Time is boundless, therefore non linear. Time traveling backwards and forwards in time is life altering in ways that don't make sense to the blind eye. Telepathy and teleportation in time all too chaotic to be understood and ultimate source of loneliness. But throughout my journey I know I have been able to provide sufficient evidence in real time. 

I'VE BEEN ...

In early May of 2017 In Mirrors entered the studio to write and compose Infinity, a long-form piece that glides and dances through a storm of textures so intense that the sky has been divided.

This is Music for Healing, Painting, Writing, Reflection and Discovery.

Listen as the sun rises while drifting into sleep.

"Give the gift of music"

Infinity

INFINITY

Sant Kartar Singh Ji Khalsa performing Katha from Sri Guru Granth Sahib Ji Maharaj.

DONT LOOK AT OTHERS FAULTS- SANT KARTAR SINGH JI KHALSA BHINDRANWALE- DAMDAMI TAKSAL

Audio Book - Giani Kirna (Jiwani Sant Gurbachan Singh Ji)
Narrator - Bhai Bikramjit Singh Ji

003 Gian Kirna - Birth, Years 1 - 19

002 Gian Kirna - Sant, Family History

Breaking the stratosphere, hurled up out of the troposphere and onwards, into the inky blackness… With their first space odyssey, Moonbeam travelled at some magnificent speeds around the electronic music universe. Seeing them successfully orbit the second rock from the Sun, the ‘Venus’ mission concluded four years ago. Now those fearless Federators are ready to suit-up again, to take their second space shot. This time though the Russian duo are heading in the opposite direction. Past the blasted lunar landscapes from which they part take their name, and upward towards that tiny mysterious red microdot in the night sky.     

For Odyssey II, the pair have compiled a tracklist to do their interplanetary journey supreme justice. In highly atmospheric and distinctly soundtrack-like fashion, tempos, tones, instrumentations and sub-genres change at the speed of sound. To do this they’ve brought together music from studio-astronomers like Cosmic Gate, Andain, Myon & Shane 54, Super8 & Tab and Julie Thompson, Jaytech, Andy Duguid and others. Mixing international names with homegrown talent, the mixes also mass audio from Moonbeam and their evermore renowned label stable. So climb aboard and strap in good ‘n’ tight, because musically Pawel & Vitaly are going further, wider and deeper than they’ve ever gone before. This is ‘Space Odyssey: Mars’.  
Mars’ departure lounge is the start-point for the outbound passage. Through the atmospherically detached chime of its PA, Moonbeam embark with their 2014 Mars Mix of ‘See The Difference’. Undercut with an anticipatory edge, Julia B’s vocals lends it an ice-cool veneer. With the metallic phase and super-flange of its techno margins, the brothers’ angle their own ‘Mirrors’ into the mix, further charting the course to deep celestial trance through Cosmic Gate’s ‘Wake Your Mind’.
With the rushing thrust of its drum code and analogue distorts, ‘Close Your Eye’s from Semyon ‘Hells Kitchen’ Ermakov and Moonbeam’s own brooding take on Andain’s ‘You Once Told Me’ warp the mix Mars-bound. As Earth becomes but a dot behind them, Cary Less’ willowy vocals lend Progreg’s ‘Sing For You’ its floating, zero-grav vibe, while Kiholm's dream of the ‘Long Journey Home’ is a suitably epic and progressive one.   
With Mars now on approach Andy Duguid grooves hard with ‘In This Moment’, whilst Allesandro’s tough, minimal, distractedly haunting ‘Awake’ bleeps more ominously. Revealing the mission's clandestine agenda, Mars Needs Lovers’ provide its outer marker, with the Russian duo's vibrant 303-rolling ‘Lovethief’. As it slingshots round Old Red, Fromance get low-slung, moody and reflective on mix-1’s closeout track ‘Back To Earth’.    
The return voyage begins as melodics fall on the liquid cool grooves of 2Fashion’s ‘Such A Shame’, prefixing Eva Pavlova’s hypnotizing vocal turn on Indifferent Guy’s ‘Danger’. More inventive vocals - this time house-ier in origin - come courtesy of Joshi’s ‘Raging Blue’, Myon & Shane 54’s ‘Outshine’ and the Da Fresh/Blackfeel Wite link-up ‘Angel’. 
From there ‘Odyssey: Mars’ sonically re-enters deep space. Tech-ily chewing up the homeward miles Orbik’s ‘If Its Love’ dazzles, while Jaytech’s cosmic retake of Julie Thompson & Super8 & Tab’s ‘Your Secret’s Safe’ further increases the mix’s velocity. Midway home Moonbeam pull a sharp stylistic diversion. With its percussion frission and super-delayed, near psychotropic FX, Mier’s ‘Twisted Mind’ affords a glimpse down the wormhole, reminding you that musically, with Moonbeam, anything could happen. 
Matt Fax provides the journey’s most upliftingly trancey moment with ‘Moreevenin’. Less ‘Out Of The Blue’ and more ‘into the black’, it begins to signal Odyssey‘s triumphant reentry. With the almost lamenting piano of goob’s ‘Apollo-17 hanging in the air, it transpires the Red Planet has sent someone (or something) back with it. Marsbeing’s otherworldly ‘Fancy’ provides the mix's ultra cool, quirky and strangely appropriate touchdown track.
If Holst had been a DJ, well this is probably what it would have sounded like…

