groovee

Benedikt Frey (Serious Trouble / R-i-O //Berlin)
@freybenedikt

Illustration:
@steviewhisper

Benedikt Frey says Yes.

CV VISION (Heiners Bar Berlin)

L'artiste: Neonlichter (@neonlichter-dj)
Le mixtape: Stock 084
 L'esthétique: rassemblez et dispersez

La sélection:
Sub Dub - Vision Quest Pt. 1 (Drums Mix)
Dreams - Not Phazed
NHK'Koyxeи - 693
Never Test - Spikes & Studs & Chains
Alan Hurst - Nzambi (Terekke Remix)
Random Method - Souljunk
Primitive - Urges 3A
Silverlining - Breezin’ Thru
Analog Tara - Percolation
Tom Carruthers - Zone
Acid Jesus - Radium
DJ Skull - Don’t Stop The Beat
Robert Hood - Home
Priori - SCN 3
Max D - Shoegaze
Nikolajev - Lego Dub
Piezo - Antelope Swing
Sard + Anabasine - Thomas Julia
Appleblim & Peverelist - Circling (Bass Clef Remix)
Acrelid - Right There

Recorded in Montréal in May 2025.

Stock 084  par Neonlichter

¡Bienvenidos a Lapsus Radio!

Esta semana os traemos un programa muy especial: una vez superado el ecuador del año vamos a repasar los mejores lanzamientos hasta la fecha. Por el momento, Priori, Djrum, Polygonia, Oklou, Upsammy y Matias Aguayo son algunos de los protagonistas del año.

¡No os lo perdáis!

*****

Lapsus Radio es un espacio autogestionado. Si quieres presumir de estar apoyando a un programa independiente, puedes hacerte mecenas a través de nuestro perfil de Patreon. Dale un vistazo, todo son ventajas y todas ellas alargan la vida:

www.patreon.com/lapsusradio
www.lapsus.cat/radio

Aunque si prefieres hacernos un donativo, puedes hacerlo en: www.paypal.com/donate/?hosted_button_id=Z6G4S936PD3JS

Lapsus Radio #79 - Lo Mejor de 2025 (Hasta Ahora)

The Smackos & Dim Garden 'The Art of DX7' complete album in one big mix - 11 synthesizer folksongs full with nostalgia and yearning. Made on a rusty DX7 synthesizer & DexeD controller fed through various analog filters to warm it up a bit. Recorded 2024 & 2025 by Danny Wolfers & Dim Garden. Nightwind Records NW049 Get the album at bandcamp here:
https://legowelt.bandcamp.com/album/t... in high end 48khz 24 bit audio format or mp3

The Art of DX7

Get the album here

Smackos & Dim Garden - The Art of DX7 (complete album in one deep listening mix)

Wrapping up the final hour from the Berlin studio with Elena Sizova on closing duty 👾

Elena Sizova [14.7.25]

Cosmo Vitelli - Afterina

Living Room n°87 - @wieloroman @ushenkosasha

q. please introduce yourselves:

a. My name is Sasha Ushenko, and I'm an artist from Kyiv. Together with my close friend and collaborator WiELOROMAN aka Roma Pivnenko, we’ve built a deep connection through our shared taste in music and vision.

We co-create a project called Practices of Conscious Listening @pup.listening.club — a series of events where we invite people and artists into the world of deep listening, meditative states, and alternative soundscapes. Our goal is to explore how sound can be used as a tool for presence, awareness, and inner exploration.


q. is there a story behind the mix?

a. There’s definitely a story behind this mix. It was born naturally from a live B2B session we played at the Stricka Festival in Kyiv, in the summer of 2024. The setting was beautiful — a lush garden surrounded by greenery, and the vibe was incredibly present, almost timeless.

The mix captured that moment of deep connection - with the music, the space, and the people around us. For a long time, it just sat quietly, waiting to be heard again. 

When we play together, it feels intense and super-spiritual because we hold this depth together with our double intention.


q. what’s the best way to enjoy your mix?

a. I think the best way to enjoy this mix is to simply gather your friends, put the music on, boil some water, pour some tea — and just be. Whether it’s shared conversations in nature or quiet moments of presence together, this mix was made to hold space for that kind of connection. It’s not about listening with intensity — it’s about letting the sound gently accompany a real, grounded moment in life.


q. describe a favourite object in your living room (individually)...

a. Sasha - I really love my table in the living room. There’s just so much happening around it — it feels like a digital workspace, but also a creative sanctuary. I draw there, drink tea, read, write… everything kind of flows through that table. It’s simple, but it holds a lot of energy. It’s just… the table, you know?

