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In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

Preferring a literate style over simple hooks or radio-friendly fodder, Detroit rapper Boldy James delivers sharply focused rhymes that describe drug deals in acute detail. Some of his best-received work, including 2013's My 1st Chemistry Set and 2020's The Price of Tea in China, has been produced by the Alchemist, whose minimalist production befits Boldy's cold, unflinching narratives. 2020's Manger on McNichols, a jazzy collaboration with Sterling Toles, represented a new height in his artistry. He followed it with the Griselda-issued The Versace Tape and further Alchemist productions such as 2021's Super Tecmo Bo. A prolific 2022 included efforts with Nicholas Craven (Fair Exchange No Robbery) and Cuns (Be That as It May). The Conductor Williams-produced Across the Tracks appeared in 2024, followed by The Bricktionary and 2025's Permanent Ink.

Born in Atlanta but raised in Detroit, where his parents were originally from, James Clay Jones III established Boldy James as his stage name in tribute to his friend Boldy, who was murdered. The cousin of rapper/producer and Cool Kids member Chuck Inglish, Boldy made appearances on Cool Kids mixtapes before releasing his first tape, Trapper's Alley: Pros and Cons, in 2011. Consignment: Favor for a Favor, The Redi-Rock Mixtape followed in 2012, and the EP Grand Quarters preceded My 1st Chemistry Set, Boldy's Alchemist-produced studio debut, issued by Decon in 2013.

Boldy became one of the first signees to Nas' Mass Appeal Records in 2014. His output for the label included the 2015 mixtape Trapper's Alley 2: Risk vs. Reward, 2017 EP The Art of Rock Climbing, and 2017 mixtape House of Blues. He went independent with 2018's Live at the Roxy (Tabs & Caps), then linked back up with the Alchemist for 2019's Boldface EP and 2020's full-length The Price of Tea in China. Soon after the album was released, Buffalo-based Griselda Records announced that they had signed Boldy. Following Manger on McNichols, a jazzy and long-gestating LP made with producer Sterling Toles, Boldy released his Griselda debut, The Versace Tape. He capped off an especially prolific period with Real Bad Boldy, his fourth full-length project of 2020, self-issued by album collaborator Real Bad Man. 

Two albums with the Alchemist, Bo Jackson and Super Tecmo Bo, were released in 2021. Numerous Boldy albums appeared in 2022: Killing Nothing, a second effort with Real Bad Man, appeared in May, followed in September by Fair Exchange No Robbery, with Nicholas Craven. Mr. Ten08, with Futurewave, was released in November, and the year closed with a collaboration with Cuns titled Be That as It May. In 2023, Boldy released Indiana Jones with RichGains, followed by the EP Prisoner of Circumstance with ChanHays. Penalty of Leadership, another collaboration with Craven, appeared in early 2024. Also that January, he worked with Conductor Williams, producing the full-length Across the Tracks. He returned in November with The Bricktionary, and he kicked off 2025 with Permanent Ink, albums that underlined his knack for marrying moody grooves with indelible lyrical portraits of urban life. ~ Paul Simpson & David Jeffries, Rovi

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