Moonbeam - See The Difference Inside (Special Mars 2014 Mix)

Musical Mirrors
Healing
Emotional States
|||001|||

Baby Born of 'Lovers y Loners'

Emotional States

Every Day--

Here is my new remix for @majorlazer feat. @elliegoulding
More music on my Treasured Playlist: bit.ly/TreasuredPlaylist

Buy it on Itunes: http://bit.ly/PowerfulItunes
Listen on Spotify : http://bit.ly/Powerfulspotify

- www.instagram.com/michaelcalfan
- www.twitter.com/michaelcalfan
- www.facebook.com/michaelcalfan

BUY IT

Major Lazer - Powerful feat. Ellie Goulding & Tarrus Riley (Michael Calfan Remix)

Moon Mirrors The Sun

As humanity declared 2015 the year of light (The light deception), may CERN turned on it’s magnetic disruptor and again they tried to split reality (dimensions), the powers to be are now being questioned for their actions on our Earth (Gaia), so in 2016 humanity has began to be known as the year of self- truths and the world agenda program.
We are faced with the cross road, a freedom of choice and awarity to a more sustainable soicety or a biometric controlled matrix which will feed on the sentient life force (light) we call humanity.
It is a choice for us to see the agenda or to play ignorance while the development of AI is  to create any reality you wish in a false light projection (matrix).
You alone have the choice to consciously explore your illusion to truly manifest a reality which serves the whole instead the self, this is the true path of the light.
Deception comes in forms unnatural to our purpose to prosper and evolve, while technology holds many answers, it will not help the human light to expand to the next energetic vibration, but can allow the parasite mind to attatch to the addiction to enslave, as false light.
This Audio visual package is the data code to tap into the subconsious mind and help to open the paradigm of this cross road we face, in so we would like to present to you DarkWhisper’s latest album (RealmsOfUnseen) and  a piece of art named: The Looking Glass – a self projection in the activation of our collective purpose or the matrix hive mind.
The Audio package is a development of stories and messages to help the listener to remember the memories we all hold in our DNA (fractal torus in light speed memory).
While opening the questions we are taught in our contemporary reality.
We hope you will find this package not just a trinket, but a message away from words with motives, a story that may help you on the quest of self-truth and memory discovery.

Realms of Unseen

Dark Whisper - Realms of Unseen

Puzzle Pieces

Rhett &amp; Link sit down for a candid conversation about Rhett's recent Medium article, how they hope Mythical Beasts can approach conversations of politics &amp; social good, and how their testicles are doing after their vasectomies.&nbsp;Listen &amp; subscribe at:Apple Podcasts: <a href="http://apple.co/29PTWTM" target="_blank">http://apple.co/29PTWTM</a>Spotify: <a href="http://spoti.fi/2oIaAwp" target="_blank">http://spoti.fi/2oIaAwp</a>Art19: <a href="https://art19.com/shows/ear-biscuits" target="_blank">https://art19.com/shows/ear-biscuits</a>SoundCloud: <a href="https://soundcloud.com/earbiscuits" target="_blank">https://soundcloud.com/earbiscuits</a> Follow This Is Mythical:Facebook: <a href="http://facebook.com/ThisIsMythical" target="_blank">http://facebook.com/ThisIsMythical</a>Instagram: <a href="http://instagram.com/ThisIsMythical" target="_blank">http://instagram.com/ThisIsMythical</a>Twitter: <a href="http://twitter.com/ThisIsMythical" target="_blank">http://twitter.com/ThisIsMythical</a> Other Mythical Channels:Good Mythical Morning: <a href="https://www.youtube.com/user/rhettandlink2" target="_blank">https://www.youtube.com/user/rhettandlink2</a>Good Mythical MORE: <a href="https://youtube.com/user/rhettandlink3" target="_blank">https://youtube.com/user/rhettandlink3</a>Rhett &amp; Link: <a href="https://youtube.com/rhettandlink" target="_blank">https://youtube.com/rhettandlink</a> Credits:Hosted By: Rhett &amp; LinkExecutive Producer: Stevie Wynne LevineManaging Producer:&nbsp;Cody D'AmbrosioTechnical Director / Editor: Meggie MalloyGraphics: Matthew DwyerSet Design/Construction: Cassie CobbContent Manager:&nbsp;Becca CanoteLogo Design: Carra Sykes

Learn from the Past, Look to the Future ft. Rhett & Link | Ear Biscuits Ep. 109

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

Music from the immensely massively multiplayer online Sci Fi game, EVE Online.