Roma - probably my favorite object is a whole wall consisting of memories, important trinkets, bookshelves with favorite material, a place for a vinyl collection and a sound system. This corner has become for me a kind of mirror that can remind you of the important things on the path of this character, through which all life breathes


q. are you working on any projects right now (music or not music, together or individually)?

a. Musically, I want to finish a special release for Gasoline Records — it’s a vinyl postcard project that brings together five musicians, five photographers, and two organizations: our label and the Kyiv Biennial. It’s a cross-disciplinary collaboration that merges sound and visual art in a very tactile, analog format.

Alongside that, WiELOROMAN and I are continuing our journey with Practices of Conscious Listening. We’re motivated to keep creating offline events, and we’re also planning to launch a podcast series to deepen the conversation around attentive listening and sound as a meditative practice.

On a more personal level, I’m diving deeper into healing sound — exploring voice, vibration, and the yoga of sound as tools for body-mind connection and inner transformation.

Roma, in turn, works extensively in the field of online education, creating courses for his clients and helping teachers develop transformational programs to support the growth of their students. He is also a "guide". It seems that this is his lifetask, to combine people, ideas, and tracks with each other, so that something divinely beautiful comes out of it.

Living Room n°87 - WiELOROMAN & Sasha Ushenko

There’s a special kind of trust when a festival makes someone a resident. For Les Chaos Ambiants, that someone is Lynne. We’ve partnered with this boutique French festival for the second year, sharing the sounds and stories behind their lakeside weekend in the wooded hills of Sommant. The festival thrives on curation that feels personal, lineups that move like chapters in a book, sound systems tuned to catch every detail, and a setting where the air itself seems to carry the low-end.

Lynne embodies that approach. Originally from Japan and now based in London, she’s built a reputation on mixing low-lit atmospheres with rhythm patterns that shift just as you think you’ve caught them. Her triumphant comeback to our podcast series finds her opening the spectrum: warmer tones, space between the beats, a subtle dub pulse, and even flickers of jazz phrasing. Yet the structural backbone remains hers, breaks that fold time and pacing that keeps you just ahead of the next turn. It’s not a departure, it's more like a widening of the frame, perfectly in sync with the spirit of Les Chaos Ambiants.

https://soundcloud.com/lynne-tokyo
https://www.instagram.com/lynne_tokyo/

https://soundcloud.com/leschaosambiants
https://www.instagram.com/leschaosambiants/

Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Delayed x Les Chaos Ambiants: Lynne

L'artiste: POD (@podimension)
Le mixtape: Stock 088
 L'esthétique: subdued shades of icebound techno

La sélection:
Atoloi - Fioritura
Polar Inertia - Kinematic Optics
Tammo Hesselink - Choice of Onto
Aa Sudd - Menodice
Pugilist & Forest Drive West - Polygon
POD & Edward Richards - ***
POD & Edward Richards - ***
Michal Wolski - Omen
Hydrangea - Lines
CA2+ - Gait Cycle
POD & Edward Richards - ***
Tammo Hesselink - The Wheels He Borrowed
BLNDR - Chords Dark
Chevel - Isolation
PALEMAN- Audio Repeater
BLNDR - HyperMental (Calming Strobe Mix)
Tammo Hesselink - Haven't Read
Rhyw - Unpunishable
Sub Basics - ***

Recorded in Melbourne in June 2025.

Stock 088 par POD

::: Little deeper edit because I love this groovy tune:::&#13;
&#13;
Hope will like and share it!&#13;
Y.&#13;
&#13;
LIKE → facebook.com/yomakomba&#13;
INSTAGRAM → instagram.com/yomakomba&#13;
TWITTER → twitter.com/yomakomba&#13;
&#13;


<a href="https://theartistunion.com/tracks/beeb67" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Download

Duke Dumont - Robert Talking (Yomakomba Funky Dub Edit)

Boris Dlugosch - Keep Pushin (Purple Disco Machine Dub Mix) [96 Kbit/s]

Boris Dlugosch - Keep Pushin (Purple Disco Machine Dub Mix)

Babert - Boogie Oogie (Original Mix)

Kicking Cancer in the Nuts Vol 2: 
15 edits, reworks, and originals by artists : Chuggin Edits (@chugg-test), Karim (@karimdopebeasts), Fingerman (@fingermanedit), Luxxury (@luxxury), Pontchartrain (@pontchartrain), Judge Funk (@alanluvsfunk), Situation (@situation), Hotmood (@hotmood), Deelicious (@deelicious_85), Stephen Richards (@srichards1975), REz (@rezedits), Kitchens Inc (@kitchensincmusic), Jobu (@joeyburkitt), Charlie Brown Superstar (@charlie-brown-superstar), and label bosses That Needs An Edit (@alpacaedits)

