Musique concrete, inspiration du promenade dans la nature

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Another snippet from Caligo Paean - beware of gifts when chasing gods : ) 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.



Caligo Paean (A gift, a choice)

private parts

one two three / what if the sun is not a star [unmastered]

Art, Text, Performance:  Alexandra Karpilovski
Art, Sound, Performance: Danilo Colonna

one two three / what if the sun is not a star - [unmastered]

Antonia Vangelista nimmt Euch mit in die Austellung The Currency Lab Technomagies, die von Mai bis Juli 2025 in Freiburg zu sehen war. Im Oktober 2025 ist die Ausstellung in Dresden zu sehen. Sie blickt auf Währungen, Werte und Zukunftsvisionen auf dem afrikanischen Kontinent. Antonia Vangelista berichtet direkt aus der Ausstellung und hat außerdem mit Elom20ce gesprochen. Er ist einer der zentralen Künstler der Ausstellung.

Technomagie und Kunst, die die Welt repariert: The Currency Lab

Soundscape composed for The Grassening exhibition - an immersive living art installation and ecological homage to the Illawarra Lowlands Grassy Woodlands. Soundscape created from the electrical signals of grassy woodland plants, layered with field recordings and environmental sounds.

The Grassening (excerpt)

Butji (Carry) composed for Karla Dickens Lock 'On exhibition' at The Lock Up, Aug - Nov, 2025.

Butji_Carry (excerpt)

Wakabuma (Lift) composed for Karla Dickens Lock 'On exhibition' at The Lock Up, Aug - Nov, 2025.

Wakabuma_Lift (excerpt)

Light and Sound Performance at the Art Museum

In this 30-minute experimental electronic performance, Troy Lin creates a refined soundscape using multiple analog and modular synthesizers, in collaboration with Gazer’s Crystal Interactive Ecosystem. Together, they transform the museum into an immersive stage of light and sound.

Synth Setup Includes:
	•	Moog – Arpeggiated Lead Scales
	•	Opsix – Pads, Drone, Lead
	•	Digitakt II – Drums, Percussion, SFX
	•	Modular Synth – Sound Design, Percussion, Ambient

Crystal Sound Installation:
Through bio-interactive technology, crystals become sound-generating instruments. By touching the crystals, visitors can instantly create and modify sounds. Each crystal is made from natural fluorescent minerals that glow vividly under ultraviolet light, producing a striking visual and auditory experience.

Lumen & Shade - Troy Lin feat. Gazer - Live set

The podcast explores how Peterson Salt handles water softener installation for homes and businesses throughout Saint Paul and nearby areas. Their team explains the difference between Fleck and Clack systems, how each fits local water conditions, and what homeowners should expect during setup. With real stories from Twin City neighborhoods, the discussion highlights what makes a professional installation crucial for long-term water quality. If you want to get this kind of more the here is the link click on it:
https://www.petersonsalt.com/water-softeners/

Easy Water Softener Installation Tips

Architecture That Lingers is an experimental sound project emerging from my film Architecture Score, which reimagines architecture as a composition of the senses.
The three tracks — Sound, Smell, and Memory — are made entirely from voice-over recordings of people recalling what sound, smell, or feeling brings them back to a place.

Each voice originates from a collective survey: fragments of memory, smell, and sensation stitched into sonic form. The human voices were stripped, fragmented, and reassembled into new musical textures — oscillating between melody and machinery, emotion and algorithm.

The result is a sonic architecture:

The first track translates the resonance of sound — rhythmic, glitchy, and raw.

The second captures smell as melody — fluid, atmospheric, intimate.

The third holds memory as harmony — a drifting landscape of voices dissolving into each other.

Together, they form a sensorial archive — an architecture that lingers beyond sight, one that you don’t see, but feel, hear, and remember.

II SCENTS OF SPACE

III SPACES OF MEMORY

ECHOES OF SPACE

"A Fragile Chorus of Voices", 2019, one-channel sound installation.

"A Fragile Chorus of Voices" comprises a series of intimate and anonym audio recordings of people singing a cappella. The singings were recorded in Amman and were sourced from individuals belonging to the various communities composing the city.

Brought together, the singings speak about the diversity of the human fabric of Amman but also echo the complexities of the Middle East and the Levant. In their beauty, their fragility, their hopefulness, or their intrinsic melancholy transpires a reflection of the region’s past and present.

The recordings were presented as raw elements of a sound intervention set in the public stairs located between the two sides of the Darat al Funun.

"A Fragile Chorus of Voices" was made possible with the support of the Berlin Senate Department for Culture and Europe and of Darat al Funun.

Natalie - Angel Eyes

Gerald - Sayan Piling

Joud - Fairuz

Basel - 7elwa Ya Baladi

Aus Print mach mehr - iz3w on Air! So die Devise der iz3w-Zeitschriften-Redaktion. Mit dem südnordfunk startete das iz3w im Juni 2014 eine monatliche Magazinsendung auf Radio Dreyeckland. Mit ausgewählten Inhalten und Debatten der nord-südpolitischen Zeitschrift iz3w aus Freiburg.
Jeden ersten Dienstag im Monat um 16 Uhr auf 102,3 mhz. Und als Podcast. 
Siehe auch www.iz3w.org

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Vincent Chomaz is an interdisciplinary artist, writer, and curator interested in associative and informal forms of knowledge production and dissemination. Spanning site-specific sound installations and interventions, listening workshops, as well as participatory and collaborative research formats, his work focuses on listening as a social, political, and aesthetic practice – an associative and empathetic tool to investigate collective dynamics as a network of subjective narratives, fictions, and memories.

Chomaz has presented his work internationally at the Kochi-Muziris Biennale (India, 2020, online), The Lab at Darat al Funun (Amman, 2019), Culture Space Yang (Jeju City, South Korea, 2019), ZK/U Center for Arts and Urbanistics (Berlin, 2019 & 2015), Ny Carlsberg Glyptotek (Copenhagen, 2018, curated by Travers), MMAG Foundation (Amman, 2018), Grace (Athens, 2018, curated by In Art We Trust), RAW Material Company (Dakar, 2018), Beijing One Arts Festival (Beijing, 2016), Errant Bodies (Berlin, 2015), Infecting the City 2015 (Cape Town, 2015), The Stage (Kuala Lumpur, 2015), or Describing Architecture 2014 (Dublin, 2014) among others.

www.vincentchomaz.art

All rights reserved. The copyright for these audio pieces are reserved. Any replication or use of content such as images, audio and texts is not permitted without Vincent Chomaz’s written consent.

泊人ANKR 2025 Rebranding 

#探索自然與數位綠洲
Exploring nature and digital oasis.

New tracks tagged #installation