“Maqām” is a piece dedicated to the victims of the Palestinian massacre — and to all lives shattered by acts of collective violence around the world.
The title refers to the modal system of Middle Eastern music, a language shaped by memory, emotion, and the subtle tension between grief and resilience.

In this composition, the maqām becomes a space of mourning: suspended drones, fractured melodic lines, and unresolved harmonies trace the outline of a sorrow that finds no consolation. The music moves in slow circles, like a ritual of remembrance, allowing each sound to carry the weight of a story that can no longer be told.

“Maqām” is conceived with the future in mind, giving room to silence and to mourning.
A moment of listening for those who can no longer speak.
A place where sound becomes witness.

Maqām

Neapolitan, graduated in Double Bass at the Conservatory of Naples, a Master in Digital Writing at the Faculty of Educational Sciences of Florence and graduated in Electroacoustic Musical Composition at the Conservatory of Benevento, he is strongly attracted by the possibilities of interchange of codes and their distinctive and transversal constituent elements . The research areas focus on the interactions between Visual and Sound Art and push towards a study aimed at the relationships between phonemes, signs, perception and environment in a holistic and minimalist direction. There are numerous performances and installations in which he participates with a wide versatility between cultures, styles and artistic models and in which he operates on multiple levels of interest: compositional, planning, didactic; between exchanges of thoughts and actions shared with artists and creatives.

Maqām

Bux