Name: Celebration! by Cabinet
Duration: 2 min 54 s
Description: Brand new Cabinet from the soon to be titled new album set for release in 2015.

Caroline

Rollin' in My Sweet Babies Arms from THIS IS CABINET - COVERS

Rollin' in My Sweet Baby's Arms

Gather All Ye

Carry On

Long Journey Home from THIS IS CABINET - SET I

Long Journey Home

Home Now

Brand new Cabinet from the soon to be titled new album set for release in 2015.

Celebration!

From the upcoming album Celebration. Available for FREE download, 3/5/15 to 4/5/15 at www.noisetrade.com. On tour March / April 2015. Tour dates at www.cabinetmusic.com

Some of the best parties are the ones that weren’t even supposed to occur. Two or three friends lazily enjoy each other’s company, then another two or three join the impromptu festivities. Jokes are cracked, drinks are guzzled, and the next thing you know, it’s 3 a.m.

“Celebration,” Cabinet’s third studio release and seventh overall, is that kind of get-together. Initially intended to be a straight bluegrass record, the album instead emerged as the band’s most diverse release yet, which is no small statement when you consider the various genres the band has touched upon in the studio and on the stage to date. What’s remarkable, though, is that the tunes, which span the band’s eight-plus years of existence, showcase that diversity while retaining a distinct, cohesive common thread that the band deftly weaves from track to track. It barely needs to be noted at this stage in the game that the individual musicians’ playing prowess is at a high level, but what makes this a true album rather than a loose collection of unrelated songs is not those acclaimed Cabinet instrumental chops, but its time-honored writing abilities, which are in top form here. Scenes and moods are evoked, established and subtly revisited, sometimes via timeless lyrics and sometimes with just the simple turn of a musical phrase or accent.

What’s more surprising is these songs, despite their shared sensibilities, were not all written during the same period. Some have been kicking around the Cabinet catalog for some time, like “Home Now,” a live staple for the Americana outfit since its early days, which gets a relatively raucous reworking here. Others, like “Pine Billy” and “Red River,” are brand new. “Red River,” specifically, finds the band at its introspective best, a yearning, pretty tune that might pleasantly surprise some Cabinet fans.

Those long-time fans will delight in the new material, and the uninitiated will be won over, too, thanks to the warm, inviting nature of the songs and the way they’re presented sonically. Themes of home and family abound, further welcoming the listener to gather around the proverbial campfire with the band as tales are told and songs are sung. It’s a good place to be, and you’ll be mighty glad you stopped by.

-- Michael Lello

Pine Billy

"Bottom of the Sea"
Debut single from the forthcoming album, Cool River.


 A storm had settled over New Jersey and stretched out as far across the Atlantic as the eye could see. The wind and rain, a symbol of death and rebirth, led to the inspiration of "Bottom of the Sea". A tale of restlessness and longing for a new start, a tale of achieving true freedom, a tale of achieving true peace with ones self and with the world.

The song, written by Cabinets' JP Biondo, first took its shape in Asbury Park, NJ. in April of 2015. Since then the band has injected the song with a heavy dose of they're signature "electric swamp" which is highlighted with a highly distorted, feedback ridden banjo solo.

"Bottom of the Sea" was recorded in late 2016 and early 2017 in Burlington, VT. by engineer Ben Collette at the Tank Recording Studio.

The track features Cabinet members:

JP Biondo- vocals/harmonica
Mickey Coviello- electric guitar
Todd Kopec- fiddle
Dylan Skursky- bass guitar
Pappy Biondo- banjo
Jami Novak- drums
Josh Karis- drums/percussion

Cool River

Bottom Of The Sea

Cabinet is a band with roots firmly planted in the Appalachian tradition. They wear their influences like badges, honoring the canon of roots, bluegrass, country, and folk, weaving these sounds into a patchwork Americana quilt. But this music isn’t romanticizing or rehashing the past. Cabinet makes it mark on today. The steady aim of their harmonies soar straight onto target each time, the soaring vocals giving voice to the story of each song. Their music takes the long way home, treating its listeners like passengers on a ride through scenic back roads. Their live shows are inclusive, celebratory, and community-building. Everyone will want to get on the wagon with Cabinet. Members Pappy Biondo (banjo, vocals), J.P. Biondo (mandolin, vocals), Mickey Coviello (acoustic guitar, vocals), Dylan Skursky (electric bass, double bass), Todd Kopec (fiddle, vocals), and Jami Novak (drums, percussion), all live and love music, and their polished sound belies their young age.

The band‘s latest offering, THIS IS CABINET - SET II, a seven song effort – six originals and a cover of The Byrds’ “Mr. Spaceman” – was recorded in March of 2013 at Stage One in Fairfield, Connecticut, and Club Metronome in Burlington, Vermont. The set is diverse yet cohesive, ranging from the melancholy of “Caroline,” which unfolds into a purposeful jam, to the modern Americana rock of “Heavy Rain,” which closes the album. Along the way, we have the ambling “Doors,” the upbeat and fun “Poor Man’s Blues” -- which would not sound out of place at an Old And In The Way show -- the snaky, reggae-tinged “The Dove” and the instrumental “Susquehanna Breakdown,” another Cabinet contribution to the tried-and-true bluegrass tradition. The group’s take on “Mr. Spaceman” is relatively faithful, but with some Cabinet flair, and offers a glimpse into the band’s myriad influences.

By now, Cabinet’s ability to get a festival crowd dancing and rip tasty instrumental breakdowns is a given. With “Set II,” the band displays its continuing development not only as players, but as songwriters who know how to get to the point – and have some fun going down that road. 

Cabinet formed in 2006, bringing together players from various musical and personal backgrounds. Some of the members were barely old enough to drink legally, but their thirst for older music was unquenchable. Whether its rustic "American Beauty"-era Grateful Dead or old-timey bluegrass, Cabinet has digested it all. But that is not to say that Cabinet recreates older styles. No, this is music that might have its roots in the past, but it is current and vibrant, with a sense of celebrating the now.

Celebration!

Cabinet

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