What an awesome track to finish an awesome mix! ID please?

amazing mix, keep coming back to this and it just uplifts my mood every time

Our latest Lyl mix comes from Melbourne mainstays Hybrid Man. Check out there other material below.

https://soundcloud.com/hybridmn

Butter Sessions LYL Radio w/ Hybrid Man - Ep7

Vaporous, lo-fi ambient to soothe your soul.

Download and tracklisting: https://bit.ly/XLR8Rpodcast_EarthenSea

@earthzone

XLR8R Podcast

Download & Tracklist

XLR8R Podcast 738: Earthen Sea

Thank you Pedro F. and Lux for letting it happen just like that.
Timmy & Tummy

Vladimir Ivkovic b2b Switchdance at Lux Frágil (18.03.22)

Deep-diving San Francisco-based selectors Mozhgan & Solar are our next guests, showcasing their most spaced-out, psychedelia-rooted records in this special mix for arch.

From android electronics to avant-garde fantasy soundtracks and electro-acoustic manifestations, there’s an audible thread of historian-like knowledge throughout. A window into an outernational post-everything twilight world, trainspotters beware!

@mozhgan @solarsf

www.archberlin.com
www.sweatlodgeagency.com

Mozhgan & Solar - Arch Selections 21

Up next in our mix series is Berlin based Dutch-Italian recording and performing artist Grand River (@grandriver). Interview (excerpt) down below.

www.musicfrommemory.com
 
MFM: Hi Aimée. In the musical landscape nowadays it often seems to be all about the final result (or product even) rather than the process and path before it. With your music it feels that it's more about the process of making rather than the final outcome. Where does your profound interest for experimenting with audio and composing come from?
 
GR: Nice to hear that you see it that way and to know that it may be perceived like this from the outside as well. The work itself and how we experience the process is what matters most. It’s not always easy to be mindful about how everything is created along the way. The end result or end product is important, but if you don’t enjoy the process of how you get there, I don’t think it makes much sense to even undertake the journey. And of course this applies to many aspects of life.
 
MFM: You've got a rich experience in doing technical work for and at radio stations and with other kinds of media. Did you have someone to teach you all the ins & outs of audio and technical production?
 
GR: Most of the technical work I learned directly through working as I did not go to any audio school to study sound design or audio engineering. When I started to work as an audio engineer for radio stations and other media outlets 13-14 years ago, there were not many audio schools like there are now. Back then, the people I worked with were mainly composers that had learned audio engineering on their own, just as I had. However, as a child, I was formally taught music theory and musical instruments. That, of course, came long before the technical work.
 
MFM: Your first official release dates are from 2017 but you had been active with experimenting, composing, and recording for a much longer time already. At what point did you find yourself confident and pleased enough to share your productions with the outside world?
 
GR: When I moved to Berlin in 2015 I took the first few years to research and study the sound I wanted to express and felt a connection to. Long before that, I was building and playing other genres. It takes time to find your sound and style, and the interesting part is that it continues to evolve over time. Even when you think you’ve found it, it still changes slightly.
 
MFM: Do you go to the studio religiously, regardless of whether you feel inspired or motivated? Do you have a certain routine when working in the studio?  
 
GR: I don’t go to the studio religiously, at least not to make music. 
I do work every day, but often I am just sitting in my studio listening to music, writing emails, or having meetings. Many people don’t know how much work is behind a project. From the outside, what you see is just the tip of the iceberg. I mostly compose in phases; I might compose a lot for two months and then the next month I will be focused on researching, or preparing a live show, recording a mix like I did for you, or creating a sound installation. I need time to absorb what I compose and let it rest, and then get back to it.
 
MFM: Are there any new projects that you're working on and can share with us? 
 
GR: I am working on several beautiful projects at the moment. This year I am working on different collaborations of which the releases will follow in the near future. I have a new album coming out either at the end of the year or beginning of 2023. I am currently working on an immersive installation and I will also be premiering a new AV show with the visual artist Marco Ciceri this summer.

MFM Mix 041: Grand River

Ambiance fin d’after & canapé pour lancer la série avec un mélange d’assouplissements dubby et de massages percussifs.

@raphael-draft

Folie 2 - Universal Sucker
Laser - Body Ambient
Genuine - Clearing the past
Code - Parsifal (The grand architect mix)
Caroline Lavelle - Moorlough Shore (Thermionic Resonance Mix)
Strapontin  - Matches (Vidock “Tandoori Jam” Remix)
Space Drum Meditation - Chatter
Reptant - A realist’s Realistic Reality (Roza’s Realism Remix)
Deep Nalström - Astral Variations
Full Circle - Out Hear
Ani-Roy - Fari version #4
Ambien Baby - Mari Posa
Makyo - Tantrika
Gabriel Le Mar - Ta2ed (Liquid Dubmix)
ISOR29 - Genesis
The Pilotwings - Just Be (Ushuaïa Mix)

LOOP001 — Draft

Mix for the fabulous Testpressing.org, May 2014.

http://testpressing.org/2014/05/345-jan-schulte-adventure-time/

"Adventure Time" Mix For Testpressing.org (Mix 345)

Goa Club Vol.3 | DONATO DOZZY & EVA GEIST

@aliciacarrera has been quietly working away in the underground for a number of years. She is Barcelona based after a spell in Berlin, and is a multi-disciplinary talent who works as a graphic artist, photographer and editorial designer all while managing the cult Hivern Discs label and (in other times) spinning weird and wonderful DJ sets all round Europe. She has a penchant for sounds that come from opposite ends of the spectrum - colourful and psychedelic, dark and experimental, slow and cosmic or more hard and techno - and hearing her join these up is always a thing to behold, as are her radio shows for the likes of NTS Radio amongst others.

This week, no doubt mindful of the fact many of us are spending most of our time at home, she takes on a far-flung journey through mid tempo grooves and cinematic sounds. It's a mind-expanding trip that opens with worldly ambiance and takes you through a number of wide open spaces littered with sombre trumpets, gently tumbling jazz drums and cosmic drones. It's pensive and absorbing as it slowly shifts through the gears, and is a perfect catalyst for escapism.

Dekmantel Podcast

Dekmantel Podcast 306 - Alicia Carrera

As we approach the end of year and Christmas celebrations I thought I should share this mix we released with Good Morning Tapes earlier this summer. 

The 'Trip to Knowhere' is a new mission. Our sounds haven’t changed, but as this tide spits us back out on to an uncertain shore, our knowledge and ambitions realise the potential of a world where No can become the New Know, and it’s a place for us all to find. It could be infinite locations, where the dust from a Goa beach in '92 takes you beyond the covid highway to a beauty-fuel path, or just that imaginary journey liberating us with an elsewhere of possibilities. Out hear in Knowhere we are the patchwork harmonies, we are the fluorescent heros of an old trip. For now, Full Circle is a destination to Knowhere. 

(Remember: beyond this trip, a vessel shall bring you some extracts From Knowhere... )

An hour can also be streamed here: https://lyl.live/episode/the-other-side-1

Full Circle - Trip To Knowhere (GMT 33)

label by https://soundcloud.com/sleepd
since 2010

Butter Sessions LYL Radio w/ Hybrid Man - Ep7

BUTTER SESSIONS

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