Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

04 - 2040 - Red Axes / C.A.R.

Choosing... Acronyms... Randomly ...
‘Layered, fascinating and irresistible’ - DJ Mag

‘Astonishingly accomplished … Many influences are on display, but C.A.R. connects them in a way uniquely hers.’ - Electronic Sound

C.A.R. (Choosing Acronyms Randomly) is a musical project conceived by Chloé Raunet, a multi-faceted creative living in London. Her self-confessed crush on too many genres results in a unique blend of glacial electronica, post-punk and warming, introspective pop. 

Following three albums on iconic, queer Parisian label Kill The DJ and UK’s Ransom Note, the live act now consists of herself and Joni Green. This latest combination champions female empowerment, injecting fresh energy and hype into the show. Together, they are building a reputation for pulsing, magnetic, sweaty and unforgettable performances. 

December marked another excursion into uncharted territory with the release ‘avant pop masterpiece’, Anzu. More new songs are tricking their way into the set, and C.A.R.'s next LP is on the near horizon.

A fan of the weirder edges of electronic music, Chloé also DJs and hosts the monthly 'On The Slip Road' show on NTS Radio.

𝗔𝗞𝗔𝗦𝗛𝗔 𝗖𝗜𝗧𝗬 𝗙𝗠©: @hellrazor666_ on Twitter btw. Now INNOCENCE BABY || AURALIST //⛧1993●●●₆⁶₆  @_@
ᴡᴇ ᴄΛʟʟ ɪᴛ _𝖆𝖈𝖎𝖉_ // Now-a-daes I am 29 years old, I'm from 🇵🇱Barranquilla, Colombia🇨🇴. ∆ music.selection is basically Acid-House oriented to Leftfield with a heavy dosage of Techno and Progressive. - A moderate sprinkling of futuristic Micro-Minimal-Dub. A minute quality of minus influences. ALL METHODS 2 ELECTRO -- TRANCY HOUSE --

ALSO: TRAP-RAP-FLY-TECHS🔶🔶🔶🔶🔶

𝙋𝙇𝙀𝘼𝙎𝙀 𝙎𝙏𝙊𝙋 𝙎𝙀𝙉𝘿𝙄𝙉𝙂 𝙈𝙀𝙎𝙎𝘼𝙂𝙀𝙎 𝙒𝙄𝙏𝙃 𝙔𝙊𝙐𝙍 𝙈𝙐𝙎𝙄𝘾, 𝙄 𝙊𝙉𝙇𝙔 𝙎𝙃𝘼𝙍𝙀 𝙎𝙏𝙐𝙁𝙁 𝙄 𝙋𝙀𝙍𝙎𝙊𝙉𝘼𝙇𝙇𝙔 𝙇𝙄𝙆𝙀

04 - 2040 - Red Axes / C.A.R.

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