I DARE YOU TO GET CAUGHT INTO MY TIME WARP!

INKCHIK'S HI NRG ITALO DISCO

Disco 7

ginkgo

viola wills

History Notebookin the Garage

Disco Dance

Vesta Williams - Once Bitten - Roots-Remix (by ©Eini 07.07.2013)

The debut album 'Glow' is out now.

Order a signed copy now: po.st/GlowShop
iTunes: po.st/GlowiT
Amazon: po.st/GlowAmz

Phonica LP: po.st/GlowLP
Phonica CD: po.st/GlowCD
Rough Trade: po.st/GlowRT

Download another track 'No Relief' for free here: po.st/NORELIEF

www.facebook.com/Fioramusic

Tensnake
www.facebook.com/tensnake
www.twitter.com/Tensnake
www.instagram.com/Tensnake
www.youtube.com/user/tensnakeofficial
www.youtube.com/user/TensnakeVEVO
smarturl.it/SpotifyTensnake

Love Sublime

Love Sublime (feat. Nile Rodgers & Fiora)

iTunes

Delegation - You and I (Dave Francis Maison Française Remix)

Finally out on BBE!

"The late 70’s soul and funk hymn “I Think I’ll Do Some Stepping (On My Own)” by New York based singer Sandy Barber got reworked for modern vintage requirements. The original version was featured on Sandy Barber’s album “The Best Is Yet To Come.” from 1978 and it’s reconstruction has been done by Opolopo from Stockholm. The dj and producer from Sweden previously appeared on labels like Swedish Brandy Productions, Local Talk, Tokyo Dawn Records or Ebo Records with modern house sounds and a strong soul affection. His currently released work is a classical edit that breathes the emotive energy of a strong base material but should also delight unprejudiced ears and dancing feet, because the art of editing has been done with a keen sense in here. Slight changes and cuts, as well as decently added sounds straightens the original with its musical complexity and different parts into an ongoing late night disco soul pleasure. Very nice! (Jan) " 

-whatpeopleplay.com

www.facebook.com/opoloposweden
www.twitter.com/opoloposweden
www.youtube.com/opoloposweden

OUT NOW! Sandy Barber - I Think I'll Do Some Stepping (On My Own) - Opolopo Rework

Beatport: 
http://po.st/SimionUI

iTunes
http://smarturl.it/UIit

Traxsource
http://smarturl.it/UIts

Support on HypeM: 
http://po.st/SimionHypeM

Follow @Simiondj on SoundCloud

Listen to all mixes: 
http://po.st/hed004SC

Listen to Darius Syrossian Remix: 
http://po.st/UIDariusSC

Listen to Betoko Remix: 
http://po.st/UiBetokoSC

Listen to Club Mix: 
http://po.st/UIsc

Watch the videos on YouTube: 
https://www.youtube.com/user/MusicHedonism

Simion ‘U+I’

Beatport Release Date: 09th May, 2014
Vinyl Release Date: 02nd May 2014

HEDONISM MUSIC presents SIMION ‘U+I’.

Time for another huge discovery from the mysterious SIMION, a man who made an impact by remixing Ben Pearce's underground smash "What I Might Do".
After his releases "Don’t You" and „Warning“ on Berlin’s finest OFF Recordings he returns to Hedonism Music and delivers a jacking monster ready to take any club by storm.
‘U+I’ contains a fine selection of mixes from London deep house hero Betoko, Verona’s tech house legends Paul C &amp; Paolo Martini as well as Leeds based Sankeys resident Darius Syrossian.

Simion: @simiondj
http://www.facebook.com/simiondj
http://www.twitter.com/simiondj
http://www.youtube.com/user/simiondj
http://www.residentadvisor.net/dj/simion
http://www.beatport.com/artist/simion/349693
http://www.simion.dj

Hedonism Music: @musichedonism
http://www.facebook.com/musichedonism
http://www.twitter.com/hedonismmusic
http://www.residentadvisor.net/record-label.aspx?id=10466
http://www.beatport.com/label/hedonism-music/32077
http://www.hedonism-music.com/

Simion - U+I (Incl. Remixes by Betoko, Paul C & Paolo Martini, Darius Syrossian) | Preview

It was emotional putting this together but I did it for my brother Frankie Knuckles.

