Morceau issu de la compilation Musique Muscle #15 ☀
Sortie le 1er mai :)
Artwork: Samuel Biscuit ♨
www.instagram.com/samuelbiscuit/

A2 Claude Roger - Bagdad Maté

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album 𝑊𝑎𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑆𝑡𝑒𝑒𝑙 𝐹𝑙𝑜𝑤𝑒𝑟𝑠. Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Watering the Steel Flowers

Joe Fujinoki - Artificial Vein (ENXPL11)

Hope Spring Eternal

Oversyche I

cowboys are frequently secretely

composed, recorded, and mixed by Isaac Roth Blumfield 
mastered by Moritz Wetter 
first broadcast: SRF 2 Kultur, June 29, 2022 as a part of collaboration between SRF and Elektronisches Studio der Musik-Akademie Basel

Program note:
"Worn like a map" moves through imaginary spaces, synthesizing disparate worlds into an evolving landscape. It continually searches for a deeper memory than what appears on the surface, pushing itself to uncover sounds which both undermine and enrich one another. It's inspired by dreams – not the simple ones which tell a story, but the ones which are confusing, where images and people appear in ways which contradict each other, where one has the feeling that some hidden depth is just around the corner, but it always remains inaccessible and out-of-reach.

link to press, including my interview about the piece: https://www.srf.ch/kultur/musik/studierende-komponieren-musik-aus-stimmen-und-schritten-ueber-den-schotter

full broadcast: https://www.srf.ch/audio/neue-musik-im-konzert/classical-and-jazz-talents-live-aus-dem-srf-auditorium?id=12198833

Worn like a map | for fixed media (2022)

Remixes

Heimat - Baggersee - PLEASURE PRINCIPLE

Méryll Ampe "W7E" CD
MAR060
Release Date: November 4th, 2022

A multitude of processes, techniques, and forms unfold and unfurl within the work of Méryll Ampe,
an intermedia artist from Paris working through sound, sculpture, and installation using a wide assortment
of materials. What is immediately striking about Ampe’s work is the vibrant, non-linear approach to
electro-acoustic composition.
Here on the debut for Misanthropic Agenda, Ampe liberally reconfigures / deconstructs / genetically mutates
all sources: hydrophone recordings of vibrations through skin, analog synths, tape machinations,
sequencing programmed through algorithmic variability, and plenty of digital processing.
As Ampe describes it, the music on W7E is "a research with an experimental dimension, guided by notions that
systematically translate a form of ambivalence, between inside/outside, micro/macro. These intentions are
vectors of the dynamics, reliefs, depths and rhythm. My training as a visual artist also leads me to go through
mental images (such as a steep landscape, a boiling organism, an organic matter) which will then find a
sound form, states that I would describe as syncope, sound effluvia, abrasive arrhythmias. I look for a form of
plasticity in the sound medium, and that this energy become a living matter."
This multi-dimensional overlay through composition telescopes in and out of the body (not necessarily always
a human body, it should be noted), through a connectivity with technology that can influence psychological states
of being. The work addresses liminality, transitory slippages, and quantum theories of a particle being the two
separate places at the same time. If that can occur at the atomic level, why not through sound?
W7E stands as a dynamic, polydactyl album reflective of the aesthetics (if not concepts) of Keith Fullerton Whitman,
Francisco Meirino, and Bernard Parmegiani.
- Jim Haynes

links:
https://misanthropicagenda.bigcartel.com
https://misanthropicagenda.bandcamp.com
https://meryllampe.com/

Méryll Ampe "Close To"

50ex limited tape 
out soon on Grammaire Vacante
https://grammairevacante.bandcamp.com

CUIDADO

EN
Problème Technique is the debut album of Swiss band Hirsute. Hop in the van parked in front of the house and follow Elliot, Nina & Atakan in their journey from the countryside to the sea, from the fridge to the afterparty, from punk to psych-rock, from synth-pop to no-wave. Funnily serious or seriously funny, we still don't really know, and they probably don't either. The only certainty is that amateurism will prevail.

FR
Problème Technique est le premier album d'Hirsute. Sautez dans la camionnette garée devant la maison et suivez Eliot, Nina et Atakan dans leur voyage de Palézieux à la mer(de), du frigo à l'after, du punk au psych-rock, de la synth-pop à la no-wave. Bizarrement sérieux ou sérieusement bizarre, on ne sait toujours pas vraiment, et elleux sûrement pas non plus. Seule certitude, l'amateurisme vainquera.
credits

releases November 6, 2023
Music by Hirsute 
Recorded & pre-mixed by David Renard Brodard 
Mixed by Benoit Gérard Érard 
Mastered by Andrea Merlini  
Design by Julien Fischer and Pablo Perez license

Problème Technique

Vacances

BUY RECORD

A1 - Hirsute – Vacances

Engraved With A Knife

PREORDER 016CAF? :
https://unptitcaf.bandcamp.com/album/rave-alert-016caf

Record label founded and run by people around Geneva Lake

A1 - Hirsute – Vacances

CAF?

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