chris

Fast hand gdrone jam cut. One take rec in a hotel room, just before the Les Siestes performance.

Inspired by last month's crazy tour days.

deep

Andriy K. - experience (gdrone)

full broadcast

http://m50.net/playlists/2025.08.08.html

@dj1985me...
Pt.1: Belgrade rivers
Katharina Klement - Interviews
Danube river field recording
Kettel - Fish Creek
Jared Wilson - Seeing Is Forgetting
Anthony Naples - A.I.R.

Pt.2: Compute & Consume
Karsten Pflum - More Fun (Lyn Colllins Mix)
AFX - NEOTEKT 72

Pt.3: Lost Home
Katharina Klement - Karaburma (Black Ring)
Fluctuosa - 4mace
Pierre Bastien - Avid Diva
Belgrade Central Market field recording
Karsten Pflum - Letter From Zambia
Hmot - Qom ft. Adela Mede
Belgrade Accordion Player Blok 21 underpass
Bogdan W. Raczynski - Zagubiona Dusza W Tlumie

Pt.4: Enta Da Game
Street Basketball field recording
Busta Rhymes - Put Your Hands Where My Eyes Could See (Human Action Network mix)
AFX -Quex-Rd
Qeta - Remoaner

Pt.5: I
Muslimgauze - God And I
Aphex Twin - I
Aphex Twin - I (Slowed)

Pt.6: Bells trip
Katharina Klement - Interviews
Bells of St.Marks Church Belgrade
Daniel Lauter, Donna Soszynski, Kim Atkinson - Dance With The Masks
Kettel - Cherie
Brian Baumbusch, Nata Swara & The JACK Quartet - Prism 1 (Tetra)
Aleksi Perälä - FI3AC2150060

Pt.7: Braindance trip
Karsten Pflum - My Lonely Art
Rolando Simmons - Smiley Moon
Karsten Pflum - Jazkroge II

Pt.8: Jazz trip
Underpass jazz field recording
Petar Ugrin - Emina

Pt.9: Guitar trip
Belgrade Guitar player Terazije underpass
Micksun - Pagliocca (Sad Clown)
Vlada Divljan - Rusija (live)
Squarepusher - Heliobat
Chereshenkaa - Utes

Pt.10: Daydreaming in The Lovcen train
BFC - Sleep
Skee Mask - Waldmeister
Pavel Milyakov - the eternal break
Ceephax - Dreamer
Skee Mask - Daytime Gamer

Pt.11: Nightmare in The Lovcen train
Voafose - Cassette
Dopplereffekt - Gesamtkunstwerk
Squarepusher - The Eye
Zandvoort & Uilenbal - Always A Nice Story Before Bedtime
Earth Leakage Trip - The Ice Cream Van From Hell
Digital Mystikz - CR7 Chamber
Aphex Twin - #4 (hankie)
Source Direct - Stonekiller
Paradox - Tighten Up Tighter

Pt.12: Morning at Skadar Lake
U.e. - Good Morning
Duško Gojkovic - Five O'Clock In The Morning
Sextant - Lakeshore Drive
Kettel & Secede - Missing Time

Pt.13: Adriatic Sea in Montenegro
Milibri - Mermaid's Magical Island
Martin Franklin & Richard Clare - Tides
AFX - em2500 M253X
Global Communication - Incidental Harmony
Purpurniy Dyadya - Fast Forward Motion Groove (ft. minereed)
Rockers Hi-Fi - Push Push
Conoley Ospovat - Movin' To The D
Ceephax Acid Crew - Housedream
Jonny3snareS - Phlop
CN - Stellar Awakening
Human Action Network - Cooper's Wine
User364304579 - Lipid Funk
Cyclone - Beautiful Minds
Fila Brazillia - Mermaids
KGB - Detroit 909
Jordan GCZ - Pleasantly Disappointed

