Caine started spining and buying DnB records in '94 but his passion for graffiti writing and travels kept him away from the scene for years. Since 2003, he mainly focuses his energy on music (both producing and djing).
Nowadays, he spends most of his time going back and forth from the studio to the drawing board and keeps himself busy running his label project IM:LTD.
http://www.soundcloud.com/im-ltd

🔊 DJs / MC / Events Promoter Crew
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🇫🇷 Rise & Born in Grenoble ! Bass Jump est né en 2010 sous l'impulsion de différents acteurs de la scène sound systems Drum & Bass du Sud-Est.

Ils tirent les ficelles de plusieurs soirées dont le nom résonne aujourd'hui bien au-delà de leurs frontières (comme les « Clang! » ou le très apprécié « @BASSODROME FESTIVAL »), inscrivant durablement leur fief sur la carte des places fortes européennes de la Bass Music, grâce notamment à une programmation qui ne trompe pas ! 🔥
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🇬🇧 Bass Jump was born in 2010 as a result of the impulse of various players in the South-East Drum & Bass sound system scene.

They pull the strings of a number of events whose names now resonate far beyond their borders (such as "Clang!" and the highly acclaimed "@BASSODROME FESTIVAL"), putting their fiefdom firmly on the map of European Bass Music strongholds, with an always top-notch line-up! 🔥
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🎧 Clapsky (@clapsky-hooch) / Don Germano (@don-germano) / Général Haze (@motorhaze) / Hooch (@hooch-prod) / Jayh Mo'Fire (@jayhmofire) / Matt Tracker (@matt-tracker) / Septoom (@adamgiggster) / Vici (@vc-new) / Woodslide (@dj-woodslide)

🔨 Alpadskendal / Stuffmaker / Yassa

Heir of the emblematic Massive party (1999-2010) and activist of the Parisian Drum scene, Forever DNB became a true reference regarding Drum & Bass nights. Proud of researched and diversified line ups, we aim to reconnect the movement’s roots to its public. Forever had the honor to receive not only pioneers such as DJ Storm, DJ Hype, D-Bridge, Andy C, DJ Marky, Kasra or Total Science, but also innovating younger talents of their fantastic record labels — to name a few, Hyroglifics (Critical) or Jubei (Metalhead). Empowered by these crushes and by an amazing French scene — SKS, Snowball, Drazel, Ajam & Raxx, LiquidStone and many more, Forever DNB subsists and grows, like a big family. 

Elisa Do Brasil, known as the ambassador of Drum & Bass in France and resident at both Massives and Forever DNB, and three generations of junglists put together their individual experience, discoveries and knowledge to orchestrate, with great passion, qualitative and original nights. Welcomed and supported by mythical Rex Club for almost two decades now, the project achieved to integrate the Parisian night’s landscape and the national Bass Music scene. 

In the name of our movement,
#Foreverlove

Resonance is a DnB/Jungle night as well as mix series based in Sacramento, CA, broadcast on https://www.sutrofm.net every 1st and 3rd Thursdays. Focusing on the deeper side of Drum and Bass and Jungle. Operated by @dj_ajfox.

I have moved around a lot in my life and saw a good amount of North America growing up. I started playing guitar at 15 and still play today. When I moved to Canada I was into Punk rock and played in a band with my roommates. My interest in electronic music and rave culture was first piqued in 1999. My first packed basement rave in Ottawa was unforgettable. It was a DJ battle party, Ready to Rumble 2 it was called. I moved from there to Colorado in 2000 and went to lots of raves there through the end of 2007. I took a break from rave culture about the time the scene shifted over to massive/festivals. I started mixing Drum&Bass in 2002 and have kept up the hobby ever since, though I’ve never made much of a name for myself or have I had any of my productions released, yet. I make my living as a Barista and Bartender, music is just for the love and the experience. I moved from Colorado and made my way to Hawaii. I’ve been living on the Big Island now for 16 years. I love Drum&Bass, especially anything from 94-2005 and I am still buying records. I also really love hip hop from that same time period, I am always trying to get better at scratching, mixing and turntablism. I started playing with hardware synthesizers and drum machines about 6 years ago and have been working on improving my finger drumming, knowledge and skills in order to do live performances. A slow work in progress but it’s getting better every day.

Followers of cainednb