Dubstep version of Harald Genzmer's "In the evening" (fragment) for bass recorder and electronic. My own elaboration upon the initial bars of the original for solo recorder mixed with electronic rhythms and effects.
Photograph by myself :=)

In the evening • H.Genzmer/E.Schmied

Rohkost (i.e. German for „uncooked vegetarian food“) is the first approach of the Breuer x Burkhardt collaboration. Naming of the pieces is based on the average value of the measured frequency each track contains. Artwork by Thomas Breuer. Mastering by Thomas Burkhardt.

5818 Hz

7561 Hz

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

maschine, erbverbe, echophon, richter anti-oscillator, and rene

12072014

i don't know if this fits the project, and i don't know if it sounds good, it was very rushed... it needs work, but it's deadline time.
i finished it rapidly before bedtime.  

done for Disquiet Junto #665

The Assignment: Record a track in honor of the late Achim Szepanski, founder of Mille Plateaux

092624

092624 [disquiet0665]

Performance at BLAUES RAUSCHEN Festival, May 24, 2025. 
Dortmunder U / STORYLAB KIU.
recording: Blaues Rauschen, OPEN SYSTEMS e.V.
photo: Sofia Greff, 2025

answer in my disorder

My version of a chaconne, an application of a bit of Henry Cowell's ideas for rhythm (as previously embodied in Leon Theremin's Rhythmicon). Written using a seven-note subset of a microtonal Meta-Slendro scale. This is my first published work to incorporate percussion (albeit synthesized or sampled)

This was recorded in a single take. There is post-processing (mixing and mastering) but no edits or overdubs. Some effects are digital, but all sound sources are analog, as are some of the effects.

Layers:
- a cloud of tones from two Wingie2 resonators, triggered by chaotic/stochastic triggers
- a slow repeating melody rendered on modular synth (XPO + DPO) with multiple layers in unison (including a layer processed by the Cosmodio Glitch Witch pitch-modulated fuzz pedal), using Make Noise 0-Ctrl as sequencer
- a bass line that follows the melody, produced by the EAE Prismatic Wall resonator pedal with the Red Panda Labs Radius ring modulator, also driven by the 0-Coast 
- synthetic percussion, a combination of the Neutral Labs Scrooge (triggered by the Beast-Tek Amoeba and Mystic Circuits IDUM modules) and Disting EX sample playback (also triggered by Amoeba)

Image credit: https://throughlightandtime.com/ldn-122-lrgb-dr-350-29-june-2025-2/

A Furious Calm

Drone I made on Xmas 2017 to test my new Befaco Hexmix module. Lots of Oscillators, VCOs, Filters, Folders, VCAs and, of course, this cool new mixer :)

Xmas Drone

performed by Mimitabu.

for piccolo/bass flute, bass clarinet, percussion, violin, cello, keyboard, vibrators [1 performer] and electro-mechanical devices [solenoids and transducers].

Liveinspelning, GAS-festivalen 2018 på Atalante

ampèrian loops - part III (2017) for ensemble and electro-mechanical devices.

Dialogue of the deaf

In my spare time I have fun creating some electronic music …

Dialogue of the deaf

c0r3dump3d