🌱 Sainte Claude  Polybroadcasting Services w/ Dj Würm

Sainte Claude invite ce mois-ci Dj Würm , virtuose du gabber derrière les machines d'Enfance de Merde et hôte du chouette label Sal de Fête.
w/ @sainteclaude & @djwurm

TRACKLIST : 
- sega-bodega-eartheater-fade-into-you-cover
- Electric Sewer Age - Amber Corpuscle
- cheetah - Dracula Lewis
- 7038634357 – A Ribbon For Red Lana
- Ausschuss - Blinding Partner
- Alyn - eivissa
- Sequrity (M.E.S.H. Remix)
- Bby Eco - Care For You
- haptic wetness on your waterproof skin
- hyph11e - escapism 庇
- Drones - (source-code) Aquarium (Weapons Selection)
- Foetus - Suspect (DJ Food mix)
- El Pelele - NO QUERER PERDONAR [TRR-012]
- KABLAM - Plague (Yantan Ministry Remix)
- Eterna – No One Else
- Scandinavian Star - Regal V
- Jonáš Gruska - Rybacie spevy
- Arthame - Chapter II-Päällä ristin mustat linnut
- salome - The Pattern
- Yikii – 八脚恋人 spider lover
- Mang – Wrathful
- Yennu Ariendra & J Mo'ong Santoso Pribadi - Buto
- Depressive Silence - Atmosphere
- Astrosuka - NDS
- Exploited Body - Dysphoria
- Dj Würm - Forlorn Gang Pt2

Sainte Claude  Polybroadcasting Services #12 w/ Dj Würm

Everything going wrong at the same time.
Vultures ascend over digital scree wi’in sight of garbage dump.
Opportunistic loops-not-loops hack into your credit card but it’s fine.
Like the batteries in a synthesizer about to die, but it was broken anyway, so <kein Ahnung>, duckie.
Diagrams of ascent/descent, planes over Heathrow/Tegel/JFK/other airports are available.
Organisms, microscopic, enlarged, burrow, through, telephone, cables, even, now.
The iterative combat of every day life and other over-dramatic crescendos.
How it feels to be interrogated, and maybe you like to be interrogated, and maybe that is okay too.
Endless pantomime of analogue collapsing/machinery bimbedying around.
Sound of eleven sugar-fuelled children bouncing on a bouncy castle with no adults supervising.
End.

EVOL - Do These Eleven ('Do These' P!?027)

Elvin Brandhi - Shelf Life (EP)*OUT NOW*

Format: Digital, Cassette
Cat.No: CANVAS003

*

“
Sickness unto death in an age of commodified well-being: approaching death from the point of view of an actualised virtual eternity. The commodification of daily life and the self, preclude the possibility of reincarnation, we do not identify ourselves as a cycle, a movement, an expression of life itself but as a single product that exists in and for itself.
 
The supermarket social network obliterates the surface of material hybridising, detaining all movement to self enclosed unit reductions, excommunicating mutation. Encapsulated in a fixed identity, packaged and promoted, immune to the infection of outsiders. The social contract of a pre-sealed self, branded with calculated sell by date, sentenced to a shelf life of inter-passive exchange.  
 
Shelf Life compiles this synthetic axis, upon which we bide out time smiling.  
Interrupt user: authorise disk-root conflict[ 
”

Elvin Brandhi is welcomed to the index of C.A.N.V.A.S. releases as the first solo release of 2019 and the third commission since the conversion from events series to label in 2018. As a performance nomad whose very practice is simultaneously about engagement with place and a lack of geographic singularity - there could not be a more fitting accomplice to C.A.N.V.A.S.’ effort as a self-publishing artist group to build a collaborative community despite increasing dispersion. This is the solo project of Welsh artist Freya Edmondes - otherwise known for her role as vocalist in father/daughter duo Yeah You - in which performances mesh a collage of electronic sounds with a disruptive stream of improvised vocals. These tracks are as close to studio versions as this fundamentally live practice gets - roaming recordings, sample blasts, club contortions and the ever present voice alchemically infused. In 25’46” of sound, Elvin’s bio-technological monster appears like a Cronenberg body horror - mouths appearing where they shouldn’t - or a living, breathing post-digital Beckett character narrating their own club induced self-destruction. Yet the future shock is fresh - Shelf Life is as fun to listen to as it is completely disarming.

soundcloud.com/elvin-brandhi-1

Mastered by Ali Najafi
Digital Artwork by Firas Shehadeh
Tape Design by AALTAR
In Collaboration with Olan Monk

www.c-a-n-v-a-s.com

Shelf Life

Buy DL/CASSETTE

Elvin Brandhi - IMBRED WAILE / OCDC

Michael Speers - xtr'ctn (LP)*OUT NOW*

Format: Digital/Vinyl
Cat.No: CANVAS005
Release Date: 13th of September 2019

;
synthetic listening environments :: created with material extracted from field recordings and processed/arranged using software, alongside electronic signals from no-input feedback + test equipment.