streamed on:
@datafruits
@sphere_radio
Wax n' Cats

DJ 1985 @ etc 2025.08.08

Practitioner - Male to Female
Aleksandra Zakharenko - baked goods
lam - cy c/u
Opheliaxz - Halo4K2DJ
expired - breath
Patros15 - Chapter Zero
Zach Christ - Peepshow Republic of Fuckall
dummy tree - (soundcheck)			
online threat - A march between miracles
0N4B - Soothing Memories
Radart - 301
slowfoam - proof
Elon Katz & Michael Vallera - Silver Knot
sanguis - 7k.am2
Vivian Raine - Final Is? Exit Final Is? Edit Is?
Hanno Leichtmann - Alondra
earl grey - fibrillations
Andrea Burns - Periodic
julek ploski - 1H Of Shame -Loop,
yeyo - miss you
fdrko - _rec
bod[包家巷] - Gustave Boucard remaxxed
witchcell - voidmusic

music for sundowning

Life as Collage w/ yusk: 24th August '25

Joseph from ACL mixes the latest in new releases, showcasing records recently reviewed on the blog as well as some special treats. This week, a mix dedicated to experimental drumming in honor of ZERO, 999..., the new record from Riccardo La Foresta. 

|| @LostChildrenNetLabel || acloserlisten.com/ || https://twitter.com/acloserlisten || https://instagram.com/acloserlisten || https://www.facebook.com/acloserlisten/ || https://soundcloud.com/acloserlisten || https://lostchildren.bandcamp.com/ || Broadcast on 13th April 2025 at CAMP || http://listen.camp

Tracklist

Chris Cutler, “Signal 66 1” (Solo)
Riccardo La Foresta (with Valerio Tricoli, Anthony Pateras, and Ale Hop), “20230704_102400.jpg”
Vladislav Delay, “Mustelmia”
DNA - “Blond Red Head”
Steve Reich, “Drumming, Part I”
Milford Graves, “Nothing 19 [edit]”
Riccardo La Foresta - Drummophone - III
Christian Wolff, “Sticks”
Efraín Rozas, “El miedo a la muerte (The fear of death)” 
Sunny Murray, “Black Art”
Art Blakey &  The Jazz Messengers, “A Chant For Bu”
Andrea Centazzo, Alvin Curran & Evan Parker, “In Real Time #3”
Sulla Linea, “Niente, Amore”
Vladislav Delay Quintet - “Untitled vd5”
Preston Beebe, “live at ateliers le château, Montreal - 27 Sept 23”
Milford Graves Trio, “Unknow”
Francesco Gregoretti, “Faithful Walking Stick”
Christian Wolff / Anla Courtis, “Stones”
Andrea Belfi, “Anticline”
Vladislav Delay Quartet, “Santa Teresa”  [excerpt]
Henry Cow, “Living In the Heart of the Beast” [excerpt]
Andrea Centazzo, “First And Last Freedom”
Riccardo La Foresta (with Renato Grieco and Ale Hop), “The Lower Primate In Us 2”
Chris Cutler, “A Walk Through Nancy 6” (Solo) [excerpt]

a closer listen  for CAMP.fr / 13th April 2025

unexpected intersections (01 Sep 2025)

#44
- 2020.04.16–2022.12.18 -
by Soloi Sounds @monotone-orchestra

For this mix, I selected some beautiful tracks that were released during the pandemic—(most likely) produced in Japan. While I feel a bit uneasy about drawing a simple connection between COVID-19 and ambient music, I put this together as a way of recalling the many experiments and explorations that were happening at that time.
(The mix title reflects the release period of the tracks featured.)

今回のミックスではコロナ禍にリリースされた（おそらく）日本で制作された素敵な楽曲を選んでみました。コロナとアンビエントっぽいものを安易に結びつけるのもモヤっとしますが、あの時期にいろんな試みが行われていたことを思い出しつつ作成してみました。
（Mixタイトルは使用させていただいた楽曲の発表期間になります）

