https://muzaneditions.bandcamp.com/album/before-your-past-lives

Muzan Editions
https://soundcloud.com/muzaneditions

Mastered by Kris Keogh
www.kriskeogh.com

Art by Jo Jarosinska
www.instagram.com/jo_jarosinska/

I(Before Your Past Livess - Muzan Editions)

Messier 54

xart7832271023

Can't recall the track list and it's a mess to put together since there's lots of pitching and FX with some obscure found cassettes in between. Features the music of artists like Rahel Kraft, bbbs / Life of Rabbit, beautifulburningworld, David Wallraf, Perila, Abby Lee Tee,... 

Recorded directly to cassette at FLUCC Vienna. 

instagram.com/miasma_con

Tape Mixtape for Miasma Con I (31.10.2023)

"Škvar" is a sound installation composed by Manja Ristić & Mark Vernon, as a part of the site-specific installation "Invoking shipbuilding in Korčula" created and realized by the visual artist Matea Šabić Sabljić aka @_argo_nauta_

The installation will be presented on the 6th and 7th of December, next to the Antifascist memorial by architect Bernardo Bernardi which was built at the exact place of an old shipyard.

Sound work is an extension of an art action: "Taking the tool in your hands is an act of honesty", which took place in September and engaged wider community. The participatory action involved people bringing hammers and nailing the names of old Korčula's shipbuilders into the planks of abandoned boats. Doing so produced the noise — sound of an old shipyard that was gone decades ago.

This public action became a silver lining of the sound work "Škvar".

Matea continued to collect hammers in Korčula, Dubrovnik, Split, Betina and Zagreb. Collected hammers will be installed as a site-specific installation accompanied by the sound work. Collecting hammers is continuing as a work in progress for the sake of "Invoking shipbuilding in Korčula" hoping to initiate a Museum which will protect both history and the future of local shipbuilding.

Exhibition is curated by Sonja Leboš ( @uiii.aiir ) and co-organised by @kap_korcula

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Zaziv muzeju i korčulanskoj brodogradnji

Korčulanski škveri i majstorske radionice svjedoče slavnu korčulansku brodograditeljsku prošlost. Glas o kvaliteti njihovog rada je bio nadaleko poznat. Korčulanske obitelji brodograditelja sagradile su na tisuće brodova. 
Međutim, rad, znanje i vještina koji su bili dio svakodnevice otoka kroz stoljeća, pa sve do kraja prošlog tisućljeća, izgubili su se. Nestale su radionice, pa škverovi. Pa i majstori.
Zazivamo sve te davne meštre i meštrice,
Zazivamo sve buduće meštre i meštrice,
Da uzmu alat u ruke i krenu graditi!
Želimo “uškvariti” značaj korčulanskih škvarova. Kolektivna memorija izgradnje tisuća brodova je zapisana u rukama. Treba se prisjetiti. Zakucati brokvu po brokvu. Dasku po dasku. Brod po brod.
Značaj korčulanske brodogradnje uokviriti, “uškvariti” muzejom, oko kojeg će se stvarati novi brodovi i novi meštri.
Meštar po meštar.
Meštrica po meštrica.

Škvar by Manja Ristić & Mark Vernon

Cloud refers to the technological process of storing data as Public Clouds, Private Clouds, Hybrid Clouds or Community Clouds. The origins of the sounds are the electromagnetic fields of digital transfer loci like server rooms, security systems, electrical power stations and other places of dense electrical activity in Europe, Canada, the United States and China. Electromagnetic waves that are normally imperceptible to us become audible. Cloud is a drone piece created from the material sounds of cloud computing. 

Cloud

The Sleeping Cave w/ Sonia Surma - 09/05/2024

Fire Draw Near Episode LIV features wrens, bitterns and cailleachaí.

Roisin El Cherif - Siúil a Rúin
David Murphy – Sean O'Duibhir a Ghleanna
Dave Van Ronk – Luang Prabang
Wire Worms – The Cutty Wren
The Young Tradition – Byker Hill
Thin Lizzy – Sitamoia
Meaigí Nic Dhonncha – Cailleach an Airgid
Stiofán Ó Cualáin – Cailleach an Airgid
David Power – The Hag With The Money / Garrett Barry's
Bexley H.S. Vocal Ensemble – 'Si Do Mhaimeo I
Seán Jeaic Mac Donncha – An Bonnán Buí
The Huntress and Holder of Hands – Rocky Coast⧸EDT
Norman MacLean – Am Bothan a Bh'Aig Fionnghuala
The Bothy Band – Fionnghuala
Toké O'Drift – Bothy Bangz
Harry Gorski-Brown – Buain na Choirce

https://campsite.bio/firedrawnear

FDN LIV

TA: Buchla Series 200, Serge Modular, contact microphone.
No plugins or other DSP. 

Recorded at EMS, Stockholm.

Thanks to Mats Lindström, Gabrielle Karlsén, Daniel Araya, Jan Rohlf, Marcus Gammel, Fernando Sixto and Marion Innocenzi.

Serge & Buchla (excerpt, recorded at EMS Stockholm)

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Part of the piece - 2 Kinetic studies, made during the residency at the Spatial Sound Institute in Budapest in 2016: https://soundcloud.com/svetlanamaras/sets/2-kinetic-studies

Study no.1 is guided by the principle of symmetry. The central spot of the composition is in the middle of the room - half the way on both horizontal X- and Z-axis. Each object always moves through both halves of at least one of the X- or Z-planes. The element which is being doubled, is followed by the same-pace movement of the element on the opposite side of the axis, but the movement is being reversed: element no.6 positioned on Z-4 goes from X-5 to X+5 while at the same time in the same speed element no.7 at Z+4 goes from X+5 to X-5. 
There are three elements which are the musical nucleus of the composition (1, 2, 3). These sounds are airy (noisy) but they have a recognisable pitch and form a minor triad. All other elements are tuned to these three elements which define the tonal center of the piece. This kind of interpretation of the harmonic aspect of the composition, parallels the interpretation of ‘symmetrical’ in spatial domain. 

This is a stereo mixdown of the piece.

VIDEO: https://vimeo.com/210260544

Study No.1

discerning noise scrambler out for 
[ominous tonalities]

find more original music on 
https://bydl.bandcamp.com
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Tape Mixtape for Miasma Con I (31.10.2023)

BYDL

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