p*dis sampler 2017.04

Jurriaan Andriessen (1925&ndash;1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, "The Awakening Dream" (1977), is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "a trance symphony". The music is less in the tradition of his peers such as Boulez or Stockhausen and more in tune with the electronic sounds of the likes of Cluster, early Kraftwerk and Tangerine Dream, in places echoing Conrad Schnitzler. On CD for the first time! Out May 5, 2017 / CD, vinyl, digital

Jurriaan Andriessen - The Awakening Dream (1977) snippets. Out May 5, 2017

from the album, 'unseen forces' available 4/21

Unseen Forces

justin walter 'it's not what you think'

"Glaciers I (Pt I)" by Jessica Moss
From the album Pools Of Light
CST124

05 May 2017
Constellation
Deluxe 180gLP / CD / DL

cstrecords.com/cst124

Pools Of Light

Jessica Moss • "Glaciers I (Pt I)"

from the album 'epythmía', available 3/17

Epithymía

anjou 'glamr'

Ryosuke Miyata 5th Album 「films」

Amazon→https://www.amazon.co.jp/dp/B06XXXRF3Y
iTunes Store→https://itunes.apple.com/jp/album/films/id1227390370?l=en
TOWER RECORDS ONLINE→http://tower.jp/item/4483859/films

Release Date: 2017/05/21 (Sun.)
¥2,000＋tax
CB-008
Label：Cat&Bonito
Artwork: ながべ、ISAMYU

tracklist:
1.sorrow
2.condolences
3.umbre
4.ank
5.waffle caramel ice cream
6.oborodukiyo
7.leafe
8.at eventide
9.hitohuta
10.orion
11.recollect
12.silent night report
13.nymphi
14.syasou

(以下引用)
気鋭の電子音楽家、宮田涼介の5thアルバム。
幼少からの空想・絵空事・物語の創造と、
感銘を受けた事象の表現・昇華によって紡がれた、
珠玉のピアノ作品集。

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殺風景な街並みに 次第に灯るあたたかな光。
優しく頬をくすぐる風のような 自然にそばに寄り添うメロディー。
fraqsea/aya (Shelling Vo&Gt)

なぜか子供のころによく遊んだ公園を思い出させるような、
ノスタルジックな雰囲気を持ちつつ、あくまで現代的なピアノソロ作品だと思います。
日本人ならではの作品として耳にとても残ります。
Wataru Sato/Gecko (Composer, Pianist)

映画音楽のように鮮明な、音による場面描写。そして溢れんばかりのノスタルジア。
まるで誰かの、ないしは宮田涼介の記憶をそのままCDに漬け込んだようなそんなアルバム。
自分の思い出を聴かされているような。
それは不安でもあるし安心でもあり、例えるなら裸にされてしまったような羞恥心さえ湧いてくる感覚。
車両の少ない電車の中でオレンジ色に輝いている麦畑を横目に見ながら幼馴染の友人とお話をしている自分の姿が見えます。
そんな思い出無いのに。
harogi（かろうじて人間 Vo&Gt）
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宮田涼介/Ryosuke Miyata
HP: http://ryosuke-miyata.com/
Twitter: https://twitter.com/miche_official
Facebook: https://www.facebook.com/ryosuke.miyata.music/

5th Album "films" Crossfeed Sample

released on Dronarivm,  March 17th

release page : https://dronarivm.com/2017/03/03/lorenzo-masotto-aeolian-processes/

“By the moment my hands touch the piano and I begin to compose, my conscience starts a journey, leaving my body. During its wandering shows me pictures of the places it encounters, creating a sort of connection between my unconscious and my fingers. The colors, the landscapes, the faces of the people it photographs along the way are so clear in my mind to allow me to portray those images, using only the sound that a piano can paint.” 

- Lorenzo Masotto 

Lorenzo Masotto’s journey with music began at the age of nine when he started playing piano. Graduating from Conservatorio di Verona, he consequently started studying composition and jazz. Lorenzo also plays in a prog/post rock band called Le Maschere di Clara, directs a male voice choir, writes music for film and theatre, and teaches piano and composition. “I’ve never only thought about writing in just one music style,” he says, “I love all music, and everything I write increases my confidence and ability to write from a wider perspective.” He has published two albums, “Silk” in 2015 (Alfa music) and “Rule and Case” in the 2016 (Preserved Sound).
credits

Mastered by Porya Hatami

Buy CD

LORENZO MASOTTO - A Tree In The Snow

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.