This is an alternate take to the track I called "Swell". Recorded 5/15/24
Thanks for listening 🌊

Breaker

A PVC 7" made for our Good Morning Family Jam at Acud Macht Neu in Berlin on 27/07/19.

Features the tracks "Magnolia Shade" by Innsyter & an edit by 2Morph taken off their recent release titled "Panaceum".

Only 30 copies made!

Purchase here:
https://www.goodmorningtapes.com/collections/vinyl

Innsyter / 2Morph - 7" Sampler (Snippets)

TTT082 @waswaasaawsaw

Download here 18.10.19 https://thetrilogytapes.kudosrecords.co.uk/release/ttt082/waswaas-antidote

TTT082

Antidote

TTT at Honest Jon's

Waswaas – Nostalgia

FUTUR 2010 DJ #14 : OHLANDY_ Bisrepetita

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)
From Commend 005: Sea Urchin and Aki Goto's Shirotento Orchestra - Natal Uranus, il corpo sotto la sabbia / Birthdays

Learn more here: https://smarturl.it/cmmnd005


Mastered by Jack Callahan.
Artwork by Aki Goto. 
Design by Will Work For Good.

Natal Uranus, il corpo sotto la sabbia / Birthdays

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)

Bonus track from the expanded digital release of the 2012 album Cover Versions. Available now at: https://andrewpekler.bandcamp.com/album/cover-versions

Download includes 10 bonus tracks not included on the original vinyl release, a PDF of 100 unique Cover Versions album covers, and installation photos. 

Original press release text:
Cover Versions – Record-edition and installation by Andrew Pekler

For ten days, the gallery Laura Mars Grp. is transformed into a record shop, complete with records in browser bins, recommendations on the walls and a record shop clerk to assist customers. This record shop, however, only sells one record: Cover Versions by Andrew Pekler, each copy of which is packaged in its own individual album cover. 

Andrew Pekler selected 300 different covers from cheap second-hand records and, using colorful geometric elements to cover over all titles, performer's names, and label logos, removed traces of the covers' original contexts. 

The sunsets, couples in silhouette, alpine panoramas, roses on pianos, faces in close-up, and seascapes no longer serve as the packaging for easy listening, , volksmusik, exotica and light classical. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend their evocative powers to the record of new music they now house. 

Likewise, the principle of collage is audible in Andrew Pekler's compositions. The electronically transformed fragments of audio extracted from the original records take on a new existence as Cover Versions.

Cover Versions is a co-production between Andrew Pekler, Laura Mars Grp., Fantôme Verlag and Senufo Editions.

Bandcamp

Organ / Instrument

Echo of Species 13 - Felicity Mangan

@felicity-mangan
_ _ _

This episode - ‘Marsh’aphonics - features selected tracks by Pauline Oliveros, Knud Viktor, Olli Aarni, Vlad Dobrovolski, Heidrun Schramm, Native Instrument (@native-instrument), Marja Ahti (@marjaahti), Andrew Pekler (@pekler), Lag Os (@lag-os), HMOT (@hmotology) and Tomoko Sauvage(@tomokosauvage).

_ _ _

Felicity Mangan's words:
"Wetlands such as small ponds, marshlands, swamps and lakes provide habitats for many of the
world's existing, new and endangered aquatic and terrestrial species.
During the recent lockdown situation l have taken long bike rides inside of the Berlin borders
discovering many tracks along canals, rivers and wetlands inhibiting an amazing biodiversity of
lush flora and fauna during the spring season. I also recently discovered that the name Berlin
roots from previous West Slavic inhabitants berl-/birl- "swamp".
Inspired by these local biotopic explorations I have created a mix featuring my own music that is
influenced and populated by wetland species while including many other artists I have
discovered who have created music inspired by aquatic phenomena or the voices of species
that habitat these wet landscapes."
_ _ _

To know more about Felicity Mangan:
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers made with piezo transducers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments. 

Felicity has recently played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin Joh and Plants and Animalia with Christina Ehrl Shirley – grafting live and pre-recorded drones produced by remnants of plant biochemistry together with modified animal voices. Felicity has also released a solo publication on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy 2020.

You can support the artist here: 
www.felicitymangan.org

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 13 - Felicity Mangan

Lucy Railton / cello

---

"...What is it about the telling that provides comfort or consolation? Perhaps it's partly in the curative power of naming, an act that can bring our experience into relief and ward off the depressive forces of nothingness, formlessness, and monstrous plasticity. There are also other forms of telling that are not lexical, and our too-easy separation of sound and speech, music and words, belies the existence of something deeply healing and transformational that grounds and unifies them both." - Sofie Fetokaki  

This music was improvised and recorded on April 31st in the quiet bunker-esque venue, Ausland, just 20 doors down from where I live in Berlin. Additional processes and editing were competed on May 2nd 2020. Special thanks to Cafe Oto, Billy Steiger, Petter Eldh and Sophie Fetokaki for their part in the making of this work.

TR014 - Lucy Railton "First Lament"

I i I

Malin Bobo #13 (25/10/20)

https://socialharmony.bandcamp.com/merch/dj-michel-gentil-le-retour-des-d-moniaques