AMAZING collaboration of beautiful talents. Magnificent combo here, thanks a million for creating this.

Love it  I Wanna   TY   Everyday!!!!!!!!!!!!!   :)

Wow.... this is really good.  Thank you.  

Delicious  comes to my mind   TY Jeffrey     and im not    familuar w  alicia meyers!~   good stuff!~        nice paring!~   it  all works!~ *snap

Available now from: http://www.zrecords.ltd.uk/new-releases

Timmy Vegas has been behind some of the most successful dance tracks of recent years including Dutty Funk with Barbara Tucker and 'Strings of Life’ as one half of Soul Central. 

For his latest release ‘Get Yourself Together’ he has enlisted the vocal talents of Kerry Davies and produced yet another storming funk fuelled house track perfect for those soulful dancefloor moments.


DJ Reactions:

Hot Toddy - Massive disco funk bomb...nice one!
Richard Earnshaw - Ooooooo...... YES!
CJ Mackintosh - Love it :)
Louis Benedetti - In the box!! Thanks!!!
DJ Meme – Yes!
StoneBridge - That's what I'm talking about!
Groove Assassin – Pure dancefloor burner
Dave RedSoul - Tom Browne-esque from the Brummie Disco Don! 5 star!
DJ Booker T - nice disco vibes
Justin Winks - This sounds like the lovechild of Parliament and Bugs in the Attic, just tooo damn funky! 
Hector Romero - Funky! Love it 
Jask - Funky fresh in the place to be!
Mannix - 10/10 simply
Giom - Nicely done
Miss Kelly Marie - Ooooh The bass ! Gets my full support , great record !!


Z Shop

Timmy Vegas - Get Yourself Together (Timmy's B'ham Disco Authority Mix)

Remix by Rubb Sound System for Farley Jackmaster Funk's cover of Michael Jackson's 'I Can't Help It'.

Traxsource

Farley Jackmaster Funk - I Can't Help It [Rubb Sound System Remix] - Jackinthebox | OUT NOW!

Produced by Yvonne Turner and Tommy Musto
Lyrics by Yvonne Turner
Vocals by Arnold Jarvis
Backing Vocals by Yvonne Turner, Tommy Musto, Arnold Jarvis
4th Floor Records

Take Some Time Out (Original)

This song is an AI-assisted creation, born from my deep love for the music that shaped me. While no human hands held a guitar or sat at a drum kit to record it, every note, lyric, and arrangement was guided by the echoes of the bands that defined my past. Think of it as a digital homage—a way of keeping alive the energy, emotion, and craft of the artists who once filled arenas and soundtracked my memories. This track isn’t trying to replace them; it’s a love letter to their legacy, reimagined through the tools of today. What you hear is the past and the future colliding, paying respect to the timeless spirit of rock that still refuses to fade.

Little Hearts (Sax Version)

I Wanna Thank You Everyday (Deee-Lite vs. Alicia Myers)

Buy / Stream: https://orcd.co/happy
BBE Music bids a fond farewell to UK music hero, the Legendary Paul ‘Trouble’ Anderson, with the great man’s final production: a stunning soulful house version of gospel standard ‘Happy Day’.

A pirate radio and club DJ since the 1970s, the influence of Paul ‘Trouble’ Anderson on UK music simply cannot be understated. From his early days throwing shapes and honing his formidable skills behind the decks at London club ‘Crackers’, through his years at Kiss FM, to enchanting a whole new generation in recent times with his Bussey Building residency and on Mi Soul Radio, Paul’s was surely a life well spent: spreading joy through music.

It is fitting then, that his final production is a characteristically up-beat, ebullient and spiritual one. First arranged in a gospel style by Edwin Hawkins in 1967, ‘Oh Happy Day’ has become beloved the world over thanks to its comforting message and uplifting harmonies. Featuring vocals from the dearly departed John Redmond (RIP) and drums/programming from Frankie Dark (aka Booker T), PTA’s ‘Happy Day’ provides an ecstatic, anthemic soulful house update; a truly breathtaking and beautiful way to say goodbye.

The package contains a pair of piano-laden dub versions, plus instrumental and reprise mixes, giving a versatile selection for DJs to choose from, with stunning original artwork by Richard Wilson.

Available February 1st on all digital stores – 12″ vinyl coming soon!

Happy Day

Paul Trouble Anderson - Happy Day (Classic Main Mix)

"This music is Faux Real." ™

Copy Correct, aka Jeffrey Tice started composing music at the tender age of 9, on his family's piano and fell in love with making music. After getting his first synthesizer, Jeffrey discovered that he could do more with electronic instrumentation than with acoustic music, thus began his foray into electronic sounds. His early influences in music include artists like Erasure, Depeche Mode, Book of Love, Pet Shop Boys, and other New Wave synthpop artist, as well as Acid House, New Beat, and Punk Rock. While in high school, his best friend introduced him to DJ culture and underground dance music & showed him the basics of mixing records. After attending some of the first raves being thrown in and around Central Texas, Jeffrey became involved in Austin, Texas' early Rave and DJ community, and began spinning at house parties, warehouse gatherings, and at the seminal club Proteus. He is one of Austin, Texas' DJ culture pioneers!

Jeffrey Tice began producing original tracks early in his DJ career, often producing a track and playing it during one of his sets to wide acclaim. He has a great appreciation and understanding of electronic music, and DJing helps focus his production efforts.

Now residing in San Francisco, Jeffrey is a graduate of Pyramind, a music school that focuses on music production, theory & business. It was there that he began experimenting with mashups. Because after all, combining music with different sounds, textures, and genre is what a DJ does, and created his persona, Copy Correct.

With the slogan "This music is Faux Real." Copy Correct takes classic synthpop, electro pop, disco, early eighties jams, and whatever his heart desires and mashes them up to bring them into the now, redefining them for the modern listener, music fan, and dance floor. As Copy Correct, he elevates the art form of mashups; he challenges the common assumption that Mashups aren't real music...that they take no talent to create, won't last and that they're 'too easy'. He says that when hearing those things, he couldn't be happier, as a mashup artist because, "Afterall, they said the same thing about Jazz, Rock n' Roll, Heavy Metal, Punk, Disco, Hip-Hop & Electronic Music and we all know how that went."

(Written by James Neal)

See also:

https://soundcloud.com/jeffrey-tice
https://www.facebook.com/Copy-Correct-124650197619578/

I Wanna Thank You Everyday (Deee-Lite vs. Alicia Myers)

Copy Correct

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