Phat Daddy J Ambient tracks repost collection

Христианские любимые песни

Popping Vibes

Chilled vibes

Dope

cross

Reposts 2

Happier Than Ever

Lost Cause

Алексей Захаренко LIVE 2014 - Напои Меня Живой Водой

Barbie The Album

Forever & Again

This is a DIFFERENT version......all due respect to Leonard Cohen and Jeff Buckley.  READ THE WORDS, fool....

Well, I heard there was 
a sacred chord
that David played 
and it pleased the horde
but you don't really care 
for music, do ya?

Well, it goes like this
plead the fourth 
drink the fifth 

the minor fall
and the major lift 

the Shepherd King 
composing Hallelujah

Hallelujah (repeat) POETIC INTERLUDE: 

GET IN THE CAR WHEN SHE ARRIVES 
TO DRIVE A POINT HOME
TO THE PRIMARY FACT OF THE HORIZON
NOW IS A COMMUNION
AND CONSCIOUSNESS CANNOT DIE
DON'T STEAL OUR CHALLENGE 
WITH SALVATION

DYING AND GOING TO HELL 
IS JUST ANOTHER
CHILDHOOD AMNESIA

THE CAPACITY TO FEEL 
IS KNOWING
RATHER THAN 
JUST SAYING LOVE

WE FOUND OUR WAY BACK 
BY WHAT WE TIED TO THE SUNSET

SHE IS THE POET TO (K)NO(w) ONE

Your faith was strong
you needed proof
you saw her breakdancing on the roof
her beauty in the moonlight overthrew ya

then she tied you to her 
kitchen chair
with her teeth 
she removed your
underwear
from your lips 
she drew the 

hallelujah 

all night

Hallelujah - etc. 

Baby, I've been here before
you know I've
seen this world and 
I walked through the door
you know I 
rocked out to the west 
before I knew ya

Like a seventh son 
on the royal arch
love is not 
a victory march 
it's a cold, and 
it's a broken hallelujah 

hallelujah , etc. 

(Timmy Purrs)

well 
there was a time 
when you let me know 
what's really 
going on below
but now you never 
show that to me, do ya 

remember when 
I moved in you
and the holy ghost 
was moving too
and every breath 
we drew was hallelujah

Hallelujah

"In the bar, where lights are dim,
Two girls who make heads spin.
"Blondie with, blue eyes so shy."
and Asia with a gaze so sly."

Blondie serves drinks in a skirt,
Asia smiles, cool and somewhat curt.
Clock hits five, they start to close,
When three strangers open the doors.


On a quiet Valentine's Day,
Two girls worked in a dive bar.
"That night, they faced dismay,
A night that left them with scars.

On Valentine's Day, 
Two girls in a dive bar.

Masked men pull out a gun."
The robbery has just begun.
Blondie scared breaks a glass,
Asia stands firm, won’t let this pass.

She reaches down to her boot’s side,
Pulls out a gun she tries to hide.
With steady hands, she aims it right,
At one masked man within her sight.

On a quiet Valentine's Day,
Two girls worked in a dive bar.
"That night, they faced dismay,
A night that left them with scars.
On a quiet Valentine's Day,
Two girls worked in a dive bar.
"That night, they faced dismay,
A night that left them with scars.

On Valentine's Day, 
Two girls in a dive bar.




Blondie sees her perfect chance,
Grabs the phone with a nervous glance.
She dials quick, her hands don’t shake,
Police rush in—no more escape.


On a quiet Valentine's Day,
Two girls worked in a dive bar.
That night, they faced dismay,
A night that left them with scars.


On a quiet Valentine's Day,
Two girls worked in a dive bar.
That night, they faced dismay,
A night that left them with scars.


On Valentine's Day, 
Two girls in a dive bar.

Two Girls In A Dive Bar

Alison Theme [ Orchestral ]

Secret Agents

3. Ceilings

Weight is Up

Remain

Apache (Original Mix)

6 a.m. on a March day, when the air is "freezin' cold" and a "new season's begun" - these lines capture that brief moment of change. Words like "winter" and "spring," paired with the echoing refrain "But where is my sun?" hint at both a promise of warmth and an elusive light that remains just out of reach.

