NoAC(WilsonMix)

written by: @shane-english
label: @l-i-e-s
release date: Oct. 10th 2017
buy: https://liesrecords.com/products/s-english-eris-lp-12-lies102


https://bizaarbazaar.com/2017/10/17/premiere-s-english-concrete-message/

S. English - Concrete Message

String Figures vi - Inouï (and free)
Watch video :  https://vimeo.com/channels/staffpicks/252069857 / https://www.youtube.com/watch?v=f9qp9ghz9ZI
Album out March 2nd via SVS records @svs-records
Pre-order album : http://bit.ly/2FdEQZa

Music:
Written, recorded, performed, and produced by Zoë Mc Pherson
Mixed by Jeremy Michel
Mastering by Rashad Becker

Video:
Direction - Alessandra Leone
Concept and music - Zoë Mc Pherson 
3D Animation - Andreas Barden
DoP - Julian Moser

Produced by Zoë Mc Pherson
Thanks to the support of Flanders, state of art.

stringfigures.xyz/
Instagram : http://bit.ly/2BCFa0o
Facebook : http://bit.ly/2BCFpbO
Soundcloud : http://bit.ly/2DULkOz
Spotify : spoti.fi/2nmtdqt
Twitter : http://bit.ly/2BCnNg7
Youtube : http://bit.ly/2DIep0q

SVS Records
svs-records.com/
Facebook : http://bit.ly/2BCHAfu
Soundcloud : http://bit.ly/2nqsepA

Part of an ongoing audiovisual album—titled 'String Figures'—by Zoë Mc Pherson, film directed by Alessandra Leone and animated by Andreas Barden.

vi. Inouï (and Free)

We're incredibly happy to skite this very pleasantly textured mix from Belgian producer and DJ Victor De Roo out to your ears. With a gang of mixes popping up online, on top of releasing music as 1/2 of Vanderschrick for the mighty Stroom or on his first solo outing "'Nachtdichter' Poëzie Door Alex Deforce" for Knekelhuis in relatively quick succession, his industriousness is difficult not to notice, so we're real glad he decided to stop by our mix series for an hour of ethereal jammers. Sink in.

https://soundcloud.com/deroovictor

Forecast 036: Victor De Roo

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

Ep. 38 with https://soundcloud.com/markvernon as guest
> short mix of his releases + 46 min of original material (12 tracks made together)

check out his other works ≈ http://meagreresource.com/

16.06
lyl radio

MARK VERNON & Elen Huynh

music written by k.kotov
recorded during ejekt residency in kyiv, spring 2020
cover designed by ratx.cc

dj snork - u we

Interview de @vazyjulie du @metaphorecollectif avec @ola_terreur, qui aborde ce superbe collectif à l'occasion de la sortie de la compilation ICI DANSE LE PEUBLE OUBLIÉ. 

“Depuis quelques temps l’équipe de Metaphore Collectif réfléchit à une façon de garder une trace de son histoire, de l’ancrer dans le temps. La crise sanitaire a précipité les choses lorsque, suite à une fermeture forcée, un grand appel à l’aide a été lancé pour sauver le Meta, leur lieu associatif, bastion de la fête libre à Marseille. Un appel auprès des membres de l’association, mais aussi auprès des artistes passés par la case Meta. La liste était longue, et ils ont quasiment tous répondus présents !
C’est ainsi qu’est né la compilation de 64 titres intitulée «Ici danse le peuple oublié».

Ola te parle • avec Vazy Julie (Métaphore Collectif)(20.08.20)

The November episode of Melantónia Live is a special edition, the result of the collaboration between Yolabmi and Anterograde. 

Following the opportunity to contribute a track entitled "Surging Waves VA" to a compilation album from the Berlin-based ambient/new age @vaagner label , Yolabmi has continued to release music on labels outside of his native Japan.
In September 2019 he released on VAKNAR / VAAGNER once again with the work "Life in a Shell", and in October of the same year he released "Spirit's Whereabouts" on @casementexchange .
With a minimal, ambient, and experimental base, he makes audio collages comprised of sounds which he has recorded personally. Concurrent with his musical activity, he also creates his own artwork, assembling visual collages by hand.

Yolabmi:
SC: https://soundcloud.com/yolabmi

Anterograde
SC: https://soundcloud.com/lucas-ray-452144477/

Artwork by Pablo Diserens.

Mastered by Mattia Onori.

Melantónia live set 007 - Yolabmi & Anterograde

https://a.currents.fm/post/4v9QkF54ThpBGF594By0

Radical Reworks

Bandcamp

Brainscan, Ochi - Chester Mills

FOURTH SHOW ON STRANDED FM
THIS IS A SERIES FOCUSING ON GLOBAL DANCE MUSIC / THANK YOU FOR LISTENING =)

ZALIVA-D - SKY SINGING
BLACK SEED - EAST OF WANCI
JONQUERA - MDMP 1
ISRAFIL - BOLE WATERFALL KE NEECHE
ZHU-XIAO-LIN - THE ICE-LANTERN FESTIVAL
DAYAN ANCIENT MUSIC ASSOCIATION - WAVES WASHING THE SAND
GUZZ - 锦鲤 KOI
GROUND - OSAKA NATIVE
SABLA - FIRE-WIRE
MARIO BATKOVIC - QUATERE
MOHAMED ROUICHA - BIN LHAQIQA O LHKAYAL
JON BLACK - TRES MILLIONES DOLARES
AZU TIWALINE & CINNA PEYGHAMY - VIOLET CURVES
RIZAN SAID - ELECTRIC MAWWAL I

GLOBAL DANCE SUSPENSE 20201124 STRANDED FM: PROTRO

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.