- Tracklists -
1	Nobuto Suda - Winter Banana	
2	Precipitation & Mirage Area - 星の通信 Star Transmission 	
3	Soloi Sounds - Lights	
4	Shuma Yamakaji - Orogeny	
5	Shota Okubo - Adolescence and Old 	
6	Yosuke Tokunaga - ME ZZOTINTS	
7	Shuta Hiraki - on baluster 	
8	Akito Tabira - Two (Variation) 	
9	Iu Takahashi - Oblivion
10	Yoichi Ichikawa - Sea that has Become Known	
11	For Nina - Untitled	
12	a0n0 - Sounds that ring in the outside world	
13	nzworkdown - Vapor	
14	Betts(JP) - Osafune 01

- Selector -
Soloi Sounds @monotone-orchestra

Based in Tokyo. He has released eight albums on labels in Japan and abroad, including Chitra Records, Dragon’s Eye Recordings, and Ume Records.

東京都在中。Chitra Records、Dragon’s Eye Recordings、梅レコードなど国内外のレーベルから8枚のアルバムをリリース。

- Artwork -
www.instagram.com/loid0001/

#44 - 2020.04.16–2022.12.18 - by Soloi Sounds

~ LAAPS 047 ~ [SEQ.06 - LP47]

artist : Seabuckthorn
album : A Path Within A Path
duration : 42.03 mn
date : October 03rd, 2025

edition :
-  vinyl : limited to 200 copies / red (oxblood) LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

----------------------------------------------------------------
pre-order : September 11th, 2025 / official release : October 03rd, 2025
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All music composed by Andy Cartwright, except the guest parts on tracks 2, 5, 6 ( Dean McPhee, Claire Deak, Loscil)
Recorded in Saint-Pierre-d'Argençon, France between July 2024 and January 2025.

Mastered by James Plotkin
Cover photo by Andy Cartwright
Design by Sprflxgrfzm
 
----------------------------------------------------------------

Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://seabuckthorn.bandcamp.com/music
----------------------------------------------------------------
℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 7

Seabuckthorn - Black Boar

An hour a month from LA label Total Stasis, responsible for releases by Ramzi, Aquarian Foundation, Anom Vitruv, Elysia Crampton, Bobo Eyes & Plush Throw, CS + Kreme, Fmvee, Second Language, Regularfantasy, Private Lesson, Alexi Baris, Laila Sakini, and Sebastiano Carghini.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/total-stasis/episodes/total-stasis-30th-september-2025

Total Stasis 300925

Crust – Fixed Impulse

"Poco a Poco, the first Ganelin CD released by Leo back in 1988, was reissued late last year in a limited edition of 500 copies. If you missed it the first time around, don’t make the same mistake twice; this is not only one of the group’s finest documents, but one of the most distinctive visions of post-’60s avant-garde jazz available. The disc presents a concert recorded in Novosibirsk in February 1978. The recording quality, as might be expected, is brittle and thin; these are, after all, “officially” unauthorized recordings. Still, it takes little effort to get used to the sound, and the quality of the performance far outweighs such a caveat.

Ganelin’s music does not prove so very foreign to those with an affinity for the A.A.C.M., especially in its members’ multi-instrumentalism and theatricality, and the Dutch avant-garde, with which the Trio shares a particularly European brand of whimsy and an informed thumbing of the nose at tradition. Tarasov’s barreling drum assaults are reminiscent of Han Bennink’s similar outbursts, but, like Bennink, Tarasov is capable of delicacy and can also swing mightily. Ganelin conflates stride, boogie, modern classical pianism and post-Taylor tumult into an impressive arsenal perfectly suited to the band’s compression of decades of jazz history-and on occasion, native folk music-into the span of a show or even a single piece. And Chekasin, inscrutable and often seemingly detached, mines a vein not far removed from Roland Kirk or the Art Ensemble’s reedmen Poco a Poco captures a vivid suite (the pieces are titled “Poco 1” through “Poco 11”) that displays the band at its best, and if the element of visual theatricality is absent, it is scarcely missed. - Steve Smith"

"The Ganelin Trio in live performance must have been an impossibly seductive occasion. Most jazz life in the former Soviet Union centred around festivals which no doubt provided the usual opportunities for predictable caravans of musicians to practise their scales. The most important was the Autumn Rhythms Festival in Leningrad (present day St. Petersburg) where no band was invited to play two years in a row. The exception to the rule was always the Ganelin Trio. They played every year." - Steve Kulak

