Smooth sax vibes (feat. Michele Vignali)

Night and day (feat. Michele Vignali)

Marco's Riff (feat. Michele Vignali)

True love (feat. Michele Vignali)

Early track by Adrian Rigby with Richard on Soprano Saxophone.  Featured in early Future Paradise gigs back in 1994

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Whalesong

FI-LO

Reality in Motion

Space Beach

Mesmerize Rainbow

Week-end of adventure

Gloss

City Lights Fade

Bon voyage

First Saxophone Quartet.  Perhaps not final version

Track 25 - Saxophone Quartet no.1 (For Review - Not Finalised )

Jungle Night

Download Beat In Store: https://snd.ee/bPV6

RUN | Rap x Hip Hop Beat

TOQUE A OGGÚN Y SHANGÓ (2018)
Live recording of the Danish premiere, on December 5th, 2025.
Añá International Ensemble 
Flutes: Liam Mallet, Clarinets: Horia Dumitrache, Saxophone: Henriette Jensen, Percussion: David Hildebrandt, Piano: Talvi Hunt. Guest conductor: Mathias Reumert.
Notes on TOQUE A OGGÚN Y SHANGÓ by Dr. Iván César Morales.
Algunos críticos han denominado la música de Aguirre como: “salida de los infiernos” y “no para los débiles de corazón”. “Toque a Oggún y Shangó” no es una excepción en el catálogo de Aguirre, y sigue ahondando en la exploración de uno de sus conceptos fundamentales: el “monodrama strumentale”. 
Su discurso musical es la expresión metafórica de un mundo (ir)real penetrante y transgresor de prodigiosa energía y eficacia comunicativa. En estrecha complicidad con sus intérpretes, siempre de probado virtuosismo y desenvolvimiento polivalente,  Aguirre conforma los trazos de un entorno sonoro-ritual multi y micro-sensorial. Aquí convergen,  bajo una densa mixtura polidireccional, complejos contrapuntos, intrincados diseños rítmicos, saturadas sonoridades microtonales y amplios espectros de alturas y ruidos (uso de técnicas extendidas), junto a una gama de recursos físicos gestuales de elevada riqueza sígnica.  Aguirre aprehende cuanto elemento encuentra a su alcance para hacer realidad en su obra los más velados y estrepitosos efectos que logran caracterizar, en paralelo, el mundo subjetivo (quasi psicodélico) y representacional de las ancestrales ceremonias afro-cubanas. Y es que “Toque a Oggún y Shangó” es una obra que está intrínsecamente relacionada con la esencia cosmogónica de los ritos afro-cubanos. Con la metafísica existencial del Eggun, del Orisha, del Mpungo –que son los espíritus contenidos en las fuerzas incontrolables de la naturaleza– y con toda su impredecibilidad, su energía descomunal y su pavor.

Some critics have characterized Aguirre’s music as “emerging from the depths of hell” and “not for the faint of heart.” “Toque a Oggún y Shangó” is no exception within Aguirre’s oeuvre and continues to develop one of his foundational concepts: the “monodrama strumentale.” His musical discourse constitutes a metaphorical expression of a penetrating and transgressive (ir)real world endowed with prodigious energy and communicative potency.
In close collaboration with his performers—consistently recognized for their virtuosity and polyvalent proficiency—Aguirre constructs the framework of a multi- and micro-sensorial sonic-ritual environment. Within this space, under a dense polydirectional amalgam, complex contrapuntal structures, intricate rhythmic configurations, saturated microtonal sonorities, and expansive spectra of pitches and noise (arising from the use of extended techniques) converge alongside a repertoire of physical and gestural resources of high semiotic richness.
Aguirre incorporates every element available to him in order to materialise within his work the most veiled as well as the most explosive effects—effects that concurrently evoke the subjective (quasi-psychedelic) and representational dimensions of ancestral Afro-Cuban ceremonial practices. Indeed, “Toque a Oggún y Shangó” is a composition intrinsically linked to the cosmogonic essence of Afro-Cuban rituals: to the existential metaphysics of the Eggun, the Orisha, and the Mpungo—spirits embedded in the uncontrollable forces of nature—together with their unpredictability, overwhelming energy, and awe-inducing presence.
Dr. Iván César Morales Flores. Profesor de la Universidad de Oviedo, España.

TOQUE A OGGÚN Y SHANGÓ (2018)

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Out on Friday 5th December as part of 'Floodlight: DNB Aid for Jamaica’. A heavyweight 70+ track compilation curated to support communities recovering from Hurricane Melissa. The Drum & Bass scene has stepped up once again, showing what happens when artists, labels and ravers pull together for something bigger than the music. All proceeds go towards rebuilding efforts and community relief. We’ll be sharing a track a day until 19th December. Big love to everyone involved!

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Harmony 'Emotions' [FLOODLIGHT: DNB AID FOR JAMAICA] *PREMIERE*

Pop Music Producer x Beat Maker From UK
FOR ALL BEAT ENQUIRES CONTACT: joegautreymusic@gmail.com

Find out more about me and my composing journey at https://heartfulhealing.co.uk/music

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 200 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

Composer and producer of largely instrumental music in the electronica, ambient and new age styles.  Music credits include writing for illusionist Simon Drake and providing music for his venue in London. Cinematic and atmospheric in scope, Richard's music also has a more intimate style including solo piano pieces.

Jungle and Drum & Bass Premieres and Mixes 

All selected in-house by Data Transmission. If you have any new music for submission please email shelley@datatransmission.co

The Online Dance Music Authority. Dancing without prejudice since 2008.

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New tracks tagged #saxophone