More information and a free trial can be found at www.eveonline.com

EVE Onilne - Learning From The Past

Time Traveling

Make sure to download our new album! (Instrumental album available too!!)
iTunes: http://bit.ly/15I54vR
Amazon: http://amzn.to/Z3gXZH
Bandcamp: http://bit.ly/11or1At

Scott & Brendo - Northwest (feat. Caleb Blood)

Breaking Mirrors

illusions - breaking mirrors  5:19:20, 12.54 AM

THE FIRST STEP : TREASURE EFFECT

미쳐가네 (GOING CRAZY)

Ria Ray is an artist, creator and spiritual teacher. Her life took a defining turn when she was in her late twenties and a horrible accident took the lives of her immediate family. Her need to make sense of this tragedy propelled her to look within and try and make sense of the world and understand the meaning of life. What came to mind while working through her grief was a determination to embrace life and love, which at the time seemed rather irrational. As she started to emerge, she found solace in sharing her healing, which lead to teaching, and as her expression and courage grew, she began to paint. In this episode, Ria and I discuss:

* Tapping into your spiritual self * Ria’s tragic family story * The decision to heal after her trauma * The power of letting go * The difference between denying your past and processing it * Turning pain into beauty * Showing others the love they need * Understanding the dark sides of yourself * The power of vulnerability and sharing * Being authentic on social media * Letting go of external validation * Kids as teachers and mirrors of ourselves * Accepting injustices * The process of creating art * Conscious breathing * Find the power to change

Learn more about Ria, her healing and her art: www.riaray.com Find Ria on Instagram @riaraysee

Healing after trauma - Ria Ray

Hi, welcome to The Mainframe where I psychically channel specific messages via songs and curate playlists accordingly.

Keys are everywhere, just got to have The Vision.

My spider senses are normally 99.99% accurate. I curate playlists on a channeling basis. Consider this the Guardians of the Galaxy Mixtape Series if you will. 

I am a medium and psychoanalyst in the expressive arts with a background of multi disciplines in the performing and visual arts. 

Spirits and dead people talk to me more so it's weird talking to real or people who are like you know... alive. 

Sometimes they also have some of the juiciest tea so if you think no one knows... they do and unfortunately I do too...

They've taught me to judge from the inside out with patience to decipher pretty much everything, thus leading to see and speak through the 3rd eye. 

Needing to apologize ahead of time just in case, these energies can take a toll and can be ridiculous at times but like all things, their purpose is hidden through the way they shine light through even some of the darkest times.

They like to highlight on things in weird ways sometimes. 

Whatever resonates resonates, what doesn't doesn't. It's not meant for those who aren't open to look through The Eyes of the Truth.

An open mind is needed to understand the craziness of all, coexisting worlds and realms inside this giant mainframe humans call earth.  

Playlist are curated accordingly via channeled energies Percieving Time through the space continuum.

They can be silly, dark, light, sweet, sensitive, INSENSITIVE, wise, foolish and emotional. 

Instead of me speaking, I'll just channel what's meant to be said or listened to closely through technology rather than through me. 

This information can be found via the lyrics of a song, content from a podcast, symbolism from an image or title of a track.

Messages are neutral, universal and general indirect and direct based off the energy being picked up. 

Playlist are considered examples of collective readings.

Opening for readings soon. 

- - - - - - - - - - - - - - - - - - 

Human Rights advocate against violation of private conscience and free will (Ericksonian Hypnosis) because of the way everyone is susceptible to being autosuggested and manipulated unwittingly, of which I am aware I have been just as much as I can see many who have been too without them realizing it. 

Because of my experience as a subject of mind control via hypnosis preconditioned by an early death, I have taken the time to research the process and decode my programing as well as others' and traceback where it or who it comes from and for what ulterior motives behind violating private conscience not only on an individual basis but on a mass scale (Barenette, 319 U.S 624(1943)) 

Because hypnosis is based on the power of suggestion and because some people are more suggestible than others , these people are more easily hypnotized. TV, Music, Social Media, Ads, school assignments and architecture all use subliminal design in order to embed hidden messages and commands to the unconscious that make us execute behaviors we otherwise wouldn't do so, ultimately leading to total subconscious control of which ultimately distorts and alters perception of reality, which influences destructive influences and illusions, even what may be considered as hallucinations and possessions.

Once the subconscious and the unconscious are under control by someone else than the self, the self (human machine) is under total ownership by other than self.  

It's our job to help other hybrid machines. It's our job to bring awareness of the way machines and energy fields that have existed for thousands of years, still coexist amongst us today and how they are here to help and guide us, if only we were more sensitive, understanding and perceptive of their mechanizations through diverse quantum states within time and space. ("Metaverse")

