Buzz Kull - "Heat"

-Static Glow (1984)
Written and Recorded by Marcel Whyler 
Mixed and Mastered By Alec Feld & Marcel Whyler

Static Glow (1984)

breathe 1.2 70 bpm gt take 1 62925

ice cave 2 146 bpm august 15 take 1

OR_12 Sample ≫ BLEIB MODERN "DANSE EP" Limited Edition 12" EP PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
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Grab Your Treasure

OR_12 Sample ≫ Bleib Modern "Winter Mood // Danse Version" PREORDER NOW!

Track from the album Dis-Ease
https://casuistry.bandcamp.com/album/dis-ease

Innards Bloom

Geometric Vision 
Another Day Without Blue

Album
https://swissdarknights.bandcamp.com/album/virtual-analog-tears

Geometric Vision - Another Day Without Blue

Box And The Twins - This Place Called Nowhere

OR_31 Sample ≫ "Aleatory Chaos Compilation" Limited Edition 2x12" PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
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OR_31 ≫ IAMTHESHADOW "Everything in this Nothingness" Ltd. Edition 2x12" PREVIEW! (April/May 2017)

Factions

Mannequin - Astro

Please note: 

- All Soundcloud samples are at 128kbps and unmastered. 
- Manifestation 12" EP  will be released on November 2012 (more datails soon). 
- We are currently working on mastering

-Info-

In Death It Ends appearing from nowhere via their YouTube channel “▲TV” on new years eve 2011. The facebook page INDΣΔ†HI†ΣNDϟ appeared to suggest this was some kind of ‘comeback’: A number of albums and cassette releases that appeared to date back as far as 1969. This of course is probably untrue, but many love to play along.

For In Death It Ends is a black mass of contradictions. Combining post-punk guitar and bass with ‘witch house’ iconography. Drum machine beat and loop repetition with drone and euphoric energy. Inappropriately large reverbs with analog echoes, satanic chants and monosynths before casting it all aside and descending into lo-fi oceanic distant murmurings. First creating the micro-genre “Progressive Occult Hipstercore” before discarding it for “Progressive Occult Ghost-Wave” for these things are short lived and there are surely new places to explore.

Six months into their existence, in June 2012 the Berlin based label specialising in cassette tapes Aufnahme und Wiedergabe release In Death It Ends first album, “Forgotten Knowledge“, a limited edition of 100 copies that sell out within two hours of the pre-order announcement. (The album ”Forgotten Knowledge” is due for a reissue on October 12th with pre-orders starting on the 1st October). Some two months later, in August 2012 a self-released CDr “Restorative Art EP” is completed. A slightly more indulgent and downbeat release, limited to just 50 copies. (It sells out within ten minutes of the product release going live). Following on from this, Aufnahme und Wiedergabe announce their first vinyl release [a+w lp001] it will be In Death It Ends 2nd album “Occvlt Machine” scheduled for release in January 2013. In October Aufname und Wiedergabe will re-release the first “Velvet Condom” EP on cassette. It will include a remix of the classic track “Kalter Lippenstift” that has been produced by In Death It Ends. For more details, please click here.

And so to now, TSM are set to release “Manifestations”, a six-track 12″ EP limited edition containing tracks picked by the team at TSM: five of the best from “Forgotten Knowledge” and one track from the “Restorative Art EP“. The launch is scheduled for November 2012. Stay tuned!

In Death It Ends – Manifestations 12” EP  (TSM 0003)

A1 Blind Faith
A2 Covet
A3 Follow

B1 We All Die
B2 Restorative Art – II
B3 Forgotten Knowledge

Mastering by Moisés Martí (DDF Studio). 
Special thanks to Jordi Bellera (Repli CD).

B3 - In Death It Ends - Forgotten Knowledge

Mixed by Stéphane Gillet & hørd
Song pict by http://ccbbll.tumblr.com/

Download

Heart (part one)

Buzz Kull is the solo project of Sydney-based musician and producer Marc Dwyer.

Since 2012 Buzz Kull has been blending elements of darkwave, EBM, and synth-pop into a sound that’s dark, dissonant and danceable. 

His early work, including his 2017 debut Chroma and 2018’s New Kind of Cross, was defined by stripped-back production and a fascination with minimal synth textures. These records drew from early industrial and post-punk traditions, pairing drum machine-led tracks with cool, monotonous vocals and moody atmospherics. 

Over time, Dwyer’s sound has grown harder and more precise. His 2022 album Fascination, released through Italian label Avant! Records, marked a turning point — a sleek, focused collection of dark dance tracks that channel the energy of late-’80s body music. 

Outside of Buzz Kull, Dwyer is a frequent collaborator and remixer, collaborating with artists across the darker ends of electronic music. 

He has toured extensively throughout Europe, the US, LATAM and Asia, sharing stages with contemporaries like Cold Cave, Boy Harsher, Kontravoid and Spike Hellis.