most of the source material was generated at my place of work[as a technician]—whilst testing large amounts of audio equipment—capturing electronics’ internal behaviours + using very high levels of amplification on various small capsule microphones, connected to wireless transmitters placed in resonant vessels/spaces and materials of interest
;

Northern Irish, London based musician Michael Speers composes and performs music as a temporal and worldly extension of himself and the tools at his disposition. As a percussionist by training, Michael extends his contact and interplay with resonant objects through instrumentalised amplification and feedback, employing signal processing to articulate the almost tangible constitution of sonic material as structural, nearly cellular, microscopic entities. Following his integral presence in C.A.N.V.A.S. performance events since their inception and his recent participation in the Cipher compilation, xtr’ctn is released in September 2019 as a debut solo LP for both the artist and the label.

Dehumanised black metal screams, attributed to seagulls - specifically “recorded in Ramsgate, 06.2017”. It’s the inhuman that concerns us here, or our complex relationship with non-human entities and abstractions. Extracting is a process. By integrating recorded and found sound phenomena, treated as profane and material entities, Michael meticulously arranges sound objects into composition, upholding a fidelity to their emergent properties. Most of these objects become seemingly un-referential, although occasionally you arrive at a near-recognisable sound source or environment, disrupting the invitation towards a total loss of a sense of self.

This is fictional music - it is of and for a world that doesn’t exist. Although presenting sound with sincerity and integrity, without allusion to linear narrative, Michael's materialistic approach is transcended by the sensitivity of his composition. In a sense, it comes after both feeling and expression, as the subdued emotion of a person attempting to reach beyond their own affective limitations. It reaches out without ever really touching anything. Yet for all it’s clinical reduction, there are moments of unhindered emotion which strike harder for their arrival from such a seemingly nonhuman place.

“xtr’ctn” fails in reaching a point of immanent abstraction - a flatline horizon. It arrives instead at the outer brim of a sensory dam, where organic glitches from the extremities of our perception have spread - like sonic cataracts - intercepting the flow of our auditory awareness. In its state of fiction, “xtr’ctn” acts as a flag for the C.A.N.V.A.S. community, pitched as a marker of our enacted existence, weathered though unliving. To follow this signal to its depth is to accept the unknown - you only follow, knowing no alternative.

Mastering by Ali Najafi
Artwork and product design by AALTAR

@michaelspeers

www.c-a-n-v-a-s.com

Buy DL/LP

Michael Speers - tombeau

MARTYYNA - SWEEP THE DARK CORNERS

https://bit.ly/2xQyzmN

Taken from @forces-music's new album Epoch, out March 22, 2020 via @ginandplatonic.

Following Forces’ breakthrough string of acclaimed albums coming out on the key label triad of Bio Future Lab., Conditional & Genot Centre in 2018, Gin&Platonic is extending the output of the Finnish musician and multidisciplinary artist Joonas Siren with his next full-length Epoch:

"The album maps out all these topical ideas (the general political, ecological and social problems) sonically. Collapsing sound material, unsteady temporal structures, noise and distortion build up intensities without catharsis. The tracks are made with different live programming techniques, peculiar time-stretching and layering techniques and other VST and FX’s dysfunctions. Within the mournful aural chaos, there is a potentiality for change."

- Forces aka Joonas Siren

Produced by Forces
@forces-music

Mastered by Wim Dehaen
@wimdehaen

Artwork by Jiri Macku
jirimacku.tumblr.com

Released by:
Gin&Platonic

Bandcamp

Premiere: Forces - Markov Vertigo [Gin&Platonic]

CANDIE es el proyecto multimedial de Milagros Castillo, donde experimenta con distintos lenguajes y técnicas: producción, dj, instalaciones y performance. Ella es parte de la crew de @trrueno y tiene editados 2 EP: "Mitologik y pagana" y "Trauma Trilogia" 

✸ @candiecandie
✸ https://candiee.bandcamp.com/
✸ https://candiecastillo.tumblr.com/

TRACKLIST
Sailor Moon opening latino
Jg Jour - Sweet Home
Tielsie - Hueboy
Lucky x kaguya spears candie edit
Galvanize - Chemical Brothers
Sentimiento Villero - Pibes Chorros
Another Number - Bulma
Nigeru Mono - Paprika
Amado - Sikuri
Swoom - Chemical Brothers
Du hast - Rammstein 
Let Choke - Yantan Ministry
My girls x tototo Edit del tercer world 
Untrust Us - Crystal Castles
Your Beaches - Dream Boat
Upsetter - Invisigoth Pictureplane
Dragula - Estoc
Rexanthony - Capturing Matrix
Mortal Kombat Techno theme 
Faith - Ecdysis
Blade Techno Theme 
Robbery Deech and Munggugnum
Gforce - Bulma
Cralias - Sultan
st4rt th3 d4nc3 Lokane x Prodigy Aggromance
de l4 c4ll3 - Thissperso
Chibi Bah bu rah 
Good Riddance - Stasya 
V23 Anthem with RUby 
Prison Song - SOAD

Alambre Broadcast #8 ✸ CANDIE

https://www.instagram.com/post_human_dance/

Eva01 - mix for Post Human Dance

Bag of Toys

Asio Otus - Delta

Taken from Hypnagogic Surge (GEN043). Presale is on!
To be released on November 22 on tape & digital on Genot Centre.

