In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

BYJC© 

"The only thing that can stop a wave is a bigger wave" - Vaughn Benjamin

Waveheart™ Sounds

Scotland / London / Gambia 

#byjc #waveheartstudios #itsdeep #slvrbxcksounds

Listen: https://soundcloud.com/irclabel/dance-to-the-sound-lr-audio

Some are born with musical talents while others have to study and hone their craft through hard work, and both holds true for Jizzle. Young as he may be, in age and experience in the music industry, Jizzle nonetheless does not take for granted his natural musical ability and quality. He employs both exuberance and brainpower to pull off conscious, sweet songs viable in today’s pop-culture.

Born Jerreh Jallow, he was christened Jizzle by his pals. He put his talents to test as a teen, displaying natural stage presence and star quality in his performances. Music has since been his way, encompassing both writing and singing ability.

Jizzle is well on his way to making a significant break into the music industry. He and Atlanta musicProducerPapahave released their debut single ‘Dance to the Sound‘ on International Record Consortiumand The Loopyfrost Label. Already making major traction in the U.S. and West Africa, ‘Dance to the Sound‘ is a club banger that leaves nothing to the imagination, and is sure to get club goers on the dance floor.

About the Artist

A conscious singer and songwriter, Jizzle is sensitive to his environment. Evident in his debut single, “Over Sona” in which he highlights the plights of young people neglected by the adult world. ‘Over Sona’ itself, is an exaggerated expression of despair common among Gambian young people. “I thought I’d never experience such conditions until I saw people’s lives, so I sang it,” he once said in a newspaper interview.

But, every right goes with a responsibility – a clichéJizzle often ponders. In his hit single, ‘Life Is Not Easy’,Jizzle criticises the status quo in the ghettos where young people tend to build a utopia and challenges them to “make their minds up,” “get their heads up” and work up their potentials, despite the many odds. For him, success is a destination journeyed through inescapable bumpy road.

There are other moods, too, in the 25 songs Jizzle, so far, has to his name. For instance, in hits, ‘Rumpa’, and ‘Mi Deh Pan Mi Side’, Jizzle gives us lilting melodic tributes to love, beauty and tenderness. Lo and behold, it’s the hit, “Together We Make” that propels him into the international limelight. Fan votes selected the song on Global Rock Star, an international music award.

While Gambia’s music industry boasts a flood of talented young singers, Jizzle undoubtedly is a rare breed. He majors in rap but occasionally sings dancehall. One of his wonders is that he sings in three major West African languages – Fula, Mandingo and Wolof – and an international language, English, making him a marketable brand, both at home and abroad. Besides, a growing popular demand, Jizzle performs in major national concerts and features on radio and TV shows such as the popular BNL TV Show.

“Here are songs that are relevant to today’s Gambia and the world as a whole. Here are songs that have the potential to influence for the better the lives of many people who have chosen a wrong path. Here are songs that kick everyone onto the dance floor. Written and sang by a young singer with a potential to be Gambia’s greatest musical ambassador. Here is an opportunity to invest in Gambian music and have, in return, value for your investment. Here is a platform for you to entertain and be entertained. It is the Jizzle Kingdom.” -Jizzle

For Bookings contact 
Jizzle.bookings@gmail.com 

Soundcloud.com/jizzlebenz


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