LYRICS
___________

I'm missing you through memory
You look at me and hold me close
So I can feel warmer
We're holding each other
It's so overwhelming
A drama of burning love

We don't need rehearsal
Our moment takes over
You're pulling me so close
And kiss me all over
A theater of glamour
And I hear the curtain call

Hypercare

See it like you see it

“Life After” is the first single from Jetty’s latest and greatest EP, Jetty+, out April 18th on OST.

Featuring vocals and guitar from Organ Tapes, “Life After” blends contemplative drill with the natural songwriting sensibility that the London-based digital bard is renowned for. Sit back and enjoy.
credits
released March 19, 2025
Written and produced by @organtapes and @mystictearz

Mastered by CZ Wang

Artwork by Ezra Miller

Life After

inspired by a visit to barcelona april 2025

deep blue 2

taken from
https://bffmusicbffmusic.bandcamp.com/album/trik-2-3

—

☞ i’ve been talking with P. Wojtaszek* about this note for quite a while. P. Wojtaszek has been hesitant about me speaking on their behalf. P. Wojtaszek said they'd rather let the music speak for itself.
and i get that. i really do. so here’s a Fact:
this Album is an Epos.

i say that because i really want 'Trik 2​→​3'** to be a Story, and stories are the only certain thing we REALLY have. I'm not even being sentimental here. This is Science, Man.


::

* P. Wojtaszek (FKA Faxada) — a producer, a persona.
Their 2016 and 2019 albums, released via Darling Recordings, are my personal cult classics. Crispy sparkling, paranoidly dazzling, bubbly stretching, texturally textured, and most of all: sonically prophetic.

** Trik 2​→​3 — an album, an epos. Conceived between 2018 and 2025, later released by BFF Music.
The tension only growing, the narrative never looking back, the angelic noisiness transmitting comforting anxiety. With it's noisy, piling guitars, sweet indie crumbling drums, and innocently splayed-out vocals - It’s the kind of thing I'd swear ants made

::

🦇 🪨 2️⃣ ➡️ 3️⃣

::

〉directed by P. Wojtaszek
linktr.ee/wojtaszek

〉artwork by Jędrzej Sierpiński
www.instagram.com/jedrzejsierpinski/

♫°010


— Additional Credits —

Tracks 1, 5, 6, 7, 8, 9, 10, 11, 12 written and produced by P. Wojtaszek
Tracks 2, 3, 4 written and produced by P. Wojtaszek and Typol
Track 13 originally written by Eugeniusz Nowik

P. Wojtaszek : work, composition (1-12), arrangements, production, mixing, mastering, lyrics (1, 3-5, 8-12), recordings, vocals, objects, woodwinds (1-4, 7, 10, 12, 13), acoustic guitar (4, 6, 11), electric guitar (5, 12), streamer manipulation (9), drums (10-12), singing saw (13)

Typol : composition (2-4), production (2-4), mixing assistance (3, 12)

Filip Wajszczuk : electric guitar (5, 10, 11), acoustic guitar (13), vocals (13)

Mikołaj Janeczko : recordings (7), vocals (13)

Piotr Chęcki : baritone saxophone (8)

David Garczynski : cymbals (8)

Marek Pospieszalski : tenor saxophone (8)

Jeremy Jones : viola (12)

Kacper Wiśny : electric guitar (12), bass (12)

Eugeniusz Nowik : original composition (13)

#Buy

Ogrom

@wa-ste222 & @grasps

Hyperlink surfaces again with Global Tides, a compilation born from trust, instinct, and the sheer joy of making something together.

…What happens if we stop trying to make sense, and start trying to make contact? …What if a compilation was a séance? What if we told you Global Tides started as a ripple in the fabric? A strange invitation passed between frequencies, across borders, through the fog of daily mess? 
Built on friendship, instincts, laptops, and late nights, this one’s about opening doors and seeing what rushes in. Global Tides is a love letter to collaboration. To letting go of the map and building something you couldn’t draw in advance (even if your collaborator’s on the other side of the world). A shaky bridge built between cities, timezones, feelings. Each track is a little rift, a meeting point where two (or more) worlds rub against each other until something spills out. Sometimes it’s raw, sometimes it’s cinematic, sometimes it’s a noise that wasn’t supposed to be there, but we kept it anyway, because it felt like a truth. At the end, all of it feels real. 

This is a drift. A gathering of scattered thoughts and tangled dreams, shaped into music by people who trusted the process. There were no rules. Just collisions and alignments. No plan. Just a low, shared hum: let’s try. Some tracks dissolve, others erupt. One of them might haunt you.

The proceeds on Bandcamp go back into this machine made of glue and guts : mastering, artwork, promo... Hyperlink’s still powered more by feelings than funding :’)

We didn’t expect to end up here…. But we did ! Together.

Mastering : @bademjan
A&R : @fannuze
Artwork : otieno

Wa?ste & Grasps - Generation Loss

From 'I love MUSIC', out July 23rd on BFF Music.

YOU'VE BOUGHT THIS: bffmusicbffmusic.bandcamp.com/album/i-love-music

@mifuboi 🛢️
@bffmusicbffmusic ⛽

You've been here before, no doubt. It's all so faintly familiar. Feels queer, in the antiquated sense of the word but not necessarily not the contemporary. The déjà vu's je-ne-sais-quoi... she speaks to me most, how you say? "Me no likeyesquely..?" Most how? Most like Mifu's 'spooky cumbia of Love and Resignation', out on BFF Music and premiered on Madjestic Kasual. The feeling deceives. It's new territory. You've arrived.

you've bought this

Mifu - spooky cumbia of Love and Resignation [MK PREMIERE]

Premiere : music lovers anonymous @emellay - I Can Feel You Through the Screen [katharsis] @katharsislabel

“Emellay” is the second EP released by Upstate NY-based artist music lovers anonymous (MLA). The project can be seen as a sort of sequel to his first EP, “Wherever Chance Leads Me, I Will Go As A Friend,” released on formforum earlier this year. There are familiar sounds: humble field recordings, string-like textures, with an increased emphasis on controlled discord. Samples from important periods in his life are re-contextualized into something individualized: an interpretive dance between the weight of life and the bliss of insignificance. A pseudo-self titled project, “Emellay” functions as an unfinished self-portrait. Or maybe rather, a blind contour. These tracks were created without an end—with closed eyes—like a story being told as it is written...a story taking place in a bedroom, at a laptop, with a MIDI controller. It is an ode to an undeveloped identity, leaving melodic artifacts in its wake.

This is music for headphones.

Hypercare

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