"Maybe not since the first Ornette Coleman records appeared has Western European jazz experienced quite such a shock of the totally unexpected as the Ganelin Trio produced." - The Wire

---

Vladimir Tarasov / drums, percussion
Vyacheslav Ganelin / piano, keyboards, dulcimer, guitar
Vladimir Chekasin / reeds, flute, ocarina, voice

---

Recorded live in Novosibirsk, February 1978. Remastered by Alan Mosley

Poco-a-Poco

LR101 - The Ganelin Trio "Poco 1" from Poco-a-Poco

This record of zany duets is among Eugene Chadbourne's wildest and dearest recordings, featuring selections from over two decades. These duets with Han Bennink, Derek Bailey, the late Charles Tyler, John Zorn, and others, showcase the woolliest side of Chadbourne's woolly playing and his dodging all over the musical and historical map.

The first track is an acoustic version of John Lee Hooker's "Whiskey and Women," accompanied by Bennink playing a pizza box with brushes, a giant bass autoharp played with drumsticks, and, of course, a drum kit. Chadbourne plays the tune straight (for him) at the beginning, even getting all the words right, but then veers off his National Steel onto a "communist" five-string banjo, and he and Bennink run the course, carrying the off-meter 12-bar blues as off-world as they can go, laughing all the way.

Next up is Derek Bailey and Chadbourne on two selections. The first, "In Search of Carl La Fong," is filled with commentary by both men. Bailey's guitar and Chadbourne's electric rake and electrified banjo trip and slip all over one another here, with respect and purpose, of course, but nonetheless sloppily. It's a rousing series of musical maneuvers at over nine minutes.

When Bennink and Chadbourne reunite, it's a darker, more percussive show: feedback from rhythm and lead instruments becomes the M.O. by which they create something resembling a melodic idea from the wreckage. And it's quite beautiful, as Gershwin's songbook comes through as the melodic framework for the improvisation.

The work with Tyler, "In Between Comme C and Come Saw," is balls-out space improv, though the master saxist uses his baritone in striking ways not usually becoming of the instrument itself. It becomes a kind of clogged, scraped, razor-voiced bell in the tower of noise. Tyler draws microtones out of the instrument we have literally never heard before, and Chadbourne is content to lend idiomatic support to this gracious unfolding.

"Red Lightning, Pt. 1" by Chadbourne and Zorn is hilarious. This is more in line with Zorn's Classic Guide to Strategy than anything else, in both spirit and execution -- though there are no duck calls credited on this recording. There is space here, sometimes long periods of it, where what is happening between the pair is not readily apparent; there is plenty of trickery and tomfoolery as well, leaving the listener guffawing in more than a few places.

Eugene Chadbourne - Boogie with the Hook

LR242 - Eugene Chadbourne - Whiskey and Women · Duet for Giant Bass Autoharp & Communist Banjo

"It is as though I've known, seen, heard Steve forvever with his groups, projects, and his music! It is an honour for me to see this recording released. Steve loved this duo! Improvising with Steve was always an adventure. The music was simply there, immediate, full of play and emotioins, surprises, joy, and paradoxically, full of control and freedom! "Just make music and follow it," - as Steve said so well. I would like to dedecate this to Irene Aebi, his lifelong companion and beautiful musician. Hey Steve, so long, we miss you so much!" - Joëlle Léandre 

"This recording documents a live meeting of two of the strongest and most radically different improvisers in the world. The pairing of the convolutedly logical and ironic Lacy and the aggressive and passionate Leandre stands as one of the best examples of the ability of conscientious artists to meet and create great music. Check the first track where Lacys restrained yet harmonically probing architecture joins in a stately waltz with a neo-classical bowed response from Leandre. Track two features water buffalo groans and African wood trumpet sounds from a decidedly atypical Lacy, which seems to spark the musical equivalent of raised eyebrows and laughter from Leandre. Track three starts with Lacy chanting "one more time with Leandre joining in a extemporaneous rant in French before they get to their instruments in a seamless finale. Track four is the most poignant of all; its a minute long phone message from Steve Lacy in French expressing his joy at the performance and his affection for Leandre (he passed away two years later fromliver cancer). This last track, for me, makes this CD a beautiful and touching tribute to one of the icons of music, the Satie of Jazz, Steve Lacy." - Nilnan Perera

