From the album Andrew Pekler & Giuseppe Ielasi "Palimpsests" out on Shelter Press om October 22, 2021. Preorder: https://shelterpress.bandcamp.com/album/palimpsests

Bandcamp

Andrew Pekler & Giuseppe Ielasi - Simferopol

A mix originally made for Kiev's 20ft Radio https://www.20ftradio.net 

Tracklist:
1. Paul Lansky - Word Color
2. Celia Hollander - 11:01 PM
3. Yolambi - VI
4. Madalyn Merkey - Click
5. Mark Templeton - Water Baptism
6. Brin & Josiah Steinbrick - I Feel / New Look
7. Giuseppe Ielasi - 04 (Its Appearance Reflected By Three Copies)
8. Mike Weiss - The Beach
9. Ned Lagin - Seastones 79 
10. Wild Card - Twighlight Disclosure
11. Andrew Pekler - unreleased 
12. Ludwig Berger - Hotel Bali-an Resort Shinjuku Island Tokyo
13. Takamitsu Ohta - Pichang-Pochang - Hide From the Rain 20190219
14. Yoshio Machida - Daydreams
15. Hideki Umezawa - Sinking into Silence
16. Andrew Pekler - unreleased 
17. Andrew Pekler - unreleased 
18. Andrew Pekler - Encounter

20ft Radio Mix

B4 Spivak - Oauver

Joseph Jarman & Anthony Braxton - Together Alone
Nexciya - hydro
ulla - macys 
Bendik Giske - Cruising 
Barker - Gradients of Bliss
Carmen Villain - Untitled (unreleased) 
Coby Sey - Onus
Pontiac Streator - petabyte
interlude
Anja Lauvdal - Tehanu
Johanna Orellana - San Fabián (forthcoming)
Le Mystère des Voix Bulgares - Kalimankou Denkou

CV x NTS Nov 10th 22

Artist: Groupshow
Title: Greatest Hits
Cat#: faitiche 29
Release: Jan 27th 2023 (digital single: Nov 25th 2022)
Format: LP/DL

Faitiche presents Groupshow’s Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.
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In improvisation there are no mistakes, only missed opportunities. Groupshow found their first opportunity in the routines of live performance and they used this opportunity to break with these routines. The trio consisting of Jan Jelinek, Hanno Leichtmann and Andrew Pekler came together in the context of Kosmischer Pitch, playing live versions of the music from Jelinek’s 2005 studio album of that name. During this project, the musical interaction between the three participants quickly emancipated itself from the original programme, departing from fixed roles and finding a distinct form in constant change.
Groupshow sessions – rehearsal, concert or recording – are always improvised. The interplay of the various sound sources, converging from the directions of “electronics”, “percussion” and “guitar”, does not follow the Krautrock wave logic of crescendo and morendo. Jelinek, Leichtmann and Pekler have established a method of transparent density in which links and breaks are not concealed but remain audible. The music works through attraction and repulsion, with a loosely organized structure that always leaves enough room for the next intervention.
The principle here, repeated even in the smallest units, is that of duration. Groupshow think of their music in terms of an installation: no starting point, no dramaturgy, and ideally no end. Concerts take place not raised up on a podium, but in the middle of the room on a level with the audience, who only enter the space with the musicians and instruments once their interaction is already underway. In 2008, Groupshow used this approach to create a live soundtrack for Andy Warhol’s film Empire, over the full length of eight hours and five minutes.
Recordings in general and the “Greatest Hits” format in particular are another key aspect of this ongoing work on a collectively modulated continuum. The ten tracks on this first vinyl album by Groupshow, recorded between 2005 and 2018, document the ephemeral capturing of opportunities that were not missed. Extracts and essences of an endless movement of searching. The sprawling form of the whole, suspended in succinct, separate units.
To paraphrase Lao Tzu and Roland Barthes, one might say: Once their work is done, they are no longer attached to it. And because they’re not attached to it, it will remain. (Arno Raffeiner, 2022)

Groupshow: Music For A Plank Press

From the forthcoming album SG - For Lovers Only / Rain Suite (Faitiche 33)

SG - Western Affect

Artist: Jan Jelinek
Title: SEASCAPE - polyptych (OST)
Cat#: faitiche 31
Release: April 28th 2023
Format: LP/DL

One of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument.

