Atomic Imagery - Rotating Molecules - Particles Dancing - Instantly Vanishing / O Rubor Sanguinis

Original music: 

https://soundcloud.com/noirmoderne
https://soundcloud.com/noirmoderne/color231

Noir Moderne - U Know (Senglar Version)

Released September 19th, 2022

Lorenzo Abattoir, Angelo Bignamini, Andrea Borghi, Devid Ciampalini, Marco Ferrazza, Nicola Fumo Frattegiani, Giovanni Lami, Fabio Perletta, Nàresh Ran, Gaspare Sammartano, Dominique Vaccaro

11 schegge

Album: Sun Yizhou and Zhu Wenbo [Responses] (CD)
Release Date: September 10, 2022

[Tracklist]
1. C
2. D
3. M
4. E
5. H
6. L

Sun Yizhou (孙一舟): no-imput preamp
Zhu Wenbo (朱文博): clarinet (E, L), toy piano (C, M), cassette player (C, H), transducers (D, H), microphone (D), snare drum (D, H), guitar (H)

Recorded by Zhu Wenbo at his home on April 9, 2022.
Mixed by Sun Yizhou and Zhu Wenbo
Mastered by Zhu Wenbo

zappak-002

Sun Yizhou and Zhu Wenbo / H (excerpt)

Excerpt from a live recording at Les Instants Chavirés, Montreuil, 17th June 2022

Les Instants Chavirés LIVE Excerpt 17June2022

some sketches in preparation for an upcoming concert, recorded directly to disk

hddprp-221207

"Škvar" is a sound installation composed by Manja Ristić & Mark Vernon, as a part of the site-specific installation "Invoking shipbuilding in Korčula" created and realized by the visual artist Matea Šabić Sabljić aka @_argo_nauta_

The installation will be presented on the 6th and 7th of December, next to the Antifascist memorial by architect Bernardo Bernardi which was built at the exact place of an old shipyard.

Sound work is an extension of an art action: "Taking the tool in your hands is an act of honesty", which took place in September and engaged wider community. The participatory action involved people bringing hammers and nailing the names of old Korčula's shipbuilders into the planks of abandoned boats. Doing so produced the noise — sound of an old shipyard that was gone decades ago.

This public action became a silver lining of the sound work "Škvar".

Matea continued to collect hammers in Korčula, Dubrovnik, Split, Betina and Zagreb. Collected hammers will be installed as a site-specific installation accompanied by the sound work. Collecting hammers is continuing as a work in progress for the sake of "Invoking shipbuilding in Korčula" hoping to initiate a Museum which will protect both history and the future of local shipbuilding.

Exhibition is curated by Sonja Leboš ( @uiii.aiir ) and co-organised by @kap_korcula

--

Zaziv muzeju i korčulanskoj brodogradnji

Korčulanski škveri i majstorske radionice svjedoče slavnu korčulansku brodograditeljsku prošlost. Glas o kvaliteti njihovog rada je bio nadaleko poznat. Korčulanske obitelji brodograditelja sagradile su na tisuće brodova. 
Međutim, rad, znanje i vještina koji su bili dio svakodnevice otoka kroz stoljeća, pa sve do kraja prošlog tisućljeća, izgubili su se. Nestale su radionice, pa škverovi. Pa i majstori.
Zazivamo sve te davne meštre i meštrice,
Zazivamo sve buduće meštre i meštrice,
Da uzmu alat u ruke i krenu graditi!
Želimo “uškvariti” značaj korčulanskih škvarova. Kolektivna memorija izgradnje tisuća brodova je zapisana u rukama. Treba se prisjetiti. Zakucati brokvu po brokvu. Dasku po dasku. Brod po brod.
Značaj korčulanske brodogradnje uokviriti, “uškvariti” muzejom, oko kojeg će se stvarati novi brodovi i novi meštri.
Meštar po meštar.
Meštrica po meštrica.

Škvar by Manja Ristić & Mark Vernon

The fifth edition of the Naviar Haiku Fest took place on the 7th of December 2022 at the iconic Cafe Oto in London. 

The event featured performances by members and friends of Naviar, working in the fields of ambient, electronic and contemporary classical music. Each performance was introduced by haiku poems written and recited by members of the British Haiku Society.

Watch video at https://youtu.be/iNsqWvwGzKk

All sounds recorded and performed by Manja Ristić
Mastering Marco Sebastiano Alessi

Live at Cafe OTO 2022

Manja Ristić/Joana Guerra/Verónica Cerrotta, Slani pejzaži

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Škvar by Manja Ristić & Mark Vernon

Manja Ristic

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