Musical duo consisting of Ticha & Nuno.
Instagram @ThePaintings

Músico, Compositor y Productor
http://diegoperaltamusica.com
Contacto y Contrataciones: info@diegoperaltamusica.com




"Matorral se ha ganado un merecido prestigio por conciertos de electricidad evocadora y profunda; su alianza ha probado ser rigurosa y de alto vuelo, firme en un rock de tradición psicodélica y raíz folclórica chilena".

musicapopular.cl


"Matorral has earned a much deserved prestige for their profoundly evocative electricity in concert; their alliance has proved to be tight and high flying with firm footing in both traditional psychedelic rock and Chilean folk roots".  

musicapopular.cl


Germán Muñoz, 
integrante del proyecto musical Vazo (2001-2005)
https://soundcloud.com/vazochile

Hoy músico de Caimán

EyMacarena (Macarena Lavín, n.1980) grabó su primer disco Corazón Estúpido entre septiembre y noviembre de 2014 en Studio Master con el productor e ingeniero británico, Barry Sage, que lo produjo, mezcló y masterizó. 
Son ocho canciones que escribió entre 2009 y 2014 donde hay diferentes estados de ánimo y estilos musicales como el pop, folk y punk. También lágrimas y risas. Corazón estúpido saldrá editado en caset a través del sello Algo Records a mediados del 2015, y digitalmente a través de Mapa Records (Spotify, Deezer, Google Play, iTunes)
En vivo comenzó en micrófonos abiertos en Liverpool el año 2010, y el año siguiente en Santiago. Pero fue el 2014 cuando comenzó a insertarse en la escena local a través del ciclo desenchufado Canciones Machacadas, Remolinazo; y fue invitada por Matorral y Francis a abrir conciertos en la sala SCD Bellavista.

“Bold St” es el primer sencillo y es también una calle del centro de Liverpool, donde la cantante vivió un poco más de un año. En una canción que no alcanza los dos minutos hay nostalgia, recuerdos entre acordes melancólicos, con cierta reminiscencia a Nico, Bill Calahan y folk anglo de corte independiente. De invitados están Arturo Lavín en melódica, Alejandro “Perrosky” Gómez, en guitarra y Álvaro Gómez en batería.


Since his earliest self-produced CD-Rs, Philadelphia psych-pop master Kurt Vile has referred to himself as "Philly's Constant Hitmaker"—and while he gave himself that name with a sly wink, he was also nodding toward the songwriting prowess that would result in him becoming one of his home city's most celebrated rock artists. "I’m always thinking about catchy music, even though it’s fried, or sizzled, out," he says. "It's my own version of a classic thing—it's moving forward and backward at the same time." 
On his latest album, (watch my moves), Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions—and the result is a vibrant, yet meditative album propelled by Vile's laid-back charm and curious spirit. Every lyric has been chiseled down into an aphorism, every bloom of distorted guitar or murmuring synth helping create that "fried" pop. "It's about songwriting. It's about lyrics. It's about being the master of all domains in the music," he says of his ninth album and first in partnership with a major label, Verve Records.
(watch my moves) comes from a period when Vile, whose touring and recording schedule during the 2010s was seemingly constant, stayed in one place. His mind was always swirling, though, puzzling out pointillistic lyrics, dreaming up spit-shined choruses, and checking in on other dimensions. "My favorite pastime these days is sitting drinking coffee in the morning post-breakfast by the window, reading and listening to Sun Ra, sun shining through the forest trees," says Vile. "In that moment, it's all the traveling I'll ever need. This record encapsulates all that—letting two years roll by and staying in my zone, traveling all the while in my brain, at the piano or in my guitar."

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