With a distinctive sound developed through tireless attention to musicality and artistry, Stick Figure has redefined American reggae music with his latest album, Wisdom, released on September 9th, 2022. As with his previous releases, Wisdom was written, produced and recorded by Scott Woodruff, a self-taught musician, at Stick Figure-owned Great Stone Studios in Oakland, CA, former home of Green Day.
 
Wisdom is Stick Figure’s seventh album and follows the unprecedented success of 2019’s World on Fire, which peaked at number 34 on the Billboard Top 200, #6 overall Top albums, #1 Independent, and #1 Reggae album. World on Fire has sold over 300,000 copies including streaming equivalents, according to Nielsen soundscan data. Stick Figure’s catalog has now sold well over one million copies and been streamed over three billion times. 

Wisdom is a journey and a search for what matters in life–a search for meaning, purpose, place and belonging. Wisdom is a code to live by where we can accept that it is ok to start over, to make mistakes, to love, and to feel pain. It is a reminder to focus on the little things that bring joy and know that all of it is a part of our individual story. It also shows us that we should have some fun doing it all! In signature Stick Figure style, Wisdom can bring peace and happiness in the dark moments as well as in the good times, and the benefits of the music can stay with the listener long after the record has stopped spinning.

[BOOKINGS] North America: Hunter Williams | Hunter.Williams@caa.com // SA/Australia/Mexico: Mac Clark | MClark@caa.com // ROW: Roman Trystram | roman.trystram@caa.com

Music describes exactly what words can never achieve. The exploration of sound and the emotion of music characterise exactly what Pete Oak is all about. A simple desire to let his music speak a thousand words. Starting out his career with soft and emotional productions, Pete has moved forward and progressed his style into an underground oriented sound that revolves around hypnotic melodies and driving grooves. Getting lost in the atmosphere of sound and music is the main philosophy behind his productions.

Pete has released originals as well as remixes on respected labels such as Stil Vor Talent, Toolroom, Sincopat, Eskimo Recordings, Steyoyoke etc. Pete's tracks has also frequently been aired by Pete Tong on BBC radio 1 and gained massive support from some of the biggest artist in the underground scene. 
From Pete's first release in late 2012 things has progressed really fast. He has already been dj'ing all over the world. New York, Miami, Johannesburg, London, Amsterdam, Berlin and Moscow are just a few of the cities Pete has been playing in over the past two years. 

Recently Pete has started his own label, Blindfold Recordings, with the agenda of releasing music that defines his own personal taste. His label will not be defined by the number of famous producers. The sole purpose is to bring good underground music to the surface from all around the world. 

Let the music speak for it self!’

:::::::::::::::::::::::::::::::::::::::::::::::

Resident DJ at Q Nightclub
www.facebook.com/Qnightclub

Follow me on Twitter @RooBoyDizzy and get at me! RooBoyz.

👉 My New Single 'Phantasy' ft. Raphaella - https://goldenpathrecs.lnk.to/phantasy

👉 Latest Releases and Remixes
https://claptone.komi.io

In a now long forgotten world, many generations ago, a bird like shape emerged from wooded darkness, floating and fluttering, drifting and dreaming. Backlit by a bright glow of iridescent light, the undecipherable form wore a dazzling golden mask. Its long beak swooped down like an inverted horn and since then, people have referred to the mythical being simply as Claptone...

Bon Iver is an art project based in Wisconsin.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

bumblebre23 is following