Name: TR083 - Shakeeb Abu Hamdan & Sholto Dobie - 'Slows O'er' by cafeOTO
Duration: 7 min 14 s
Description: Taken from 'It's Worse', out on Cafe OTO's digital label Takuroku

"HAVUZ I-II" CS - OUT NOW!!!

https://cloud-chamber.bandcamp.com/album/havuz-i-ii

Istanbul based audio/visual artist Koray Kantarcıoğlu releases his first tape output for Cloudchamber after 2016's Loopworks (Initially released as a tape from Wounded Wolf Press in 2016 and later issued as a vinyl from Discrepant Records.). 

Havuz (means pool in Turkish) is a two part piece made up of seamlessly mixed loops. Like his previous work, Koray manipulates samples he dug from Turkish records and tapes to create otherworldy sound textures. 
This time instead of a computer, Koray composed Havuz entirely on a minimal hardware setup with limited processing options. Result is an intimate, lo-fi sounding record. 

Album art is uses the collaborative work of Koray Kantarcıoğlu and Erdem Ergaz called Duopoly (2013), which combines the two different perceptions of form within a schematic arrangement. 

www.koraykantarcioglu.com

Composed by Koray Kantarcıoğlu 
Between 01/2021 - 05/2021 
Artwork: Erdem Ergaz & Koray Kantarcıoğlu - Duopoly (2013) 
Mastering: Ahmet Türk

Havuz I-II

Koray Kantarcıoğlu - Havuz II (edit)

“Out of Our Hands” brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions. Pressed at RTI for maximum fidelity with a full color printed inner sleeve. 

These companion pieces have similar orbits as they were not only both composed in Middletown, CT (where Alvin and Jordan lived for a number of years), but are about Middletown, at least from a starting point. Alvin’s piece — a homage to the location of the house in which he recorded “I am sitting in a room” back in 1969 — continues his study into slow-moving glissandi and carefully crafted beating patters by interweaving three string players within a minor third (voiced by two vibraphonists). The result is entrancing, almost psychedelic, and opens space where one didn’t expect. Like much of his previous work, it is conceptual and process-based; once the wheels get turning they go on and on, giving the listener time to approach the piece, sit with it, and then move back inward.

Alvin Lucier - Corner Church And High (final Mix)

Live performance for EMS Synthi 100, magnetic tape and computer setup. Performed and recorded at Electronic Studio-Radio Belgrade in 2021.

VIDEO: https://youtu.be/x-j0nUvlogQ
More info: https://www.svetlanamaras.com/radioconcerts.html

Svetlana Maraš©SOKOJ
All rights reserved

Radio Concert No.2

arbitrary12 (A)

Mads Emil Nielsen + Chromacolor: Constellation
https://arbitraryproject.com/Constellation

April 2022
10" | @madsemilnielsen

10" vinyl

Mads Emil Nielsen: Constellation (arbitrary12)

a few sketches with the mungo c1 convolution/bbd module. 
- live convolution of modulated filter pings and a static synth chord
- bbd demo with a borrowe melody from martial canterel :)
- another bbd with sequenced delaytimes

c1 some

Spice routes album is musical visualisations of travel roads for different spices. 

Those sailors of England… Among all they have shipped around the world, star Anise is one of the most innocent goods. Unloaded on European soil in the 16th century for the first time, the 3000-year-old medicine and spice soon began to be traded along the Great Tea Route from China

https://catalog.radijo-musikii.net/release/andra-ljos-spice-soutes

Star anise Rout

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

snf09 : mark templeton "ocean front property" part 1

Aquaeductus vestibuli

Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music. Reflecting the technology, science, modern art, new ecological awareness and optimism of the times and culture, Seastones embodies the history of electronic music by taking full advantage of tape music, analog synthesizers and computer technology to create pieces that are dynamic, rich and deep.

Originally released by the Grateful Dead's Round Records in 1975, Seastones' reputation as a gem of electronic music was further enhanced by the celebrity of the musicians who contributed to the source material. Seastones musicians include Ned Lagin (processed piano, clavichord, organ, prepared piano, electric piano, synthesizers), Jerry Garcia (processed electric guitar, pedal steel guitar, voice), Phil Lesh (processed electric bass), David Crosby processed electric guitar and vocals), Grace Slick and David Freiberg (processed vocals), and Mickey Hart and Spencer Dryden (percussion).

This new LP presents two crafted Seastones sets (Sets 4 and 5, 18 tracks) drawn from the entire Seastones composition and contains gorgeous extended processed vocals by Garcia, Crosby, Slick and Freiberg, and beautiful abstract instrumental passages by Lagin and all.

Ned Lagin - Seastones - Seastones 03 - LP available Nov. 3, 2020

Taken from 'It's Worse', out on Cafe OTO's digital label Takuroku

TR083 - Shakeeb Abu Hamdan & Sholto Dobie - 'Slows O'er'

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR083 - Shakeeb Abu Hamdan & Sholto Dobie - 'Slows O'er'

cafeOTO

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