Príncipe 3-piece Blacksea Não Maya give Hypna a playful and percussive batida re-fit.

'Nylon Hood' is out September 3rd.

Pre-order: bit.ly/2YpttLT

@hypna_52
@black-ea-n-o-maya

Premiere: Hypna - DRM//BLL (Blacksea Não Maya Remix)

Track Premiere: '@mesqit - Rebirth (@fkff Remix)' [@sacrilejiorecords]
Read More: https://paynomindtous.it/mesqit-fkoff1963-sacrilejio/
'Coffin Sounds EP' Pre-order: https://sacrilejiorecords.bandcamp.com/album/coffin-sounds-ep
Artwork by @digitonica
***
The Peruvian Sacrilejio Records, based in Lima, surfaced on the digital worldwide underground scene in late 2020 with the debut v/a compilation called Expiation, a remarkable selection of state-of-the-art club music tracks with Latin influences by artists such as WULFFLUW XCIV, Bungalovv, Wrack, Syntrovert, Shyqa, and many more. Reportedly, the label set out to support club sounds from the Global South decrypting and blending Latinx hauntology and contemporary electronic music deconstruction.

The futuristic framework in which Sacrilejio moves allows them to incorporate variegated, deterritorialized influenced into their research around the interaction between local, traditional rhythmic figures and the worldwide electronic music vanguard. Their second outing on their path is represented by the Coffin Sounds EP, produced by the Portuguese producer and DJ Mesqit, coming with artwork by the stunning Russian musician and visual artist Digitonica and mastering by Alexis Cotrina.

Based in Porto, Mesqit started releasing music back in 2017 with the self-released Concord EP, all the way to his latest Human Feelings release out on February 2021. His focus has always been on the hybridization of different musical traditions, from Jamaican dub to middle eastern strings. On this occasion, the producer set out to showcase genres such as reggaeton, baile funk, and the so-called techrreo style, by means of an investigation into the texts of ancient Egyptian coffin effigies.

Releasing on September 23, the five tracks focus on a young man whose story begins with their premature demise, and then goes through the mummification process, until finally culminating with the rebirth they've been yearning for. From a musical point of view, the outcome is a lively ensemble of rhythms, instruments, and manipulated samples that well translates the tales of a perilous journey into different moods and settings.

Also, to complement the original compositions, two remixes of the closing track Rebirth have been included, one by the UK artist Galtier, and the other by the Tormenta-affiliated hardcore DJ and producer FKOFF1963. Today, we're indeed happy to exclusively premiere the rework by the latter: the Brazilian artist delivers one of the usual club bangers we've become accustomed to thanks to years of over-the-top explorations into hardcore genres, adding the final, energetic touch to a piece of already eventful music. Enjoy!

Mesqit - Rebirth (FKOFF1963 Remix)[PAYNOMINDTOUS Premiere / Sacrilejio]

@st_grimes @m1ssjay

Ashida Park 026
st.grimes - Eurosport (Remixed)

Remixes by
@aniklang
@m1ssjay
@zgjimi

Mastering by @djgapdjgap
Additional Mixing by DJ GÄP for "Locke (Zgjim Remix)"
Artwork by st.grimes

Download

st.grimes - Lenta (Miss Jay Remix)

With its Compilado Vol. 1, the Sevillian collective Rawa Club draws lines between Andalusian and Latin American club scenes.

Read more on CxC 🔗 couvrexchefs.com/en/rawa-club-compilado-vol-1-european-canon-manteca

Article

PREMIERE: European Canon - Manteca (Rawa Club)

Taken from SBKT050: ABADIR - Mutate
Release date: 22nd July 2022

Marking the 50th release-proper on SVBKVLT, we are excited to present ‘Mutate’, a new album by ABADIR.

‘Mutate’ started when I was trying out Maqsoum loops at high bpm blended with Jungle tracks during one of my DJ sets. I noticed that the Maqsoum rhythm complements the Amen break in a refreshing way. The first time I actually tried integrating both in my productions using “call and response” was when Ice_Eyes asked me to remix one of their tracks. The result was the closest to what I had always imagined to be my own club sound.

I set out to make an album using the same technique with some of my favorite club genres. My aim was to mutate those genres, collecting different types of Arabic rhythms and cooking them with Jungle, Jersey Club, Reggaeton, Footwork, etc. It’s an irreversible equation, like a chemical reaction, where the output is a melted piece which cannot be broken down into its separate inputs. Instead of ‘deconstructing’ or generally looking beyond club music, I made some fatty, straight up dance floor music.’ – ABADIR

------

AِBADIR (Rami Abadir) is a music producer and sound designer born in Cairo, Egypt. His work focuses on experimental, club, glitch and ambient music, and he’s one half of the duo 0N4B. .

