Just Playing Music With No Plan 2

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One In A Million (TSUKI EDIT)

anestesia

El sonido Graveton tiene su origen a finales de 2010 en los estudios caseros de djs y productores de países de todo el mundo. Producciones analógicas o digitales de baja calidad pero con mucho ingenio a la hora de usar los ritmos de la cumbia y el reggaeton para procesarlos con samples del folclore andino, colombiano y mexicano. Con los años y los avances tecnológicos las producciones iban adquiriendo mayor calidad en cuanto a sonido y a contenido artístico. Aunque siempre hay excepciones, los más radicales y ortodoxos que aún conservan la manera primigenia de producir y ejecutar piezas de graveton. Es lo que se conoce como graveton lofi o graveton casero.

En la actualidad decenas de artistas siguen produciendo graveton en sus estudios, centenares de djs lanzan tracks de graveton en cientos de clubs de todo el mundo y miles de personas bailan graveton cada semana en las pistas de baile de diferentes clubs, fiestas locales o cualquier tipo de evento con carácter festivo o cultural.
Etimológicamente graveton proviene del sonido de frecuencia baja o grave, en inglés bass, y el sufijo ton del mismo sufijo que en reggaeton. Al ser producto de una mala producción el prefijo grave señala ese carácter desafortunado de la obra.
Desambiguación. Graveton (Creative Commons - 2011) También es el nombre de la primera referencia de la disquera online Caballito Netlabel y está dio lugar a posteriores entregas, Graveton II (Creative Commons - 2012), Graveton 3 (Creative Commons - 2012) y Graveton IV (Creative Commons - 2015)

Dicho esto sólo queda presentar el GRAVETON IV, y con motivo de que Caballito cumple cinco años, este es nuestro regalo.
El Graveton IV contiene 38 tracks llegados de todas partes del mundo. Nombres ya conocidos, otros no tanto y nuevos descubrimientos gracias a internet que siempre provee.

Incluye BONUS TRACK Bigote feat Funko - Kumbia Borroka (2011), en un edit 2015 de Bigote. Kumbia Borroka fue la primera canción de graveton de la historia, de la cual se extrae la frase “Caballito is too much porn”

Amigas y amigos bailadores, músicos, productores, djs, blogs, webs y publicaciones, gracias a todos. 
A bailar!

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Dj Nirso - Atocha En La Rocha

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Eshu

Original:
soundcloud.com/vaariosartistas/msc-dust-from-the-stars

MSC - Dust From The Stars (instrumental)

Taken from the 'Diatribes Remixes' compilation, curated by @unioftropicalsound

Buy it here: https://universityoftropicalsound.bandcamp.com/album/diatribes-remixes

@Biomigrant
@dj-nirso

Biomigrant - A.R.M.A.S (NIRSO Remix)

Pre-Order:  https://wonderwheelrecordings.bandcamp.com/album/one-ep

Japanese born Yukicito found his love for Brazilian music after moving to LA as a teenager & emerging himself in the samba schools of one of the biggest Brazilian communities in the country. Soon after learning all the instruments & songs, he became a teacher & started making recordings with vocalists & musicians. 

After several hit remixes on both Wonderwheel & Bastard Jazz, Yukicito drops his 1st original 5 track EP. A dance-floor fusion the African rooted music of both Brazil's Atlantic coast & The Pacifico music of Colombia's Pacific coast, we feel the roots & the thump of long running Los Angeles party called 'La Junta'.

Pre-Order EP

Yukicito - Yukizinho

Buy: https://edmoonrec.bandcamp.com/album/bass-monks
Lascivio Bohemia: https://facebook.com/lasciviobohemiaec
Edmoon Records 2020, Quito-Ecuador.
https://facebook.com/edmoonrec

Lascivio Bohemia - La Libertad (2020 version)

Watch the video ➡️ https://bit.ly/ElLocoYT
Album "Camaleon" (Vinyl / Digital) ➡️ https://smarturl.it/Caribombo

"For whilst the music will hook your attention, the whistling Venezuelan mythical creature, El Siblón, is waiting in the midst to cast its wicked spell.
Mystical and primeval, “El Loco”, is the latest track to drop from Venezuelan artist Carlos Guillen, better known as https://soundcloud.com/caribombo. The producer/DJ, originally from Maracaibo and now living in the French countryside, released his second album, Camaleón, on 14th April. A spell-binding journey through Afro-Latin sounds, we are delighted to premiere the latest video released in celebration of the album this week."  - Sounds And Colours
Continue to read ➡️https://bit.ly/ElLocoSC

Camaleon

➡️WATCH THIS 🐴

Caribombo - El Loco 🐴

Live Mix Session celebrada el 17 .08.2020 para el mítico Bar Amor Voodoo en Madrid España. Desde Munich Alemania DJ Gonzalez con una selección de Breaks Latinos para toda la gente.