---

Steve Lacy / saxophone

Joëlle Léandre / double bass

---

Recorded live at Cafe Belga, 28th July 2002. This concert was part of Lacy's farewell tour of Europe before he went back to the USA in 2002. The concert was organised by Cedric D'hondt/ Champauditif. Recorded and mastered at Odeon Mobile Unit studio. The last track is a phone message left on Léandre's answering machine by Lacy, expressing his wish for this performance to be released.

One More Time

LR422 - Steve Lacy and Joëlle Léandre "One More Time " [sample]

extract from 'tse #3' by the trio of Cyril Bondi (harmonium & pitch pipes), Pierre-Yves Martel (viola da gamba) and Christoph Schiller (spinet), from the CD 'tse' (2018)  The pieces on the CD are improvised around the basis of a pre-agreed sequence of pitches.

Tse 3: Cyril Bondi, Pierre-Yves Martel, Christoph Schiller

This is a fascinating context for Parker, an improvisation duo with a Chopin-specialised classical pianist, Patrick Scheyder. Scheyder's background brings a powerful undercurrent to the music: though he clearly relishes the openness of the situation, he's disinclined to tiptoe around his partner's desires, and imposes strong thematic directions to the music. One of Parker's best-recorded solo-soprano investigations of recent times bursts from the track Dancing with Dr Dee, while Scheyder's shimmering, trilling unaccompanied piano piece has both eloquent energy and patient use of space and the sonics of the piano. Skrying In Mortlake - after a toe-in-the-water start - showcases the fragility of Parker's tenor- sax nuances today in a manner unthinkable in earlier stages of his uncompromising career. - John Fordham

---

Evan Parker / saxophones

Patrick Scheyder / piano

---

Recorded November 4, 2000 at Gateway Studio, London. Painting by Vladislav Makarov.

Evan Parker & Patrick Scheyder

LR326 - Evan Parker & Patrick Scheyder "Dancing With Dr Dee"

"From the Miller box of tapes and other archives, this music has not previously been released, taken from live performances of different Ispingo formats in the UK and Europe. The music sounds a vibrants as when played in 1973 and 1976, so many memories." - Hazel Miller.

"This previously unreleased material comes from 1970s Miller-led gigs in Britain and France, featuring two superb free-jazz pianists (the late Chris McGregor on the first; Britain's Keith Tippett on the second), legendary alto saxophonist Mike Osborne, and drummer Louis Moholo-Moholo. Gripping episodes abound, such as the sound of Osborne's vinegary, Ornette-meets-Ayler sax soaring over Miller's whipping bass figures on the gruffly tender Bloomfield, McGregor's fills on the riffy Quandry (made fortuitously more pungent by the off-pitch piano), and two versions of the springy, Mingus-like Touch Hungry – the first with a percussively Monkish McGregor, the second with some fine, Miles-like trumpet from Marc Charig. Those who remember Miller's heyday will love this rough-hewn document, as will fans of the South Africa-celebrating Townships Comets and Moholo-Moholo's current work." - John Fordham

---

Harry Miller / bass

Louis Moholo-Moholo / drums

Keith Tippett / piano

Mike Osborne / alto saxophone

Mark Charig / trumpet

Malcolm Griffiths / trombone

---

Tracks 1 - 3 recorded in London, England on June 4th 1973. Tracks 4 - 7 recorded at Chateauvallon Jazz Festival, France, July 7th, 1976.

OG041 - Harry Miller "Mofolo"

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

LR326 - Evan Parker & Patrick Scheyder "Dancing With Dr Dee"

cafeOTO

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