Artwork: Luke Griffiths
Photograph: Omar Elkafrawy
Mastering: Raphael Valensi
Special thanks to Amira Elmasry

Mutate

ABADIR - Pyrolysis

AMANTRA DJ y musicx venezolana con amplia trayectoria en la escena Colombiana y ocho años de experiencia como DJ.  Parte de “INSURGENTES”. Tambien hace parte de "BULTO" colectivo queer Colombiano de fiestas orientadas a la celebración de la comunidad LGTBIQ. 

Sus producciones abarcan desde interpretaciones de musica ambient hasta electro y techno, siempre con ritmos marcados, con melodias atonales y llenas de poliritmos. En esta entrega AMANTRA comparte una vision de la musica de club latina deconstruyendo géneros como el tribal techno, electro,vogue, reggeton y raptor house.  tres tracks con alta energía pensados para bailar con intensidad. Navegando paisajes sonoros brillantes y sorpresivos, extremadamente percutívos. 

El ep esta configurado como una colección de HECHIZOS destinados a la materialización mediante la danza. TTTD1 pone en ambivalencia la conexión entre el techno y el reggeton, TTTD2 hace uso de voces manipuladas digitalmente y vogueo deconstruido para transitar un paisaje sensorial eufórico y desenfrenado. El tercer hechizo TTTD3 esta lleno de melodías sentimentales, junto a baterias en las que confluyen en armonía influencias de electro, dembow y raptor house, todos destinados a la materialización de los deseos.

Reel: Huntertexas (Camilo Acosta) @huntertexasvideo 
Cover: Carlos Cabrice  @kitten_kitten_co 
Mastering: Miguel Isaza @miguelisazam

Hechizos

Amantra - TTTD2

Amantra - TTTD1

Caripelao

Guelebicho

Lil Tracy - Her (Haunted Rework)

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Chivo

Machina Obscura

Neurovolt Drift

Echo State - a stripped-back interlude built with more traditional sounds. These pieces often end up sitting on my hard drive, but I wanted to share this one as a single.

Echo State

Promised Land

Dark Energy

Abnormal Restriction

Single from "ECOPRIMITIVISM pt. I", the label's first physical release.
CD: https://eco-futurism-corp.bandcamp.com/album/ecoprimitivism-pt-i

@shyqa000
@galtier

SHYQA - Hiding (Galtier Remix)

https://www.instagram.com/lakraaap/
https://soundcloud.com/neo-tropica
Bog. Col.

For DJ booking please contact: ahorasuenaelcaballito@gmail.com
“El sonido de Caballito refleja el calor, la alegría, las raíces, las ganas de mover el culo, el sudor, la buena onda...”
Caballito da a luz en una cálida Granada en septiembre de 2010, fruto del reencuentro entre Bigote y Grita, dos auténticos exploradores y recicladores de los ritmos latinoamericanos.
Pioneros en nuestro país en esta corriente ElecTropical que poco a poco va invadiendo todo el globo, empiezan sus andadas publicando varias mixtapes en su propia web y en distintos blogs del subterráneo movimiento. Pronto decidirían ilustrar sus mezclas con una explosión de gifs animados, vídeos y colores estridentes y muy chillones (creados por ellos, son también apasionados de la imagen), creando así un entorno psicodélico, divertido y uniforme. Fue entonces cuando Grita y Bigote decidieron lanzarse a la producción estableciendo su propio netlabel, siguiendo la línea de la licencia libre (Creative Commons). De esta forma, todo lo publicado en Caballito, ya sean producciones suyas o de otros artistas, fluye libremente por la red.

“Caballito sound reflects the warmth, the energy, the roots, the need to move the ass, the sweat, the good wave...”
Caballito is born in Granada, in September 2010, when Daniel aka Bigote and David aka Grita meet again. It was a while since these two guys were checking out traditional Latino-American rhythms and discovering the Digital Cumbia, new Tropical style emerging all around the world.
Caballito, pioneer in our Country within this musical current, started publishing mixtapes in his own web and in different blogs, with the intention of breaking our hips. But quickly this world was too small for them, so they started to flood us with videos and psychedelic gifs. Was at that time when Grita y Bigote jumped into production creating their own netlabel, whose phylosophy follow the free licence idea. All the stuff published - their own productions and the collaborators’ ones - all flow freely through the web. 

Amantra - TTTD2

Caballito Netlabel

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