tour manager for Aceylone, the hip-hop muse struck Bukue, resulting in "4 Tha Graff Heads", an ode to graffiti culture. As luck would have it, the art of graffiti was in vogue Down Under, and Bukue had a minor hit on his hands. Bukue saw that he could combine his business skill, hustle, and passions to make a sold living; a philosophy come lifestyle that he has practiced to this day.

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Bukue one