Fusionamos los sonidos, los ritmos, los géneros libremente, porque nos inquieta y nos atrae todo lo que está a nuestro alrededor. Somos todo oídos!!
Nace un Árbol en un mundo desierto,  donde  tumbas en forma de  edificio los remplazan como lápidas que dan sombra sin viento.
Nace ÁRBOL DE PIE, como símbolo de RESISTENCIA y afán por la conservación del medio ambiente.
Música para todo el MUNDO
www.myspace.com/arboldepie 

Integrado por:
*Dajo Miranda: Batería, Percusión, diseño y plástica del grupo
*Elena Zúñiga: Violoncello y Voces
*Eduardo Rodríguez: Sax, Caracol, Ocarinas y Flautas chinas
*Lan Chung-Yi: Teclado, Yang-Chin y percu menor
*Sabrina Alvarado: Fagot y coros

Cumbia, Bomba del Valle, San Juanito, Tecnobrega, Champeta, Global Bass. 100% Autoral.

Cocofunka is born in 2008 as a new concept within Costa Rican music creating a fusion of musical genres, mixing indie, funk, rock, reggae, and alternative latin sounds.

For these six characters drawn from fiction, their particular energy and live show - a blend of psychedelic and dancing beats - has allowed them to be considered one of the top bands of the agitated Costa Rican music scene, having performed in more than 400 stages and festivals and travelled throughout Mexico, Peru, Nicaragua, Panama and USA.

Criolo; MC, singer, songwriter, released his album “Nó na Orelha” (Knot in the Ear) in May 2011. Produced by Daniel Ganjaman, known for his work with artists such as Nação Zumbi and the late Sabotage, and Marcelo Cabral, a pre-eminent musician of the new generation in Brazil, all tracks were composed and written by Criolo.

“Nó na Orelha” was initially available in Brazil as a free download and only commercially released on CD and vinyl in June 2012, when it also gained its first international exposure via the London-based label, Sterns Music.

Since the release of the album it has received over a dozen awards, both inside and outside of Brazil and Criolo has performed at over 200 shows within Brazil alone. In 2012 he toured internationally and visited 11 countries where his concerts were attended by crowds of all ages. These included the Roskilde Festival in Denmark and the Summer Stage Festival in New York’s Central Park.

The success of “Nó na Orelha” has led Criolo to share the stage with Caetano Veloso, Seu Jorge and the fado singer Ana Moura. In London he collaborated with the Ethio-Jazz icon Mulatu Astatke. Homage has been paid by Chico Buarque, and Criolo was interviewed by Spike Lee for the documentary “Go, Brazil, Go”. During one of the performances of “Nó na Orelha” in Rio de Janeiro, Ney Matogrosso took the stage to duet on the song “Freguês da Meia-Noite”, written by Criolo and to be recorded by Ney for his next album.

In 2013, his whole show “Nó na Orelha – Live at Circo Voador” was filmed in Rio de Janeiro and released as a ‘pay-as-you-like’ download. The DVD and CD “Criolo and Emicida – Live”, directed by Andrucha Waddington, Paula Lavigne and Ricardo Della Rosa, was also released in 2013.

In October 2013, the single “Duas de Cinco” was released digitally and on 12 inch vinyl in Brazil. It contains two new tracks, again produced by Daniel Ganjaman and Marcelo Cabral. A video featuring the lyrics of the first track “Duas de Cinco” has been produced by the project’s art director, Ricardo Fernandes, and is available on YouTube.

It’s classic rap over a sampled beat, with dense verses that feature a bold critique of contemporary Brazil. The chorus, taken from the song “Califórnia Azul” by Rodrigo Campos, a Brazilian artist of the same generation as Criolo, was the starting point for both lyrics and beats.

With the addition of Thomas Rohrer on the rabeca, the traditional violin from the north of Brazil, the B-side of the single, “Coccix-ência”, was recorded live in the El Rocha Studio by the superb musicians that have been Criolo’s backing band for the past two years. These two new songs, together with material from his 2006 release “Ainda Há Tempo” are now part of the repertoire of Criolo’s live shows.

On stage, Criolo performs alongside the producers Daniel Ganjaman (keyboards and electronic programming), who is also the musical director of the show, and Marcelo Cabral (acoustic and electric bass). The musicians Guilherme Held (guitar), Maurício Badé (percussion), Sérgio Machado (drums) and ‘loyal servant’ DJ Dan Dan (vocals and turntables) complete the line-up. - See more at: http://criolo.net

Canções compostas à mesa, à cama. Da intimidade de um casal, Carne Doce.

SPIT was born in mid 2012 in the city of Santa Maria - Rio Grande do Sul, with the proposal of merging the aggressiveness of Thrash with the low density and weight characteristics of Southern metal. Thus came a visceral fusion with the personality in style. For download, the first work, the Afterall EP.
...

A SPIT nasceu em meados de 2012, na Cidade de Santa Maria - Rio Grande do Sul, com uma Proposta de mesclar a agressividade do Thrash com a afinação baixa e peso características do Southern. assim surgiu uma fusão visceral com personalidade no estilo. Para download, o primeiro trabalho, o EP Afterall.

Line up:
Fabrício Furia - Vocals
Mateus Bortoluzzi - Bass
Luciano Schirmer - Guitars
Márcio Arend - Guitars
Lucas de Oliveira - Drums

Recorded/Mix/Master - Leo Mayer
Art Concept - Alexandre Machado

Monteventura

Segundo a teoria do caos uma única gota d'água seria capaz de gerar um tsunami catastrófico nos oceanos em uma variável de tempo "x".

Sendo assim, pode-se questionar que uma única frequencia sonora gerada por um instrumento musical poderia gerar um maremoto? Alguns músicos tentaram fazer o teste com uma banda, a Monteventura. 

O grupo, criado em meados de 2012, sempre teve algumas intenções: fazer 
música, ser rock em estilo, sem medo, cultivando a experiência em sons. 

A sinergia entre diversos gêneros musicais - principalmente da música brasileira - é um dos embalos que também cultuaram o processo de criação do primeiro trabalho autoral da banda, batizado de Maremoto. 

Fazem parte deste experimento o curador de mentes quase perdidas Victor Valentim (voz, bandolin e violão), o multi-funcional Samuel Bordon (baixo, vozes, programações e produtor técnico do álbum), o criador dos ruídos mais legais do planeta Daniel Ribeiro (guitarras, violões, bandolin, 
harmonium e vocais) e o homem de várias facetas Mike Maeda (bateria, percussões, eletrônicos, programações e vozes). 

A história em detalhes da Monteventura, neste momento, talvez nem tenha tanta relevância, até porque os quatro integrantes possuem uma trajetória de longa data. O importante é que fazem um som bacana, sincero, ora introspectivo, ora agressivo e real. 

No fim, apenas ouça e reflita sobre!

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