https://buttechno.bandcamp.com/album/inland-expire

Pavel Milyakov — spring flute

Heith - X, wheel
Label: PAN
Cat.No. PAN 119 
Format: LP / DL
Release Date: 07 October 2022
Purchase: https://pan.lnk.to/Xwheel

Heith’s devout interest in the notion of reality started long before he recorded his latest album. The Italian musician, producer and artist probed the spiritual aspects of sound and its cosmogonic potential already in his previous works released on his own Haunter Records label.
Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith’s debut album and first release on PAN. It’s a deep dive into his creative and spiritual practice, one where art and life are inextricable.

Written and recorded across different studios in Milan, Rome and Florence between March, 2019, and January, 2020, eleven tracks cycle through a world of stylistic references—from psychedelia, psytrance and freak folk to stoner metal, noise and early electronic music—while remaining firmly a part of a singular vision.

Album opener “Letter 4” staggers along collaborator Leonardo Rubboli’s winding guitar melody, while second track “Dero” cycles into layers of assorted sine wave lines and tonal systems outside of the Western diatonic scales. X, wheel sits calmly at the centre of its own vortex of dissonance and diversity, moving through a spectrum of ideas, moods, and emotional states with uncanny ease. A glimpse of contributor Jesse Osborne- Lanthier’s synth melody briefly surfaces from a cacophonous flood of reverb and distortion on “Stoned Witch”. Aase Nielsen’s lonely saxophone wanders around the nostalgic hypnagogic noir of “Ensemble For Somnambulists”.

Heith draws together an array of philosophies and fictions together into a sonic tableau that exists outside of linear time. As the titular wheel spins, it does not bring about repetition, rather constant change and movement, spiralling into infinity.

The hypnotic nature of the release is translated in the album’s liner notes. It’s a collage of sorts, constructed from Heith’s own diary entries using the non-phonetic alphabet and linguistic experiment called “Angel’s Hair” developed with artist Pietro Agostoni. Together with contributions from ZU drummer Jacopo Battaglia and didgeridoo player Fabio Goldaniga, X, wheel is an exercise in creating new forms of meaning through sound, turning spectral vibration into conscious awareness.

Heith ft. Aase Nielsen - Ensemble For Somnambulists (PAN 119)

This first episode of ℳ𝑒𝓈𝓈𝒶𝑔𝑒𝓈 𝒻𝓇𝑜𝓂 𝓎𝑜𝓊𝓇 𝒶𝓃𝑔𝑒𝓁𝓈 is dedicated to my very precious place, a magical huge forest that surround my tiny house near the Carpathian Mountains. This sound selection is an adventurous walk through this forest : scary, funny, melancholic, exciting… My place to surrender. Which is yours…? 

Teasing for your ears : Ukrainian folk music, many many flutes, experimental recordings in Ukraine and Autumn emotional music selecta. May the little bear inside you enjoy it.

ℳ𝑒𝓈𝓈𝒶𝑔𝑒𝓈 𝒻𝓇𝑜𝓂 𝓎𝑜𝓊𝓇 𝒶𝓃𝑔𝑒𝓁𝓈 𝐰/lilo @LYL Radio

Purchase: bit.ly/daniailyas
Catalog #: GN77
October 22, 2024
LP+DIGI

DANIAILYAS is the collaborative, cross-continental project from Barcelona-based composer Dania Shihab (Paralaxe Editions), and Portland-based avant-gardist, Ilyas Ahmed (Grails member and collaborator with Liz Harris, Jefre Cantu-Ledesma, and Golden Retriever). Having both previously issued solo works through Geographic North, a remote one-off collaboration soon manifested into an on-going aural dialogue, yielding the duo’s debut ‘Enough for Me to Remain.’ The album stands as a hallucinatory masterclass, charting into the theater of the uncanny—Dania's transcendent vocal melodies and cathartic synths exquisitely woven between Ilyas' mercurial guitar in some vaporous dance of beauty. A love letter scribed in blood. A bloodletting drenched in hope.


Opener “The World Spins” immediately establishes Dania and Ahmed pairing as a truly exalted engagement—a nascent collaboration with boundless potential and cosmic chemistry. It’s the best of both worlds, with Ahmed’s spidery, open-ended acoustic gestures providing the perfect backdrop to Dania’s double-tracked and echoed lyrics spoken into the darkness. The morbid mise en scène of “Be Where” creaks with diegetic gloom and deeply sullen composure, straddling the physical, astral, and ethereal plane at once. 

Commencing in a blur of solemn acoustic genuflection, “Walking Through Another Door” ambles along with wordless, funereal focus. Vocally, Dania meticulously layers various vocal parts into a unified, mellifluous missive delivered with disembodied elegance and weightlessness. It’s equal parts angelic and grievous, striking a chord of heart and mind. “Breathe and Start Again” continues the emotion into more kaleidoscopic patterns, with a heaving manipulated clarinet motif turning over and over again through its habitual dance and Dania’s spectral coos floating by like storm clouds at dusk.

“The Pilgrim” ushers in an unassuming epic of dust-swept vistas haunted with spirits of yore. Beyond capturing a “cinematic” feeling, the song is essentially “pure cinema,” conjuring aural images that are both historic and timeless. In the song’s final moments, Dania’s refrain “Feeling dark again” enters the weighted darkness, bringing a flash of light and hope amidst the oblique obscurity. Closer “Coming Home” offers the most vulnerable and delicate moments on ‘Enough for Me to Remain,’ creating ample safe space to console and comfort in these weary times.

DANIAILYAS - "Breathe And Start Again"

Curio earworms and other obsessions from Krakow's Natalia Panzer. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/natalia-panzer/episodes/natalia-panzer-12th-october-2024

Natalia Panzer 121024

Sad music box music

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Soundcloud: @tuomasdata
Spotify: open.spotify.com/artist/12NjG2NhuKYBq6qfN5jE0S

Memories In The Rain

neüat

Train to Scandinavia Is an album of new age, electronica and ambient music recorded entirely on sleeper trains and hotels in Scandinavia during an 18 day round trip from England to the Arctic by train. It captures the atmospheric and beautifully haunting landscapes of the far north during the winter months.
© 2015 Paul Landry Music
℗ 2025 Ditto Music LTD

All Rights Reserved

Free Download

Narvik 1

Blues Alif Lam Mim In the Mode Of Rag Infinity/Rag Cosmosis is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. The expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou, and the additon of Marcus Pal and Stefan Tiedje on electronics. This new piece was recorded live at the Issue Project Room and was mastered by Dubplates + Mastering in Berlin. 
Live At Issue Project Room is packaged in a deluxe letterpressed sleeve and is being issued at the same time as Central Palace Music from 100 Model Subjects For Hegikan Roku, a recording of Hennix's ensemble from 1976, also on Important.

Catherine Christer Hennix / Chora(s)an Time-Court Mirage - Live At ISSUE Project Room -

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Carmen Villain - "Dissolving Edges"

https://linktr.ee/buttechno
donate for Ukraine: https://linktr.ee/livyj_bereh

Pavel Milyakov — spring flute

pavel milyakov / buttechno