Mix recorded by Céline B. Technorama for @stationstation (the Station Gare des Mines radio, Paris) for « Sieste Ambient » radio show, on 09 April 2021.


« Voyage au bout de la nuit

Comme un délice s’est glissé dans mon lit,
Cette nuit, 
Comme une musique qui sourit, une note depuis l’oubli,
Comme une sieste pour l’esprit, une texture une mélodie,
Brune puis aigüe dans le parcours de son bruit.

Comme un délice s’est glissé dans mon lit, 
Cette nuit,
S’est faufilé dans tous ses plis jusqu’à mon ouïe, 
Et l’horizon s’est épaissi, mon corps s’est enhardi, 
Dans ce silence de symphonie, cet éveil des assoupis. »

Lou-Justin Tailhades


www.instagram.com/celineb._technorama/
www.facebook.com/celinetechnorama.official
https://soundcloud.com/stationstation

Céline B. _Technorama - Sieste Ambient - Radio Station Station - 09-04-2021

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/@sophiedupalais

TASCAM SD-20M

RRFM • Future Intel take over w/ Sophie du Palais • 07-04-2022

gilis roots are in the Ruhr area, later she gained experience in various stations until she finally landed in Leipzig. gili's DJ sets are a reflection of her musical movement between those different worlds in Düsseldorf, Halle and Leipzig, which have inspired and influenced her. Just as diverse as the places she has lived in, so are her sets. Moving between different genres, she comes from housy beginnings to synth and acid stopovers to breaks and bass and brings it all together in her energetic and driving sets.  
Since 2020 gili has been organising the SLEEPLESS floor at Tarmac Festival with the II.Reihe crew and is also part of the Leipzig collective closed.

Follow:
Soundcloud: @giliii @zweitereihe @closedlive
Instagram: www.instagram.com/gili____/

Cover Artwork by:
www.instagram.com/wiebeipaint/

PVC Podcast 076 gili

Listen to Connect'HER every 4th Monday of the month, from 20h to 21h [CET] on rinse.fr

Rinse France Podcast

Connect'HER - Ara b2b Estelle P - 26 Septembre 2022

https://soundcloud.com/erlasleepsdreams 

https://www.instagram.com/erla.sleeps/

erla sleeps @ II.R sleepless @ Tarmac 2022

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com.

GAPPIEOUWE ╚═ Future Intel ═╗ 10 02 2023

Fourteenth instalment of the monthly show Плазма* w/ TSUNIMAN on www.netilradio.com (Broadcast on 05.03.23.

Плазма - a radio podcast exploring the spectrum of Trance music through the encapsulation of the psychedelic sonic experience within today's club settings. Each 'story' will be presented by new emerging talents every month.

I had the pleasure to be joined by 2 guests bringing incredible talent to our scene.


First hour: @dvd-c -  one of the faces pushing for the progressive and psychedelic revival in the London queer scene for the last few years. With a range of stellar guest radio shows and residencies under his belt, the @psy-buzz founder's sound is heavily influenced by the history of dance music and his dedication to the dance community.
David’s sound is genre-spanning within all things psychedelic and buzzy. This has got him shows at Dalston Superstore’s Homodrop as a resident, Homostash and Adonis, playing alongside Kasra V, Marie Malarie, Tred, Bethan and more.

Second hour: @izzylocke -  Australian-born London-based DJ and producer, Izzy plays a mix of breaks, techno and electro, which has been her inspiration for the music she produces. With releases on Phenomena, Oramics, Vief Records, Music for Change, and Do As You Please, the young artist has a lot under her belt already. Her mixes experiment with sounds from the more ephemeral side of techno, being fast and dark - combining this with breakbeat, acid and trance, Izzy aims for her mixes to be progressive and emotive.

Catch PLASMA every 1st Sunday of the month, 10pm-12am.


mastering by: James Boughton

Плазма w/ DVD-C & Izzy Locke - Netil Radio - 5th March 2023

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

“She Was Here” is an ambient track that blends soft textures and calm melodies to evoke peaceful nostalgia, produced by Charlélie.

Charlélie - She Was Here

Ethereal ambient soundscapes for your pleasure.

ETHEREAL - LOTEEA

Original upload: https://www.nts.live/shows/ectotherm/episodes/ectotherm-14th-march-2018

100% vinyl !

Tracklist:
Blind observatory - way (rewalked)
Boston 168 - interstellar
Alien rain - alienated 2b
Works unit - insulation two (acidic edit)
Emmanuel top - so cold
The adventist - destination
Erdem tunakan & alpha tracks - tungsten carbide drills
X-frame - acid paradise
Emmanuel top - tone
Cores - acidious
Overcharge feat g-meter - elyptic

NTS Radio x Ectotherm 14.03.18 - Lasse Vind

Dj & producer @ Céline B. _Technorama
Contact booker: booking@technorama.fr