DJ Gonzalez is Pocho Gonzalez ,Radio Host , DJ ,Producer and Kumbale Label Founder. Born in Argentina ,living in Munich Germany. Love Bass, Respect the Roots, Celebrate Life!

https://www.instagram.com/amorvoodoo
https://www.instagram.com/kumbale_records
https://www.instagram.com/pocho_kumbale/

DJ Playlist : 

1- Tony Navaja feat. Ruben Blades - Tony Toca 
2 - Cumbiamor - Ufe 
3 -  La Verdolaga - P18 (Jeremy Sole Remix )
4 - Mi Swing es tropical - Nicodemus (Zeb´s Reggae Remix) 
5 -  Tu Fiesta Personal - Mo` Horizons 
6 - Cumbia Cutty - Dub Insurgent 
7 - Bonina - Siba  (ATW Edit )
8 - Exilio ( Rewound ) Thievery Corporation 
9 - Salsa Verde - Greenwood Rhythm 
10 - Tabaco y Ron - Greenwood Rhythm 
11 -  Teza Cappuccino - Fabulous Withesands 
12 - Fruta Fresca - Juan Laya y Jorge Montiel 
13 - Disco Cumbia - Chris Read 
14 - Oye Como va - Profesor Angel Dust ( Freddy Fresh Remix ) 
15 - La Cumbia Perdida - Doctor Stereo (NYC 7 ``) 
16 - DJó Djó - B1 (Rockymarsiano Remix) 
17 - Primer Minister - London Afrobeat ( Captain Planet Remix ) 
18 - Aguanile - Hector Lavoe (Jose Marquez Remix) 
19 - Como Yo - Novalima (Captain Planet Remix) 
20 - Sapo de Manga - Lechuga Zafiro 
21 - La Rosa Blanca - Hugo Blanco y Su Conjunto

DJ GONZALEZ ____AMOR VOODOO MIX_____

For DJ booking please contact: ahorasuenaelcaballito@gmail.com
“El sonido de Caballito refleja el calor, la alegría, las raíces, las ganas de mover el culo, el sudor, la buena onda...”
Caballito da a luz en una cálida Granada en septiembre de 2010, fruto del reencuentro entre Bigote y Grita, dos auténticos exploradores y recicladores de los ritmos latinoamericanos.
Pioneros en nuestro país en esta corriente ElecTropical que poco a poco va invadiendo todo el globo, empiezan sus andadas publicando varias mixtapes en su propia web y en distintos blogs del subterráneo movimiento. Pronto decidirían ilustrar sus mezclas con una explosión de gifs animados, vídeos y colores estridentes y muy chillones (creados por ellos, son también apasionados de la imagen), creando así un entorno psicodélico, divertido y uniforme. Fue entonces cuando Grita y Bigote decidieron lanzarse a la producción estableciendo su propio netlabel, siguiendo la línea de la licencia libre (Creative Commons). De esta forma, todo lo publicado en Caballito, ya sean producciones suyas o de otros artistas, fluye libremente por la red.

“Caballito sound reflects the warmth, the energy, the roots, the need to move the ass, the sweat, the good wave...”
Caballito is born in Granada, in September 2010, when Daniel aka Bigote and David aka Grita meet again. It was a while since these two guys were checking out traditional Latino-American rhythms and discovering the Digital Cumbia, new Tropical style emerging all around the world.
Caballito, pioneer in our Country within this musical current, started publishing mixtapes in his own web and in different blogs, with the intention of breaking our hips. But quickly this world was too small for them, so they started to flood us with videos and psychedelic gifs. Was at that time when Grita y Bigote jumped into production creating their own netlabel, whose phylosophy follow the free licence idea. All the stuff published - their own productions and the collaborators’ ones - all flow freely through the web. 