The lines leave a gentle mystery—a pause that invites reflection. The repeated question softly lingers, suggesting both anticipation and a search for a light that may yet be undefined, without spelling out exactly what that light should be.

Musically, the song is carried by a warm piano and a deep, dark male voice. It unfolds slowly while maintaining a memorable, steady rhythm. The melody and the iconic refrain work together as an understated challenge—a quiet invitation to explore the balance between the expected and the unknown.

Where is my Sun?

jump! (radio mix)

The Game

Get infinite credits!

Player One

Instagram : bigbtherapper07
YouTube : BIGBTHERAPPER

Here 2 Stay (Official Audio) Produced By H1TMAN Beats

original artist: @dysphemic0
free download: https://hypeddit.com/anoziramusic/dactyl
animal: pterodactyl
total time spent: 12 hours
software: fl studio
consumed: 9 coke zero, 1 red bull, 3 coffees

free download

DYSPHEMIC - DACTYL (ANOZIRA REMIX)

🎧 Sebastian McQueen 🎧 
https://open.spotify.com/artist/35DV0SZfNbQyrILm1UYHzP
https://www.deezer.com/fr/artist/139597832
https://music.apple.com/us/artist/sebastian-mcqueen/1577084308
https://www.youtube.com/@sebastianmcqueen5568

☕ Buy me a Coffee 
Buy me a coffee to support me 😉
https://www.buymeacoffee.com/baccisebasg 


The Terms of Use
https://www.musiqueslibrededroit.fr/conditions-dutilisation/
This title is royalty-free, produced by BaboO Recording.
You can download it and use it for your audiovisual, musical, theatrical, and radio productions.
Please take into account the terms of use.

#AfroHouse
#HouseMusic
#AfroBeats
#DeepHouse
#AfroDeep
#AfroGroove
#DanceMusic
#HouseGroove
#AfroVibes
#TribalHouse
#SoulfulHouse
#AfricanHouse
#AfroRhythms
#DJMix
#ElectronicMusic
#AfroTech
#HouseNation
#AfroDance
#WorldMusic
#HouseCulture
#GlobalHouse
#AfroSoul
#HouseAddict
#AfroFunk
#BeatsOfAfrica
#AfroHouseMusic
#AfroFusion
#DancefloorVibes
#AfroHouseMix
#SoundCloudMusic

Tribal travel

Passport Bros (feat. @darelevie) 
Produced by @darelevie

Passport Bros (feat. Dare Levie)

Klangmoebel-Soundtracks, Vol. 4: Harry

Your Connection Operates as Your Inner Self

SPOTIFY:
https://open.spotify.com/album/4WiS5NMpz6xFBeHaDirI1Y

AMAZON MUSIC:
https://music.amazon.ca/albums/B0F7J3573Y

TIDAL:
https://tidal.com/album/434021507

QOBUZ:
https://www.qobuz.com/ca-en/album/why-do-i-danma-frank-zozky/grlbbftvsiwoa

YOUTUBE:
https://www.youtube.com/watch?v=382lU-k3Dhc

YOUTUBE MUSIC:
https://music.youtube.com/playlist?list=OLAK5uy_mGkJqwD1Twky5jwufy23nO-aG2-axbHDI

APPLE MUSIC:
https://music.apple.com/us/album/why-do-i-single/1812460111

---------------------------------------

Lyricist & Co-composer:    Frank Visosky,  "FRANK ZOZKY",  ( @frank-zozky )
Co-composer & Producer:   Daniel Massicotte,  "DANMA$",  ( @xr207 )

120 BPM in the key of G minor

---------------------------------------

Yeah…

Why do I…

Why do I keep fallin' when I know I should run?
Give you all my daylight just to fade like the sun
Why do I replay every word that you said?
Like a song stuck in my head

Can't forget, can't forget

I know the signs but I still drive blind
Crash my heart every single time
Tell myself it’s love, maybe I’m just high
Feelin’ low with a smile I hide

Why do I, why do I
Keep holdin’ on to what we let die?
Why do I chase what makes me cry?
Fall for the pain, yeah, every time

Why do I, why do I?
Can’t let go even when I try
Why do I lie and say I’m fine…
Why, why do I?

Why do I believe when the proof’s in the flame?
Burned so many times, but I still take the blame
Why do I wish you'd call late at night
When I know deep down it won’t feel right?