Produced by https://soundcloud.com/amselysen.
Mastered by @wimdehaen. 
Album cover by eurasiandesert.
Limited edition of 55 C29 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

HYPNAGOGIC SURGE (GEN043) by AMSELYSEN is a dense setup of signal interferences, of jacked up, spliced, reconstructed digital snippets, of outbursts whose amplitude overcooks the microphone's defenseless circuitry. Anxious with unreleased energy build-ups, the music is always pregnant with a double quality, something like a dagger made from ice, the possibility to shatter or crumble into a thousand shards combined with the looming threat of clean rupture posed by the blade's edge. Digital distortion is used here to unmask materials, to frontally attack them and expose their shimmering metallic face; pitch-time processing dilemmas get dodged by exploding into the high frequency gleam embedded but hidden in their algorithms. Completely removed from the "Lo-Fi" paradigm seeking warmth or nostalgia, the present degradation-reconstructions result in newly audible chirp figures, the sparkle of aliasing and the descent into the grainy territory of microscopic sound events. From a more panoramic perspective, these tracks are continually transforming contraptions, with looping frames accelerating, doubling, halting or stuttering, overloading, seemingly struggling to buffer, sometimes mixing with immiscible materials to form a glistening suspension of new sound material.

// Hakeem Lapointe (Amselysen) about the album 
"Stemming from confusion, indignation, and feeling disoriented, Hypnagogic Surge appeals to dream-like lenses that reinterpret the everyday world; words lose clarity and are reduced to phonemes and their perceived energy, well-known advert jingles and hit songs are obfuscated and develop into undecipherable melodies, feelings ranging from relief to aggression flash quickly into succession without rhyme or reason. In the awareness gaps of the dream state, information is made up and averaged into confusing erroneous approximations — here translated in the poised presence of aural artifacts such as bad mp3 bit rate shimmer, 1/8in inlet pops, bad aliasing and interpolation, unshielded cable radio interference, fake stereo, inverted polarizing, etc 
Amselysen’s nightmarish interpretation of the hypnagogic state is heavily informed by tropes surrounding hardcore music, only this time the tropes are removed from their context and reimagined before reappearing into the album, thus resulting in a hyperreality; a simulacra of hardcore, intensity and dynamism. Remediating genres like punk, techno, metal, rap and noise through distant mimicry and radical sampling, Hypnagogic Surge approaches liminal reverie with a garish maximalist attitude."

// Amselysen artist bio 
Amselysen is Montreal-based intermedia artist Hakeem Lapointe’s latest musical project. It focuses on approaching experimental electronics with a critical lens, bridging the gap between conceptual spaces typically reserved to institutional practices and accessible aural aesthetics. Usually described as an outsider artist, never privy to the music academia and alien to most of the underground scene, Lapointe sheds all concerns for musical conventions and pursues their own sonic obsessions, which commonly sit in the leftfield genre. Their current work process ponders on indeterminacy, plunderphonics, hyperrealities, cultural foraging, and hypnagogia. 
Works, outside of their own visual practice, include scores and sound design for short films, performances and installations in various exhibitions, including the After Hours at the McCord presented under Kent Monkman - Shame and Prejudice: A Story of Resilience.

Buy // tape & digital

Amselysen - Assault

GUESTMIX#79: political_noize @depakinmusik @undicesimacasa
Read More: https://paynomindtous.it/guestmix79-political_noize/
***
political_noize is a producer affiliated with the Bolognese crew XIcasa who plays with sounds, pushes buttons, and turns knobs to fight his obsessive-compulsive disorder. He dwells in broken rhythms, gabber Hoover (to get used to the hair loss), and fat basses. Together with Amazon Prim, DJ / producer from Brasilia known for her blend of funk, neoperreo, hardcore bass, and obscure pop music, they contributed to the first Paynomindtous various artists compilation called WE NEVER WILL out in summer 2020 with the delicate episode ‘Windows View‘.

Today, we’re happy to present GUESTMIX#79, a mixed selection from political_noize himself featuring lots of unreleased experiments from the producer who skillfully blends bass music with abstract electronics, glitch, and contemporary hybrid club. Push the button!