Every Breathe (David Morales 'Frankie Knuckles Tribute' Mix)

We got the opportunity to remix one of our favorite alltime classics for High Fashion Music. 3 different versions available..... radio, extended and dub version.
downloadlink:
https://itunes.apple.com/nl/album/if-you-could-read-my-mind/id896681991

Viola Wills - If You Could Read My Mind (Bush & Crane Extended Mix)

Mike Mago & Dragonette - Outlines is OUT NOW on Beatport: http://btprt.dj/1yDVOo0

The great Mike Mago is back in collaboration with Dragonette to bring you Outlines. A grand groove piece of true house music. Great vocals, great bass line, great song!


Pete Tong: A lot of interest on this one...
MK: Cool
Yolanda Be Cool: This is dope!
Human Life: Nice pop track… very catchy vocal
Sister Bliss: Very good pop
Dimitri Vegas & Like Mike: Supported in our radioshow
Steve Aoki: Great vocals
R3hab: Played in my show
Oliver Heldens: Supporting
Tommie Sunshine: dope!
Swanky Tunes: Support in our radioshow
Bassjackers: cool
Deniz Koyu: Cool track
Yves V: Nice one!
Funkin Matt: Chill
Ferreck Dawn: Excellent vocal
Danny Avila: Fresh!
Alex Gaudino: Cool track
Redondo: too bad 6 stars ain’t possible, what a track!
The Voyagers: Love it! The vocal & the melody are amazing!
Pep & Rash: lovely vibe
Alexey Romeo: Nice job
Slider: Great tune! Support
Baggi Begovic: Love it
Mr Belt & Wezo: Good stuff! Love that vocal!
Futuristic Polar Bears: Supporting on our radio show


Mike Mago & Dragonette - Outlines (Original Mix)

003 Viola Wills I Never Knew Love Like This Before 14 11 2013 07 05 2011

Beatport: po.st/PEHRemixes 

The 2004 classic gets a techy re-rub from the Dutch ambassador of high end sounds, Atilla Cetin and it has been smashing clubs all summer and now it's your turn. A full official remix pack will be out on HK Records November 24.

Stonebridge Feat. Therese - Put Em High (Atilla Cetin Nitec Remix)

Patrice Rushen - Forget Me Nots (Giu Pacheco Edit)

Right behind "Gonna get along without now" here's another one of the ladies favorites

Vicki sue robinson - to sir with love

Barry White - You're The First, The Last, My Everything - JMJ EDIT

Bonnie pointer - heaven must have sent you (mAshjAn remix)

The Jungle Book - Be Like You (Bootleg Remix)

Bonnie Pointer - Heaven Must Have Sent You (Benny Edit)

VIOLA WILLS   Gonna Get Along Without You (remix )

Erasure have announced the release of a brand new version of their top 5 single, A Little Respect – HMI Redux, out on 5 December 2010. 

All proceeds to be donated to The Hetrick Martin Institute, the home of The Harvey Milk School.

http://www.hmi.org

http://www.erasureinfo.com


Erasure - A Little Respect (HMI Redux)

SOS Band - Take Your Time (DHB Edit)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


JEAN CARN - WAS THAT ALL [SNIPPIT]

Bush & Crane are two well-known Dutch producers/dj's with a long musical history. 
Both in the game since 4 ever and gifted with an infectiously enthousiastic drive to make their sounds heard around the globe to peeps that really love credible, feelgood house tunes!

Their main focus will be ‘groovy and funky’ house sounds, that will range from jackin’ to soulful and from deephouse to nu disco.
For bookings: bushandcrane@kpnmail.nl 
 

Viola Wills - If You Could Read My Mind (Bush & Crane Extended Mix)

BUSH & CRANE