Tracklist:
1. Situation - Tequila Sun Down
2. Karim - Woman of the Ghetto
3. Hotmood - I Need A Drink
4. Deelicious - Stayin Alive
5. Stephen Richards - Headlights
6. Chuggin Edits - Billy Whizz
7. Fingerman - Searchin' 4 Yo' Luv
8. Luxxury - Uh Huh, I Like It!
9. Kitchens, Inc - Loops and Roundabouts
10. REz - Forget Me Nots
11. Charlie Brown Superstar - Insane
12. That Needs An Edit - Aaaaaay!
13. Jobu - Stainless Steal
14. Judge Funk - Black Rose Shakes
15. Pontchartrain - I'm a Man

Twitter: @alpaca_edits
Facebook: https://www.facebook.com/alpacaedits/
Website: www.alpacaedits.com
Soundcloud: https://soundcloud.com/alpacaedits
Clips of the album at : https://soundcloud.com/alpacaedits/kicking-cancer-in-the-nuts-vol-2

Forget Me Nots (REz Remix) Kicking Cancer in the Nuts Vol. 2

Chemise - She Can´t Love You (PurpleDiscoMachine Edit)

VÖ: 21. September 2012 (bureau b/Indigo)

Als im Sommer 2011 das Hamburger Label Bureau B bei Hans Nieswandt anklopfte, um ihm die Produktion eines kompletten Hildegard-Knef-Remix-Albums vorzuschlagen, gab es für den Kölner DJ und Produzenten nicht viel Nachzudenken. Ziemlich genau zehn Jahre vorher hatte er schon mal einen Remix für diese große deutsche Sängerin angefertigt („Bei dir war es immer so schön“) und diese Arbeit danach stets als eine der besten Remix-Erfahrungen seines Lebens gepriesen. 

Der Grund dafür lag in der besonderen Qualität des Ausgangsmaterials – komplette, digitalisierte Orchesterspuren aus den frühen und mittleren 70er Jahren, von besten Musikern mit besten Mikrofonen in akustisch optimalen Räumen aufgenommen. Dazu Hildegard Knefs Stimme als trockenes A cappella, etwas unglaublich Seltenes und Kostbares, das die meisten Menschen so überhaupt nie zu hören bekommen. Die Vorstellung, noch einmal zwölf dieser Meisterwerke sezieren und neu zusammenbauen zu dürfen, war für Nieswandt unwiderstehlich.

Und die Technik hatte sich inzwischen stark weiterentwickelt. Anlass für Nieswandt, sich für ein strenges Arbeitsprinzip zu entscheiden: für die Remixe verwendete er, bis auf sehr wenige Ausnahmen im Kickdrum- und Basslinebereich, ausschließlich   diese umwerfenden Originalparts, fügte keinerlei zusätzlichen Plug-In-Synthesizer, Drum Machines oder andere Samples hinzu. Denn was konnte man mit dem Vorhandenen allein schon alles anfangen! Dank Software und Frickelfleiß ließ sich aus den Swing-Rhythmen des Drummers je nach Stimmung mal ein Reggae, mal ein Housebeat bauen. Allein schon durch das Neudenken der Mischverhältnisse sowie durch Reduktion trat Erstaunliches zu Tage: der sonst tief im Mix versteckte Schlagzeuger hat de facto einen derben Groove. Der Bass, damals gern weit nach hinten gemischt, bildet mit ihm ein Rhythmusgerüst von enormer Tragfähigkeit und Solidität, vor allem, wenn man den Beat flext, das heißt mit modernen Mitteln auf Linie bringt und aufpumpt.

Auf dieser hochbelastbaren, tiefergelegten Basis baute Nieswandt die Lieder dann nach und nach neu auf, vergleichbar einer Kernsanierung, bei der der Charakter der alten Substanz zwar voll erhalten bleibt, aber mit neuen Kabeln, W-Lan und allerlei Elektronik auf den neuesten Stand gebracht wird, nunmehr nutzbar für neue Bewohner, in diesem Fall neue Hörer. Dieses Erhalten des ursprünglichen Charakters war Hauptanliegen bei diesem Projekt, denn neben der Brillanz der Musiker ist es natürlich Hildegard Knefs fesselnder Gesangsvortrag und die stets packenden, ans Eingemachte gehenden Inhalte ihrer Texte, ihr ganzer glanzvoller Geist, der sich so einer neuen Generation wie durch ein neues Medium mitteilen kann. Wenn solche Stimmen heute noch hergestellt würden und solche Texte heute noch geschrieben, dann könnte dies eine Platte von heute sein.

Short Ich schreib Dir ein Buch

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.

Short Ich schreib Dir ein Buch

Bureau B

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