Persian

SoundCloud Weekly

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"Feuerfalter - Part02" ALBUM

Tracklisting: 
1. Puki
2. Anthurie
3. Prisma
4. Spacecraft To Mars
5. Push It
6. Vampire
7. Lonely Planet
8. Purple Noise
9. In Memory Of Love

Release date: 21.02.2014
Label: Harthouse 
Format: CD, MP3

Have fun! 
www.borisbrejcha.de

Pre-Order here:

Amazon:
http://www.amazon.com/Feuerfalter-Part-02-Boris-Brejcha/dp/B00IB48UKO/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1392375189&sr=1-1&keywords=boris+brejcha+feuerfalter

Humpty
www.humpty.de/?id=47&aid=304…setDC=&lang=en

Join the competition! to win 1of 5 packages. Just click on the link:
boris-brejcha.squarespace.com/win-part02

Description:
Music is colorful, diverse and vibrant as the butterflies. Almost 180,000 different species live in 127 families. The music by Boris Brejcha is like a "Feuerfalter" (copper). On one side the butterfly is relaxing and floating on the wind, but on the other hand he also sets with steam and fire to a fall into a low altitude. This is how it feels when Brejcha makes music.

The fourth album is exactly the description of this "Feuerfalter", a kind of backflash into the impressive career of Boris Brejcha. An album that deliberately shows how the artist works versatile. Times slightly floating, sometimes wild hitting the wing, always full of passion. The influences of his travelings and performances characterize his art again.

This creates a music that may be accompanied on Brejchas audience the whole day: at home, in a relaxed atmosphere or just at night, when the trip through the clubs starts. On the album "Feuerfalter" this individuality is turned on. Brejcha even picks up the desire of his ans to weave a few quieter tracks into his cosmos.

Purple Noise - Boris Brejcha (Original Mix) Preview

sorry for low quality! but love to share some live with you!

Madmazel - Harfayeman - Live

Az Ashiane is Mother Futhers' first album

3 - سه گدار

Produced & arranged by Abbas and Mahmood Schricker
Mixed by Reza Moghaddas
Percussion: Habib Meftah Boushehri
Setar: Mahmood Schricker
Photograph and Image by ahmadreza
Label: Link Music Lab Inc
www.linkmusiclab.com

Based on a poem by Shafiei Kadkani 'Khamoushaneh'. 

Silent City- Mahmood Schricker feat. Mohsen Namjoo

Damahi - Divaneh

Sunk

Salt in your eyes 
Sand in your lungs 
Your lips were to gasp life 

on water you choked 
your chest cramped in folds 
breaking the waves apart 

Saw you beneath the surface 
Saw water grind your bones 
Cliffs caught you by your saddles 
I saw you soaked up 

Wrapped you around 
The water was warm 
pierced through your eardrums 

Imploding were you and ocean 
Until the waves calmed 

**I'm running past your house 

Keep running 

I'm running 
past your house 

Keep running 

Come out! 

Come ! Out !** 

The sea has a way of not giving back 
The sand is so tight on your chest 
You're shaped in the waves as long as I can't forget 

The sea has a way of not giving back 
The sand is so tight on your chest 
You're shaped in the waves as long as I can't f o r g e t
credits
released August 4, 2017 
Artwork : Sara Bigdeli Shamloo

Seagulls Feast

Download Now! 

https://empire.lnk.to/Taste

Download Now!

Taste (feat. Offset)

Produced by Bunker

Cover art: Alma Roshani, Mahtab Taghavinejad

Daastaan E Ghabl E Khaab

Scattered Memories

Blood City

BSW - YAAY

9T ANTIOPE & SIAVASH AMINI, Harmistice, LP

A1) Blue As In Bleeding (08:57) 
A2) Purple As In Pain (05:30) 
B1) Black As In Burst (07:12)
B2) Silver As In Silence (06:48)

Release date - June 07th 2019 
Catalogue nr. - HG1902
Format - Vinyl/digital

https://hallowground.bandcamp.com

All music by Siavash Amini and Nima Aghiani
Voice and Lyrics by Sara Bigdeli Shamloo 
Mastering by Jeremy Cox
Artwork by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records
Released by Hallow Ground

///

9T Antiope have made a name for themselves in the vibrant experimental music scene of Iran over the past years. Now based in Paris, Sara Bigdeli Shamloo and Nima Aghiani are expanding their stylistic scope and team up with long-time friend Siavash Amini for their debut release on Hallow Ground. After 2017’s »TAR« and »FORAS« the year after 2018, »Harmistice« is Amini’s third LP for the Swiss-based label and his first in collaboration with other artists. Recorded in Paris and Tehran, the four tracks are the result of »all the long hours of speaking online, being kilometres away, it is a love child of those short times we actually got to be physically in one place.« Vocalist and lyricist Shamloo enters a dialogue with Aghiani and Amini’s sound art, which is from restrained but interlocks voice and noise with striking subtlety. »Harmistice« seamlessly blends the visceral with the sublime, the abstract with the oh-too-real.