Faitiche presents Jan Jelinek's soundtrack for SEASCAPE – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022.
SEASCAPE – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahabs voice into ten abstract soundscapes.

In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This music is abstract but not overwhelming. Quite the opposite, SEASCAPE – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events.
 
Although part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers?

If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse.

Jan Jelinek: Drawn Toward The Whirlpool's Center

The fourth episode of the Test Pressing series compilations includes tracks from such artists as Memotone, Giuseppe Ielasi, Andrew Pekler, Roméo Poirier, Nikolaienko, Felix Kubin, Jake Muir, Felicity Mangan, Star Searchers, and Tarotplane. 
The first episode was released in 2012 as a debut Muscut record named so and intended to become a label trial, a test of the audience to check whether the world needs one more label with the following episodes in 2018 (Test Pressing II) and 2020 (Test Pressing III). 

Format: 12” LP / DL
Cat. No.: Muscut 30
Series: Test Pressing
Edition: 300 (hand-stamped, hand-numbered)
File under: Ambient, Experimental, Electronic
Release date: August 4, 2023

Tracklist:

(Side A)
01 Memotone - False Cobra
02 Giuseppe Ielasi - Untitled, February 2023
03 Andrew Pekler - Neon Nocturne 
04 Roméo Poirier - Haut Lieu
05 Nikolaienko - Ambianta VI
06 Felix Kubin - Spukflattern

(Side B)
07 Jake Muir - Spindle
08 Felicity Mangan - Wings
09 Star Searchers - Previsual Stingray Motion FX
10 Tarotplane - We Stutter Between


Mastering by: Giuseppe Ielasi 
Graphic design by: (DN) daynight.info
Distribution by: N.E.W.S. (BE) 
Website: www.muscut.org

Test Pressing IV

Pre-order

VA Test Pressing IV (Muscut 30, 12" comp) excerpts

Artist: SG (Andrew Pekler) 
Title: For Lovers Only / Rain Suite  
Cat#: faitiche 33
Release: Oct 6th 2023
Format: LP/DL

SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only / Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.   What does Pekler's pseudonym SG stand for? Sentimental Guitar? Sound Gallery? Shy Guy? Sad Gnosis? Saudade Glamour? Soft Goth? We don't know, but we asked notorious Chicago romantic Sam Prekop for his take on the album – his reply:

It’s a wonder where the rivers go and far, how fast or slow. 

Just seconds to remember, who can forget,
when you are lost. 

I think to recount every step, in both hands, eyes open, the clouds unfold, one two three. 
Every other step, just as well.

Where the moss is soft, you know strong. How many hours, days?
I could have been careful, did I forget? 

Never mind. 
Waking up, in these arms, where the rivers go, slow. 
One two three, one two three.

SG (Andrew Pekler): Sentimental Guitar Dream

From the album Sounds From Phantom Islands: https://andrewpekler.bandcamp.com/album/sounds-from-phantom-islands

Buy on Bandcamp

Los Jardines

Bonus track from the expanded digital release of the 2012 album Cover Versions. Available now at: https://andrewpekler.bandcamp.com/album/cover-versions

Download includes 10 bonus tracks not included on the original vinyl release, a PDF of 100 unique Cover Versions album covers, and installation photos. 

Original press release text:
Cover Versions – Record-edition and installation by Andrew Pekler

For ten days, the gallery Laura Mars Grp. is transformed into a record shop, complete with records in browser bins, recommendations on the walls and a record shop clerk to assist customers. This record shop, however, only sells one record: Cover Versions by Andrew Pekler, each copy of which is packaged in its own individual album cover. 

Andrew Pekler selected 300 different covers from cheap second-hand records and, using colorful geometric elements to cover over all titles, performer's names, and label logos, removed traces of the covers' original contexts. 

The sunsets, couples in silhouette, alpine panoramas, roses on pianos, faces in close-up, and seascapes no longer serve as the packaging for easy listening, , volksmusik, exotica and light classical. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend their evocative powers to the record of new music they now house. 

Likewise, the principle of collage is audible in Andrew Pekler's compositions. The electronically transformed fragments of audio extracted from the original records take on a new existence as Cover Versions.

Cover Versions is a co-production between Andrew Pekler, Laura Mars Grp., Fantôme Verlag and Senufo Editions.

Organ / Instrument

Andrew Pekler

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Tuh Pa Warez

scandinavian subtropical

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