Carne Tremula - From the long-winter Torino, two maestri of the Dark-Ambient lymbs teamed up for the very first time. 
Matteo Viani (Black Seed) and Andrea Marini (SabaSaba) gather their gears and influences to craft a narrative and figurative landscape through sounds and signals. 
These 8 tracks, as sounds experimentations, have been spontaneously recorded live, then enhanced by Tioma Tchoulanov (Nze Nze) mastering, create a navigation in some shallow waters, a Path of Paladin from the darkness to the light of brighter days. 

This comes as a tape, dubbed on recycled batches, wrapped in a very exclusive collage by Andrea Marini. 

Lim edition of 70.

https://soundcloud.com/blackseedacts
https://soundcloud.com/sabasaba_music
https://soundcloud.com/teenagemenopause

PREMIERE⚡️Carne Tremula - Memoria [TeenageMenopause Records]

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like „POOL JAMS“, the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r’n’b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and
seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is „some kind of old photo from an old dry empty pool that got faded by sunlight “. A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can’t escape it, as soon as it rotates in your dream device for sound and vision.

Text ML

INIT - Pinata

Today on Meta Moto Podcasts we have - Alice in Flames, Leipzig-based DJ and co-founder of the Disposable Time event series. Rooted in the city’s DIY scene and known for her work with the Pracht collective, her sets move fluidly through electro, synthwave, post-punk, and other wave stuff. With regular appearances at IfZ, Conne Island, and Callshop Radio, Alice in Flames is a trusted source for raw, dancefloor-focused energy and deep sonic storytelling.

Alice in Flames:
SC: https://soundcloud.com/kaput-731188256
IG: https://www.instagram.com/alice.1n.flames

SC: https://soundcloud.com/disposable-time
IG: https://www.instagram.com/disposable.time

Listen on Radio Vilnius: https://radiovilnius.live/w-egzotikk-alice-in-flames/

FOLLOW HER

MMP142 -  Alice in Flames - META MOTO PODCAST

aqute aroana

In Bed With Bats - New Zealand Special w/ Kris Mc Fang: 15th July '25

Baalearic Goat - Submerged Romance

Live recording at the Future Intel headquarters in The Hague. Streaming live every Thursday and Friday on YouTube and futureintelradio.com. For more info, visit our website.

Krismika╚═ Future Intel ═╗ 17 07 2025

They are always vinyl genres that predominate Electro mostly but I like to mix EBM techno without limits for a fun, dark and joyful sound that feels like a roller coaster of emotions

www.operator-radio.com

RISE BLACK - 1st August 2025

The Spy mixing up some Electro, breaks, EBM, techno, and whatnot, live at Operator.

www.operator-radio.com

The Spy - 1st August 2025

The next mix in the Hybrid Moment x Egor Strelkov series is crafted by Béllis — a DJ from Zaporizhzhia and founder of the Hybrid Moment collective and label.

"In this mix, I continue to explore new facets of my musical taste, delving deeper into old-school sounds. I increasingly notice that the era of electronic music I love is coming to an end — everything is shifting toward simpler forms and rhythms, familiar melodies, and playing with pop culture. I really want to preserve something complex and offer listeners something different — deeper, sometimes strange, but always original."

Béllis - Hybrid Mix - 030

From "Chronolyse", out on Bureau B on December 7th 2018! CD/LP available at https://shop.tapeterecords.com/richard-pinhas-chronolyse.html

Richard Pinhas is one of the most important French electronic space rock musicians. Following five albums with HELDON, his band, he released solo records from  1977 on. His transition to “solo” material gave the guitarist and synthesist an opportunity to work on material that was a little lighter and less constrained. “Chronolyse” was his second solo album.


Following the previous year’s Rhizosphere, 1978’s Chronolyse was actually the first to be completed having been recorded two years prior.

On four of its five tracks, Rhizosphere presents just the 25-year-old Pinhas and his synth alone together, a melding of man and machine that gradually becomes an expansive, outward-bound journey. Pinhas’ simple approach spawned a galaxy of diverse sounds and ideas. Each track on Rhizosphere inhabits its own mini-universe sonically and emotionally. The range of moods traversed is stunning.

Dedicated “to all S.F. freaks”, the LP takes its name from a work by the science fiction writer Michel Jeury. The individual track titles, as any sci-fi fan will clock, are inspired by the classic Frank Herbert novel Dune. This led some listeners to assume that Chronolyse was some kind of scrupulous concept album based around Herbert’s invented universe of interstellar feudal houses and giant sandworms. That’s not quite accurate. While Pinhas remains a proud sci-fi freak, he’s quick to distance the LP’s titles from the music contained therein. “I always name the titles of the tracks and albums when everything is finished,” he says. “So there is no relationship between them and what is inside.”

The younger Pinhas had been inspired by guitar heroes such as Hendrix and Clapton. It was King Crimson’s Robert Fripp who had prime impact on Heldon’s mix of spiralling space-rock guitar and analogue electronics. Indeed, Pinhas once said the three most important figures in the history of modern music were Richard Wagner, Béla Bartók, and Robert Fripp. 

At the time of Chronolyse’s gestation, Pinhas had been listening to a lot of classical music. Bach, Scarlatti and Wagner were key. So too were the new wave of American minimalist composers; Philip Glass in particular.

The final record of Heldon’s 1974 to 1979 run of LPs would appear the year after Chronolyse. Thereafter Pinhas would concentrate on projects under his own name. This vital release bridges the gap between these two phases of Pinhas’ remarkable career.

Buy CD/LP

Richard Pinhas – Sur Le Theme Des Bene Gesserit VI

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.