From the very first second of »Blue as in Bleeding«, »Harmistice« evokes a sense of suspended terror. Shrill frequencies and aleatoric bursts of feedback give way to a hard-hitting bass drum until Shamloo’s voice arises from the chaos with an uneasy clarity. It’s the perfect opening for a record that is built upon stark contrasts like this one. Amini and Aghiani bring together synthetic sounds with acoustic instruments, creating a tangible tension on which Shamloo’s sometimes sensitive, sometimes emotionally detached delivery thrives. »It’s all based on a dream, a nightmare about war,« she says in regards to her lyrics that move between poetic abstraction and first person prose, blurring the lines between lived experience and sinister premonition. »Harmistice« takes inventory after the oneiric damagehas been dealt in real life.

As a whole, »Harmistice« is thus as ambiguous as its title suggests. As an all-too-lucid dream about unspeakable things that are being lent a voice it overwhelms the senses with an unheard-of volume. Drawn from the depths of the subconscious, »Harmistice« may just be the most challenging album in either 9T Antiope or Amini’s discography.

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9T ANTIOPE & SIAVASH AMINI - Blue As In Bleeding (HG1902)

Prison Episodes, an opus five years in the making, is Pouya Pour-Amin's cry of anger and sorrow against our times. Structured as a series of sketches, this harrowing and powerful album explores the experiences of a political prisoner from her or his incarceration to breaking point. 

In this era of political extremism, repression and very often despair, this album could not be more timely. Composed in Tehran, Prison Episodes is a meditation on political repression, defiance and the limits of endurance and hope. Harsh, grating, transcendent and despairing it offers a soundtrack to our global political moment.
-----------
Pouya Pour-Amin is a composer, multi-instrumentalist and actor from Tehran, Iran. He has worked with Tehran`s Camerata contemporary music ensemble both as a double-bass player and a composer, and presented works at SET Fest in Tehran, CTM in Berlin as well as composing for theatre, film and TV in Iran. He is also active, along with Sara Bigdeli Shamloo and Nima Aghiani in the band Migrain Sq. Pour-Amin first appeared on Flaming Pines as part of the Absence showcase of experimental music from Tehran, curated by Arash Akbari. This is his first full release on the label. 
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A note on the artwork:
The artwork for this album is by the prominent Iranian contemporary artist and grave marker Barbad Golshiri. Entitled Quod 2010 it features words in Persian of the prison memories of A’ezam, a political prisoner of the 1980s, retold by Akbar Sardouzami. The text reads: 
'A’ezam has been degraded and tortured, living in timelessness and facelessness. She has nothing, and has turned to nothing, she says. Then one day she finds a rusty pin in her solitary confinement. She starts to draw squares, and the squares become her world: ‘Then I saw if I draw a square within another square and reach the depth, the square turns to a point. The cell was too dark, but I could see a point in the middle of the square that helplessly looked up at me and said: you should testify that I’ve been a square. You are the only one who knows that I have been and still am a square.’
----------------
Credits:
All music composed by Pouya Pour-Amin
Violin/Viola: Adel Poursamadi
Trumpet : Sardar Sarmast
E.Doublebass : Pouya Pour-Amin
Mastered by Lawrence English at Negative Space.  
Album Art : Quod by Barbad Golshiri

Have mercy, for crying out loud, O lord of the world! - Pouya Pour-Amin - Prison Episodes - June 26

Bunker is a collaborative music project that started as Autopilot's personal endeavor in 2015. In 2016, KAL joined the project during a busy period of grad school, immigration, and adjusting to new life circumstances.

With their diverse musical backgrounds, Bunker creates a sound that blends electronic elements with influences from TripHop and Funk. Most of their tracks feature instrumental sampling and carry deeply personal stories, functioning as an audio journal that reflects their experiences and emotions.

People involved:

Saman Abdullahi (https://soundcloud.com/autopilotproject)
Arash Roshani (https://soundcloud.com/arash-roshani)

Saman (designer) and Arash (physicist) are amateur musicians born and raised in Tehran, Iran. They started writing and playing music together in high school with a group of friends. After years of navigating immigration challenges—Saman in Calgary and Arash in Los Angeles—they incidentally reunited in the summer of 2016 and continued their musical collaboration.