I swear I'm done but I'm back again
Tied to your ghost like it's oxygen
Swore I’d change but the cycle spins
Here I go fallin’ in again

Why do I, why do I
Keep holdin’ on to what we let die?
Why do I chase what makes me cry?
Fall for the pain, yeah, every time

Why do I, why do I?
Can’t let go even when I try
Why do I lie and say I’m fine…
Why, why do I?

Heart on repeat, I can’t rewind
Dreams of you keep killin’ time
I know the cost, still pay the price
Tell me why… tell me why

Why do I, why do I
Keep holdin’ on to what we let die?
Why do I chase what makes me cry?
Fall for the pain, yeah, every time

Why do I, why do I?
Can’t let go even when I try
Why do I lie and say I’m fine…
Why, why do I?

Yeah… why do I…

Yeah… why do I…

Yeah… why do I…

Why Do I ?

Spotify

Why Do I? (feat. Frank Zozky)

MY VOICE almost broke the machine, LOL! I was trying to push TECHNOLOGY to see if it could keep up with my VOICE, IT did good! I wanted to BRING back my signature RUNS that I do when I SING. I only performed them ONCE and that was on "HE IS THE LOVE SONG" a few months back. I wanted this SONG to feel like a BIG BALLAD like I heard when I was growing up. THE note CHANGES on this song are CRAZZZZZZZZY when I created the MELODY. THIS song is for the PEOPLE out there who's looking for an EMOTIONAL - PHYSICAL connection with someone GENUINE. THIS song is a MANTRA for finding a TRUE SOUL FLAME outside of YOURSELF. SPIRITUAL connection, DO your THING! XO!

WHO'S OUT THERE TO LOVE ME? | #THECRITICALLYRICAL

All Roads Lead To You!

Struggling to get over someone? Sidethrow Hustle is a song I wrote that highlights my experience struggling to move on. Saying goodbye is very hard.

Sidethrow Hustle

A Talking Guitar

Timeless Waves

Introduction and Lyrics in English:

The ghost forest really does exist on the German Baltic coast. Over the centuries, the beech, oak and ash trees have taken on bizarre shapes due to the Baltic wind and the many storms. To me, they look like bent, crooked figures that seem to be on the run from the recurring storms. 
As almost all the trees have only one crown and are completely bare underneath, they also give me the impression that they have shut themselves off from the fury of the storms and withdrawn into themselves.
In my imagination, the storms stand for the inner ghosts or demons that more or less haunt everyone rarely, sometimes often or always at night.  
For me, the trees in turn symbolize the sometimes panic-like fears and the need to flee when the inner ghosts appear.   
At the same time, in my mind the trees also stand for the great achievement of some people who nevertheless live and continue to live under the impression of permanent demonic inner storms: Admittedly somehow crooked, slanted and crooked; but nevertheless in a marvelous way peculiar, unmistakable and original.
This is the background against which the song ""Ghostly Forest"" was created.

Ghostly forest

Every night you are there
Like a fool tormenting me with relish
Like a sneering clown
You force me to look into my abyss

Mmh

Fall deep, almost unbearable these soul wounds
Give me this one shot that pulls me out of the tunnel of pain
aah

You tell me dark things
Accuse me, expose me, make me small
You put me before the last judgement
Spit brazenly in my scarred face

You give me the feeling
That all I want is to die, to be dead
Oooh
Seemingly salvation, consolation

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

You never leave me in peace
Give me new blisters every night

When I think I've banished you now,
You come prancing in from the left

Not one tired night 
I woke up without your fearful bite
Behind windows, doors, cupboards you sit 
Always ready for the nightmare leap

This morning
my deepest soul centre would have almost
faded before you

You were on the verge of destroying my core
Dishonouring my dignity beyond repair

A deflated moment
Who knows only silence, rigor mortis
Oooh
Already thought I'd never return

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

Gespensterwald (Ghostly Forest)

City Escape

Oleander - Fleursonseaux
All rights reserved - © Copyright

Oleander

Introduction in English:

