Move @ Groove, electronic funky colors. I wish you much pleasure with 🎧 🔈 
Cheers CJ 😎


CJR-Music originals | more info also here: https://www.cjrogersmusic.com

Pendulum

Come Home

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Selmer Alto Saxophone solo. Gibson L5 Electric Guitar solo. Acoustic Stand-up Bass. Hammond Electric Organ Rhythm With Bass. Stand-up Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Drums Acoustic full kit set. Percussion Tree  Chimes. Zildjian Ride & Crash Cymbal. 

Carmel

Sailin

Sailing

There was a country, there was a city, and there was a people, who were widely known for their wealth and powerful gods. But they angered their gods with their bad behavior, so the gods decided to wipe them off the face of the earth.
Yes, the story of Atlantis has many interpretations, just like this musical interpretation of what happened on that fateful day. To this day, there are many who believe that Atlantis actually existed in our world, but no one has been able to prove it with certainty.

What do you think? Did it really exist, or is it just a moral tale?
Regardless, the fairy tale is a story that gets the imagination flowing, and we hope this little piece gets your imagination flowing too.

We suffer no shortage of terrible and terrifying events for humanity, whether it is our earth that produces them, or that human souls have created and continue to create them in their dismal imperfection.

We who have pondered, talked and created are;

Strings, Piano, Flute etc - Dan-DT: https://soundcloud.com/dan-t-3
Lovely acoustic guitars - David D: https://soundcloud.com/david-dunhamuser589535203
Music, Mix & Production & track picture - Seagull: https://soundcloud.com/farout-music-studio

Atlantis - Dan-DT, David D & Seagull

Photo taken and edited by me.
https://www.deviantart.com/leehon/art/Feeling-The-Past-Of-Someone-Else-826399985

Year Of Death

Cast of Characters:

Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, composition, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 

J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth

Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad

Nyla K-- @user-162163879 -- vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 

  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 

  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.

   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 

  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say - Eclectic Collective w/ Nyla K

Appendix (Kavinsky Tribute)

Step into the lobby. The receptionist has been expecting you for twenty years.

In Nostalgia For A Future That Never Came, Dr Lepus White constructs a sonic mausoleum dedicated to the timeline we were promised but denied. This is not merely music; it is the audio residue of a corporate utopian dream that rotted on the vine. It is the sound of a 1996 shopping mall at 3:00 AM, where the fountains are filled with liquid mercury and the mannequins are slowly turning to look at you.

"Dr Lepus White doesn't compose music; he excavates it from the recycling bin of a timeline where the Y2K bug ended the world, and we are just the ghosts haunting the hard drive."

Dr White's The Gamification of Knowledge

DEL OCCIDENTE AL ORIENTE DEL SAHARA....

Guitars by: Andrew Fitzsimmons  https://soundcloud.com/afitzsimmons
Texas Swamp Guitars by Jon Lock at https://soundcloud.com/jon-lock-5
Bad to the bone Drums, Bass and guitars by  https://soundcloud.com/keitonie
Ultra Sax by : @joerxworx
Shredding the Hammond C3 organ and Piano by https://soundcloud.com/tobbenv
Vocals and Mix by conover
Loose salute cover of the Electric Flag song Texas.


This documentary blog link below joins hand-in-hand perfectly with the music that we attempted to cover above. BC

 Leonard Cohen took years  to craft a song. Rufus, can cover one in an afternoon. Hallelujah. God only needed 3 days for Texas. This tune plows the terra firma of such great bluesmen afore with a great Leon Russell dust bowl homage  sewn in..... David Conover

http://revisionisthistory.com/episodes/07-hallelujah

photo art info:
The Electric Flag onstage at the Fillmore Auditorium, August 29, 1967. From left, Barry Goldberg (hidden), Nick Gravenites, Michael Bloomfield, Buddy Miles (behind drums), Harvey Brooks, unknown and Peter Strazza. Photo courtesy of Richard Lewis
AT THE END OF February 1967, the Paul Butterfield Blues Band returned to Boston for the second time in just over a month. The band had been on the road constantly since returning from its first trip abroad, a 30-day whirlwind tour of 28 different venues in England and Scotland in November. Since their arrival back in the States, the Butterfield Band had played New York, San Francisco, Los Angeles and numerous places in between. Now they were back in Boston.
They were scheduled to play three colleges in one day – a chilly Saturday, February 25. The shows were to begin at noon with an appearance at the Massachusetts Institute of Technology in Cambridge, and the guys had to unload the van and set up the equipment first. Butterfield’s star guitarist, Michael Bloomfield, lost it.
In a state of agitation, the exhausted Bloomfield had been suffering from insomnia for weeks. His was a hyperactive personality under the best of circumstances, and now the band’s non-stop gigging had thrown his system into disarray. He could no longer stand the demands of performing night after night.
He decided he had to quit the band that day.

And Michael Bloomfield was suddenly without a gig.
Bloomfield retreated to his Christopher Street apartment in New York’s Greenwich Village to rest up and think things over.
It wasn’t long before he began to think he should have his own band.
 
Forgotten Flag

Few today recall that there was another rock/horn band – a band that started it all. Or, if they do recall, they don’t recall much about it.
The Electric Flag deserves a better fate.
The creation of Mike Bloomfield, America’s first electric guitar hero, the Electric Flag was a ground-breaker in a numerous ways. In addition to being pop music’s first rock band to include a horn section, it pioneered the use of electronic instruments, blended a variety of musical genres, experimented with sound sampling and was one of the early racially-mixed pop bands. It also had the dubious distinction of being rock’s first “supergroup.”
Because the Flag has been largely ignored by critics since its dissolution in 1968, its story has never really been told in detail. A rock ’n roll rags-to-riches-to-rags tale, the history of Michael Bloomfield’s experiment in American music makes for interesting reading. But it also foreshadows the growth of American pop music away from the narrow confines of its segregated genres and toward an open confluence of styles and cultures. For that reason alone, music lovers – especially American music lovers – should know about the Electric Flag.

On The 8th Day God Created Texas

Wear Me Down (by Blaffy)

Hi @ all,
I'm a solo musician from Luxemburg. I do music and sound design for a number of years now and I'm always on search for new trends.
My productions are various styles of electronic music with preference of experimental sounds!

Cover art is also a creative core from me!

More music... albums, singles... info about me... free or high-quality downloads, different tracks are also available for licensing.
my official website: https://www.cjrogersmusic.com
reposts: https://soundcloud.com/user-504730207

Pendulum

C.J.ROGERS