How to dance it right! - http://www.youtube.com/watch?v=s-lmejnJflw
The original - http://www.youtube.com/watch?v=rpO95I6e6cQ

Maurice Joshua feat Chantay Savage - I Gotta Hold On You (Danny Bar edit)

Produced by Yvonne Turner and Tommy Musto
Lyrics by Yvonne Turner
Vocals by Arnold Jarvis
Backing Vocals by Yvonne Turner, Tommy Musto, Arnold Jarvis
4th Floor Records

Take Some Time Out (Original)

A little Disco Jedi's edit I've been working on


Gwen Guthrie - Ain't Nothin' Goin' On But The Rent  (Disco Jedi's Edit)

http://www.ebay.com/sch/m.html?item=171760253230&ssPageName=STRK%3AMESELX%3AIT&_ssn=soulfullbids&_sop=3

MERCY MERCY What Are We Gonna Do About It

Easier Love sped up and dance floor friendly.

Sister Sledge - Easier To Love (Suckapunch Quicker Edit)

I Wanna Thank You Everyday (Deee-Lite vs. Alicia Myers)

Boyd Jarvis died earlier this year, leaving us with classic cuts like this one.

It's 35 years old!

I've spliced the vocal and dub together for a 10-minute version. Enjoy.

12 Inch Classics

Ṽỉṩṹẳĺ (Ḇőỷḋ Ĵǡȑṽỉṩ) - Ȿởɱḗħȱẘ, Ȿởɱḗŵǻɏ (Vocal / Dub) (Fist fusion)

Buy / Stream: https://orcd.co/happy
BBE Music bids a fond farewell to UK music hero, the Legendary Paul ‘Trouble’ Anderson, with the great man’s final production: a stunning soulful house version of gospel standard ‘Happy Day’.

A pirate radio and club DJ since the 1970s, the influence of Paul ‘Trouble’ Anderson on UK music simply cannot be understated. From his early days throwing shapes and honing his formidable skills behind the decks at London club ‘Crackers’, through his years at Kiss FM, to enchanting a whole new generation in recent times with his Bussey Building residency and on Mi Soul Radio, Paul’s was surely a life well spent: spreading joy through music.

It is fitting then, that his final production is a characteristically up-beat, ebullient and spiritual one. First arranged in a gospel style by Edwin Hawkins in 1967, ‘Oh Happy Day’ has become beloved the world over thanks to its comforting message and uplifting harmonies. Featuring vocals from the dearly departed John Redmond (RIP) and drums/programming from Frankie Dark (aka Booker T), PTA’s ‘Happy Day’ provides an ecstatic, anthemic soulful house update; a truly breathtaking and beautiful way to say goodbye.

The package contains a pair of piano-laden dub versions, plus instrumental and reprise mixes, giving a versatile selection for DJs to choose from, with stunning original artwork by Richard Wilson.

Available February 1st on all digital stores – 12″ vinyl coming soon!

Happy Day

Paul Trouble Anderson - Happy Day (Classic Main Mix)

Love de Luxe Here comes that sound again (azzerellis Loose Joints edit)

While You Were Asleep

Turn Back Home

"This music is Faux Real." ™

Copy Correct, aka Jeffrey Tice started composing music at the tender age of 9, on his family's piano and fell in love with making music. After getting his first synthesizer, Jeffrey discovered that he could do more with electronic instrumentation than with acoustic music, thus began his foray into electronic sounds. His early influences in music include artists like Erasure, Depeche Mode, Book of Love, Pet Shop Boys, and other New Wave synthpop artist, as well as Acid House, New Beat, and Punk Rock. While in high school, his best friend introduced him to DJ culture and underground dance music & showed him the basics of mixing records. After attending some of the first raves being thrown in and around Central Texas, Jeffrey became involved in Austin, Texas' early Rave and DJ community, and began spinning at house parties, warehouse gatherings, and at the seminal club Proteus. He is one of Austin, Texas' DJ culture pioneers!

Jeffrey Tice began producing original tracks early in his DJ career, often producing a track and playing it during one of his sets to wide acclaim. He has a great appreciation and understanding of electronic music, and DJing helps focus his production efforts.

Now residing in San Francisco, Jeffrey is a graduate of Pyramind, a music school that focuses on music production, theory & business. It was there that he began experimenting with mashups. Because after all, combining music with different sounds, textures, and genre is what a DJ does, and created his persona, Copy Correct.

With the slogan "This music is Faux Real." Copy Correct takes classic synthpop, electro pop, disco, early eighties jams, and whatever his heart desires and mashes them up to bring them into the now, redefining them for the modern listener, music fan, and dance floor. As Copy Correct, he elevates the art form of mashups; he challenges the common assumption that Mashups aren't real music...that they take no talent to create, won't last and that they're 'too easy'. He says that when hearing those things, he couldn't be happier, as a mashup artist because, "Afterall, they said the same thing about Jazz, Rock n' Roll, Heavy Metal, Punk, Disco, Hip-Hop & Electronic Music and we all know how that went."

(Written by James Neal)

See also:

https://soundcloud.com/jeffrey-tice
https://www.facebook.com/Copy-Correct-124650197619578/