People often tell me that when they are with a loved one who is about to die, they feel particularly close to them. 
Sometimes, in such moments, the history of their relationship flashes before their eyes. 
Some report reaching a deeper peace with the person in question shortly before their death. Often, the dying say things they have never been able to say in their lifetime. For example, a father who, shortly before his death, is able to tell his daughter for the first and only time that he has always loved her.
Many of those left behind tell me that they did not want to let the dying person go, but that they somehow realized that they had to let go of their loved one so that they could pass away as peacefully as possible; that they could not “die with them,” but had to continue living alone. 
And it is not uncommon for those who are approaching death to tell their accompanying relatives that they should continue to live well and in peace.
All of these stories inspired me to write the song “Mourir (Dying).” And as always, for such fundamental existential experiences, I choose the language that best expresses these radical moments of transition: French.


Lyrics (for those, who don`t speak French)

Dying

I watched over your bed 
Sat here with you night after night

Your breathing is very laboured
And it's been a long time
Since I spoke to you

The cancer has destroyed you 
You lie there, powerless and limp

You've lost the fight 
No, you won't be reborn

The thread of your life is increasibly breaking

Your gaze is so empty
Come on, please look at me again 

One last time
Don't go yet
Come on, turn around one last time.

Your heart is beating so weakly
So stay awake a little longer

I'm really letting you go
But let us look at each other once more
A farewell glance before you pass over

It's already too late
I'm saying a prayer for you.

So go in peace
Without pain

Forever my great Love

Französischer Text

Mourir

J'ai veillé à ton chevet
Je suis restée avec toi nuit après nuit
Ta respiration est tres difficile
Et cela fait tres longtemps
que je t'ai parlé

Le cancer t'a emporté
tu es là, sans force et sans vigueur
Tu as perdu la bataille 
non, tu ne renaîtras pas
Le fil de ta vie se rompt de plus en plus

Ton regard est si vide
Viens regarder encore une fois
Une dernière fois
Ne pars pas encore
Tourne-toi encore une fois

Ton cœur ne bat plus que très faiblement
Mais reste encore un peu éveillé

Je vais vraiment te laisser partir
Mais regarde-moi encore une dernière fois
Un regard d'adieu avant la transition

Il est déjà trop tard
je fais une prière pour toi

alors va en paix, libre de toute douleur
Pour toujours mon grand amour

Mourir (Dying)

Mimosa

The Hole You Left by Siegfried Jünger unfolds in slow waves of ambient drone and melodic electronic texture. Ethereal tones drift through empty space, building an elegiac calm that feels both intimate and distant.
Like early Aphex Twin meeting Jónsi & Alex, it balances warmth and melancholy — a quiet meditation on absence and memory.
From the album Absence, this piece sits where emotion meets atmosphere: slow, minimal, and deeply immersive.

For fans of: Aphex Twin, Jónsi & Alex, Ben Frost, Max Richter

Siegfried Jünger – The Hole You Left | Ambient Electronic Drone

The First Minute opens 12 Minutes — a short ambient classical journey by composer Jeremias Langsämmer. Soft strings meet choral textures to create a space of stillness and reflection. Designed for focus, calm, and cinematic listening, this piece captures the breath between thought and silence.

🎧 From the forthcoming album 12 Minutes, a suite of short ambient classical works for piano, strings, and quiet contemplation.

For fans of: Max Richter, Jóhann Jóhannsson, Ólafur Arnalds, Nils Frahm, Hammock

#ambientclassical #modernclassical #cinematicmusic #pianoandstrings #relaxingmusic #soundtrackmusic #focusmusic #calmmusic #jeremiaslangsammer #maxrichter #olafurarnalds #johannjohannsson #nilsfrahm #hammock

Jeremias Langsämmer – The First Minute | Ambient Classical Strings & Choral Calm

Hillsong Ukraine - Океаны

Good Girl Gone Bad

Disturbia

Сергей Брикса (Заветная любовь)

Заветная любовь

Мир Не Прост

Слава Твоя здесь

Филипп Реннер - Мы к Тебе воззовем

13 Blues for Thirteen Moons

Слово Жизни - Наш Бог великий(Chris Tomlin - Our God)

Hard Boy

bad guy (with Justin Bieber)

Music and Lyrics by: Isaac Bradley and Chris Stanz 

Music & Production; Dax & Atragun

Where is my Sun?

COLOGNE MUSIC GROUP